Nancy Wu is a Museum educator at The Cloisters museum and gardens.
Posted: Thursday, October 29, 2015
In recent weeks, my colleagues have shared tales from their summer travels. My trip took me to Paris, where I made excursions to several medieval monuments that are experiencing ongoing restoration work, which provides unusual access to see them up close. (Scaffolds are a good thing!) The most exciting visit was to Notre-Dame de Reims, or Reims Cathedral, in the heart of the Champagne region. Not only is it one of the canonic Gothic cathedrals of the thirteenth century, but it is also the subject of the dissertation that I completed some years ago.
Posted: Thursday, November 20, 2014
Every curator, at one point or another, has to grapple with questions of provenance. In the case of medieval stone sculpture, works often come to us in fragmentary states, roughly removed from their original sites during revolutionary events, or cautiously salvaged from monuments that have not been cared for over time. Conservators, scientists, and art historians often collaborate to solve questions of geographic origin and attribution.
Posted: Wednesday, September 3, 2014
The next stop on our trip was the town of El Ciego, known as the "City of Wine." We stayed in the dramatic hotel Marqués de Riscal, designed by Frank Gehry to simulate flowing red wine, in the heart of the Rioja region.
Posted: Sunday, August 31, 2014
I'm currently traveling as the Museum's lecturer on Travel with the Met's first Met Adventures trip. Join me as we follow in the footsteps of medieval pilgrims on selective hikes along the pilgrimage route to Santiago de Compostela in Spain. Our first stop is Pamplona, where we visited the street where the famous bull run takes place.
Posted: Thursday, September 5, 2013
Although theatrical plays had been presented at the original Cloisters museum at 699 Fort Washington Avenue until its closing in February 1936, it was not until the performance of The Miracle of Theophilus at The Cloisters' current home in January 1942 that a medieval drama was produced for the first time. Envisioned and organized by the curatorial staff, with a text translated from the original French into English by Curator James Rorimer—later director of The Metropolitan Museum of Art—and costumes designed by Associate Curator Margaret Freeman, the thirteenth-century play was enjoyed by a group of Museum members on the Feast of the Epiphany. Thus began a tradition of medieval theatrical performances at The Cloisters.