The collection of Asian art at the Metropolitan Museum—more than 35,000 objects, ranging in date from the third millennium B.C. to the twenty-first century—is one of the largest and is the most comprehensive in the West. Each of the many civilizations of Asia is represented by outstanding works, providing an unrivaled experience of the artistic traditions of nearly half the world.
Posted: Wednesday, July 22, 2015
Portraits can reveal so much about the character of the person depicted, beyond the obvious physical traits. What can you tell about the gentleman in this painting?
Posted: Tuesday, July 7, 2015
Posted: Tuesday, July 7, 2015
Posted: Friday, June 26, 2015
The Metropolitan Museum's collection of Chinese painting and calligraphy, one of the finest outside China in both quality and scope, is largely built upon the acquisition of a few private collections. The nearly three hundred works that entered the Museum from the collections of C. C. Wang (1907–2003), the Edward Elliot Family, and John M. Crawford, Jr. (1913–88) in the 1970s and 1980s include several of the most important extant Song (960–1279) and Yuan (1271–1368) pieces today. Spanning the period from the eleventh to the nineteenth century, these works form the core of the department's painting and calligraphy collection from dynastic China.
Posted: Thursday, June 18, 2015
In Kano Sansetsu's Old Plum—currently on view in the exhibition Discovering Japanese Art: American Collectors and the Met—a wizened plum tree stirs in the cold of early spring. At lower right, its buckled trunk rises near pillar-like rocks and a thicket of bamboo grass (sasayabu) before stretching to the left, heaving and gyrating its way across a sixteen-foot expanse of gold foil. Green lichen clings to its knotty trunk and icy white blossoms open on its fragile twigs, frozen stiff against the gold.
Posted: Friday, June 12, 2015
Over the course of this past season, live arts at the Met have offered audiences daring and intriguing performances. By staging events right in the galleries and commissioning new works specifically for these powerful and iconic spaces, Met Museum Presents invites audiences to connect and engage with their surroundings and to be active in the performance experience.
While reflecting on this past season, as well as looking ahead to our 2015–16 season, we've assembled this special itinerary to give visitors the opportunity to view the galleries that have inspired memorable performances and have sparked the creativity of some of today's most fearless artists.
Posted: Friday, June 5, 2015
During the earliest stages of conceptualizing the Sacred Traditions of the Himalayas exhibition, on view through June 14, I went through the Metropolitan Museum's holdings and came across a stunning body of jewelry that came to the collection in 1915. As the Department of Asian Art is celebrating its centennial this year, I was excited to have the opportunity to present the very first Himalayan works to come into our collection—the first of many works acquired beginning exactly one hundred years ago.
Posted: Friday, May 29, 2015
Posted: Thursday, May 7, 2015
Best known for his compelling portraits of world leaders, Platon spent several months photographing couture garments from designers such as Christian Dior, Jean Paul Gaultier, Karl Lagerfeld, Alexander McQueen, and Yves Saint Laurent, as well as traditional Chinese costume and decorative art objects. I spoke with him about the book, his work, and the importance of artists as cultural mediators.
Posted: Wednesday, April 29, 2015
This morning Met Museum Presents announced our new season of performance and talks at the Met. Because we call the Met home, we get to reinvent what performance means at the Museum each season, and we are continuing to lead with curiosity and innovation through powerful performances, new commissions, and fearless artists, all taking the many spaces across the Metropolitan Museum as inspiration for a vibrant season. Next season we continue to present "only at the Met" experiences—singular performances and events that entice you to take in the "where" as well as the "what." The upcoming season pretty much proves that there is no normal, no static model, and no predetermined series.
I'm excited to share a few highlights of our upcoming programs, and I hope that you will join us for an incredible 2015–16 season.