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Nancy Wu

Nancy Wu is a Museum educator at The Cloisters museum and gardens.

In Season

The Portal of Villeloin-Coulangé at The Cloisters: Attribution After Eighty Years of Anonymity

Lucretia Kargère, Conservator, The Cloisters Museum and Gardens; and Nancy Wu, Museum Educator, The Cloisters Museum and Gardens

Posted: Thursday, November 20, 2014

Every curator, at one point or another, has to grapple with questions of provenance. In the case of medieval stone sculpture, works often come to us in fragmentary states, roughly removed from their original sites during revolutionary events, or cautiously salvaged from monuments that have not been cared for over time. Conservators, scientists, and art historians often collaborate to solve questions of geographic origin and attribution.

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Travel Blog

El Ciego

Nancy Wu, Museum Educator, The Cloisters Museum and Gardens

Posted: Wednesday, September 3, 2014

The next stop on our trip was the town of El Ciego, known as the "City of Wine." We stayed in the dramatic hotel Marqués de Riscal, designed by Frank Gehry to simulate flowing red wine, in the heart of the Rioja region.

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Travel Blog

Pamplona and Roncesvalles

Nancy Wu, Museum Educator, The Cloisters Museum and Gardens

Posted: Sunday, August 31, 2014

I'm currently traveling as the Museum's lecturer on Travel with the Met's first Met Adventures trip. Join me as we follow in the footsteps of medieval pilgrims on selective hikes along the pilgrimage route to Santiago de Compostela in Spain. Our first stop is Pamplona, where we visited the street where the famous bull run takes place.

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Now at the Met

Medieval Drama at The Cloisters

Nancy Wu, Museum Educator, The Cloisters Museum and Gardens

Posted: Thursday, September 5, 2013

Although theatrical plays had been presented at the original Cloisters museum at 699 Fort Washington Avenue until its closing in February 1936, it was not until the performance of The Miracle of Theophilus at The Cloisters' current home in January 1942 that a medieval drama was produced for the first time. Envisioned and organized by the curatorial staff, with a text translated from the original French into English by Curator James Rorimer—later director of The Metropolitan Museum of Art—and costumes designed by Associate Curator Margaret Freeman, the thirteenth-century play was enjoyed by a group of Museum members on the Feast of the Epiphany. Thus began a tradition of medieval theatrical performances at The Cloisters.

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