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Asian Art

Asian

The collection of Asian art at the Metropolitan Museum—more than 35,000 objects, ranging in date from the third millennium B.C. to the twenty-first century—is one of the largest and is the most comprehensive in the West. Each of the many civilizations of Asia is represented by outstanding works, providing an unrivaled experience of the artistic traditions of nearly half the world.

Now at the Met

What's in a Face?

Soyoung Lee, Associate Curator, Department of Asian Art

Posted: Wednesday, July 22, 2015

Portraits can reveal so much about the character of the person depicted, beyond the obvious physical traits. What can you tell about the gentleman in this painting?

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Teen Blog

A New World—China: Through the Looking Glass

Hallie, Guest Blogger

Posted: Tuesday, July 7, 2015

The Costume Institute's spring exhibition, China: Through the Looking Glass, on view through September 7, captures the aura of China and its influence on Western fashion and culture. This exhibition juxtaposes art with fashion from designers who have made their mark in recent fashion history.

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Now at the Met

Spectrum Spotlight—China: Through the Looking Glass

Christopher Gorman, Assistant Administrator, Marketing and External Relations; Chair, Spectrum

Posted: Tuesday, July 7, 2015

Andrew Bolton, curator in The Costume Institute, recently spoke with me about the special exhibition China: Through the Looking Glass, extended through September 7.

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Now at the Met

A Reunion after Sixty Years: The Lin Yutang Family Collection

Shi-yee Liu, Assistant Research Curator of Chinese Art, Department of Asian Art

Posted: Friday, June 26, 2015

The Metropolitan Museum's collection of Chinese painting and calligraphy, one of the finest outside China in both quality and scope, is largely built upon the acquisition of a few private collections. The nearly three hundred works that entered the Museum from the collections of C. C. Wang (1907–2003), the Edward Elliot Family, and John M. Crawford, Jr. (1913–88) in the 1970s and 1980s include several of the most important extant Song (960–1279) and Yuan (1271–1368) pieces today. Spanning the period from the eleventh to the nineteenth century, these works form the core of the department's painting and calligraphy collection from dynastic China.

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Now at the Met

Vernal Splendor: Kano Sansetsu's Old Plum

Aaron Rio, Jane and Morgan Whitney Fellow, Department of Asian Art

Posted: Thursday, June 18, 2015

In Kano Sansetsu's Old Plum—currently on view in the exhibition Discovering Japanese Art: American Collectors and the Met—a wizened plum tree stirs in the cold of early spring. At lower right, its buckled trunk rises near pillar-like rocks and a thicket of bamboo grass (sasayabu) before stretching to the left, heaving and gyrating its way across a sixteen-foot expanse of gold foil. Green lichen clings to its knotty trunk and icy white blossoms open on its fragile twigs, frozen stiff against the gold.

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Met Museum Presents Blog

Daring Performances in Iconic Spaces: A 2015 Met Museum Presents Itinerary

Meryl Cates, Press Officer, Met Museum Presents

Posted: Friday, June 12, 2015

Over the course of this past season, live arts at the Met have offered audiences daring and intriguing performances. By staging events right in the galleries and commissioning new works specifically for these powerful and iconic spaces, Met Museum Presents invites audiences to connect and engage with their surroundings and to be active in the performance experience.

While reflecting on this past season, as well as looking ahead to our 2015–16 season, we've assembled this special itinerary to give visitors the opportunity to view the galleries that have inspired memorable performances and have sparked the creativity of some of today's most fearless artists.

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Now at the Met

Installing Sacred Traditions of the Himalayas: A Behind-the-Scenes Look

Kurt Behrendt, Associate Curator, Department of Asian Art ; Kristine Kamiya, Associate Conservator, Department of Textile Conservation; and Matthew Cumbie, Conservation Preparator, Department of Objects Conservation

Posted: Friday, June 5, 2015

During the earliest stages of conceptualizing the Sacred Traditions of the Himalayas exhibition, on view through June 14, I went through the Metropolitan Museum's holdings and came across a stunning body of jewelry that came to the collection in 1915. As the Department of Asian Art is celebrating its centennial this year, I was excited to have the opportunity to present the very first Himalayan works to come into our collection—the first of many works acquired beginning exactly one hundred years ago.

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Now at the Met

The Shapes of Things, or, How the Ding Met the Tureen

Denise Patry Leidy, Curator, Department of Asian Art

Posted: Friday, May 29, 2015

This spring, the subject of cultural exchange between China and the West has been a hot topic thanks to the exhibition China: Through the Looking Glass, a collaboration between The Costume Institute and the Department of Asian Art. Yet fashion is by no means the only arena in which Western artists have been inspired by Chinese objects. For instance, bronze ritual vessels known as ding (figs. 1 and 2), which emerged during China's Bronze Age (ca. 1600–221 B.C.), have long inspired objects ranging from Korean chaekgori screens to Viennese bowls.

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Now at the Met

Crossing Cultures—Platon for China: Through the Looking Glass

Rachel High, Editorial Assistant, Editorial Department

Posted: Thursday, May 7, 2015

Best known for his compelling portraits of world leaders, Platon spent several months photographing couture garments from designers such as Christian Dior, Jean Paul Gaultier, Karl Lagerfeld, Alexander McQueen, and Yves Saint Laurent, as well as traditional Chinese costume and decorative art objects. I spoke with him about the book, his work, and the importance of artists as cultural mediators.

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Met Museum Presents Blog

Introducing the Met Museum Presents 2015–16 Season

Limor Tomer, General Manager of Concerts & Lectures

Posted: Wednesday, April 29, 2015

This morning Met Museum Presents announced our new season of performance and talks at the Met. Because we call the Met home, we get to reinvent what performance means at the Museum each season, and we are continuing to lead with curiosity and innovation through powerful performances, new commissions, and fearless artists, all taking the many spaces across the Metropolitan Museum as inspiration for a vibrant season. Next season we continue to present "only at the Met" experiences—singular performances and events that entice you to take in the "where" as well as the "what." The upcoming season pretty much proves that there is no normal, no static model, and no predetermined series.

I'm excited to share a few highlights of our upcoming programs, and I hope that you will join us for an incredible 2015–16 season.

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