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Xin Wang is the research assistant in the Department of Asian Art.
Xin Wang, Research Assistant, Department of Asian Art
Posted: Friday, April 4, 2014
At the moment, we have on two different sides of the Museum great examples of contemporary artists who have created works that deal with history, politics, and social realities in their respective regions using stop-motion animation: The Refusal of Time (2012), an installation by William Kentridge (b. 1955) currently on view in the Modern and Contemporary Art galleries, and a selection of videos in the exhibition Ink Art: Past as Present in Contemporary China by artists Chen Shaoxiong (b. 1962), Qiu Anxiong (b. 1972) and Sun Xun (b. 1980). Qiu and Sun in particular have acknowledged Kentridge as a source of inspiration. I spoke with Ian Alteveer, associate curator in the Department of Modern and Contemporary Art, about the connections between Kentridge's film and several videos in Ink Art.
Posted: Friday, February 14, 2014
Duan Jianyu's Beautiful Dream series (2008), currently displayed in the exhibition Ink Art: Past as Present in Contemporary China, showcases clichéd renderings of tourist attractions and scenic Chinese landscapes on flattened cardboard boxes. The charming naiveté of the silhouetted forms belies her witty treatment of the banal subjects and materials: soda-can rings reinforce the Great Wall's bulk, and an exposed area of corrugation simulates rippling water, animating an otherwise bland Guilin representation where the distinct Karst mountain forms are typically shown with reflections in the Li River. By playing with these surface particularities, the artist seems to celebrate the cardboard's well-worn materiality rather than merely exploiting its symbolism to critique consumer culture.
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