The Museum's collection of art of the peoples of sub-Saharan Africa, the Pacific Islands, and North, Central, and South America comprises more than eleven thousand works of art of varied materials and types, representing diverse cultural traditions from as early as 3000 B.C.E. to the present. Highlights include decorative and ceremonial objects from the Court of Benin in Nigeria; sculpture from West and Central Africa; images of gods, ancestors, and spirits from New Guinea, Island Melanesia, Polynesia, and Island Southeast Asia; and objects of gold, ceramic, and stone from the Precolumbian cultures of Mexico and Central and South America.
Posted: Friday, June 13, 2014
The Metropolitan Museum of Art is home to some of the world's most respected art. People from all over the world come to see the collection and appreciate the history and stories that the works present. Think you know the Met's collection like a pro? Here's a game to test your knowledge and see just how much you know about the artists and their subjects.
Posted: Thursday, May 29, 2014
Brought to you by the Spectrum group, which encourages post-college audiences to experience the Met in new and unexpected ways, this post is the third installment of our "Spectrum Spotlight" series, which introduces some of the staff members who make the Museum such a special place.
Posted: Friday, May 23, 2014
May is Asian-Pacific American Heritage Month, a celebration of Asians and Pacific Islanders in the United States. This month affords us the opportunity to reflect on the various achievements and traditions of so many of our neighbors, friends, and family members. The Metropolitan's permanent collection and current exhibitions offer a calm and reflective setting for appreciating the art from this part of the world.
Posted: Friday, March 28, 2014
At the entrance to the Michael C. Rockefeller Wing, in the gallery devoted to Ethiopian art (Gallery 351), an installation combines historical works from the Museum's collection with a series of related creations by a contemporary artist on loan from a private collection.
Posted: Wednesday, March 5, 2014
On February 2, J.D. 'Okhai Ojeikere, one of the greatest African photographers of the twentieth century, passed away. Over a career that spanned more than fifty years, Ojeikere exhibited internationally in major venues such as the Venice Biennial, Tate Modern, Studio Museum in Harlem, Documenta, and Fondation Cartier pour l'Art Contemporain, among others. He is represented in some of the most prestigious collections, including the Met's, which includes two photographs from his celebrated Hairstyles series.
Posted: Monday, March 3, 2014
On Wednesday, March 5, the Department of Musical Instruments will present a gallery concert featuring the Kakande Quartet, who will perform music from the Mandé Empire of West Africa. The ensemble is led by the renowned Guinean balofon player Famoro Dioubate. As a jali, or griot, Dioubate represents an eight-hundred-year lineage of musicians that serve as the primary storytellers and historians of their society.
Posted: Monday, November 18, 2013
Though we tend to associate globalization with the modern, Western-dominated world of capital goods, in reality it began long ago with textiles. The current exhibition Interwoven Globe: The Worldwide Textile Trade, 1500–1800 is the first major exhibition to explore this international exchange of design ideas through the medium of textiles.
Posted: Tuesday, November 12, 2013
The panels on view in the exhibition Feathered Walls: Hangings from Ancient Peru were created by the Wari peoples of southern Peru. Their makers hand-knotted blue and yellow macaw feathers one by one onto cotton and camelid hair using slipped overhand knots. The strings of feathers were then sewn in horizontal rows onto large cotton panels.
Posted: Thursday, October 31, 2013
Many questions surround the beautiful feather panels, created between about 600 and 1000 by the Wari peoples of Peru, that are currently on view in the exhibition Feathered Walls: Hangings from Ancient Peru. The simplistic juxtapositions of color and painstaking care put into them tantalize the mind and make one wonder what purpose the panels served.
Posted: Thursday, October 24, 2013
As a preface, I would just like to ask that you not take my excitement about the work above to be some kind of authoritative perspective on it—in other words, that you'll visit the Museum, see this piece and have a great, transcendent epiphany with the swelling baritone of a hallelujah chorus behind you. Perhaps it's just me being overzealous and getting unnecessarily pumped up about something as usual. But, for a second, let's be indulgent and allow me to express how this piece requires you to reconfigure your mind, and just how weird and interesting it is. Let's break it down for a second, shall we?