Rebecca Lindsey is a member of the Visiting Committee in the departments of Musical Instruments and Islamic Art.
Posted: Tuesday, June 10, 2014
Frances Morris (1866–1955) was not only the first woman to work as a professional at The Metropolitan Museum of Art, but she was also, effectively, the first curator of the Museum's collection of musical instruments. The daughter of a minister and raised in New York, little is known of her early life and education, and there is no evidence that she had any professional degrees or musical training.
Posted: Tuesday, April 22, 2014
David Mannes (1866–1969) was a violinist, famed conductor, and one of the most important music educators in the United States, best known for the Manhattan music school he founded in 1916 which today is Mannes College The New School of Music. Though never a Museum employee, Mannes began the distinguished history of musical performances at the Met. He conducted at the Museum for more than forty years, and for thirty years led regular free concerts that The Metropolitan Museum of Art Bulletin described in 1949 as having "America's largest indoor audiences." Particularly during the 1930s, when the Museum had no curator knowledgeable about instruments, Mannes also advised on the acquisition of instruments and their care.
Posted: Thursday, January 30, 2014
This year the Museum officially celebrates the 125th anniversary of the Crosby Brown Collection of Musical Instruments. In 1889 Mrs. John Crosby Brown, the largest donor in the Department's history, gave the first 278 of what would ultimately be more than 3,000 instruments. She was not the founder of the Museum's instrument collection, however—that honor belongs to Joseph W. Drexel (1830–1888). This post is dedicated to Drexel, and is the first in an occasional series that will highlight the history of the collection during this anniversary year.
Posted: Thursday, February 2, 2012
A Metropolitan Museum patron interested in Islamic art in the 1880s would have found little of relevance on display.1 By 1910, however, the situation was very much improved, and in the century since then, the Islamic art displays at the Museum have become the largest in the Western world. This essay briefly describes the evolution of the display of Islamic art at the Metropolitan Museum—from the first largely visual exhibitions to the present scholarly organization by style, material, and civilization.