Nadja Hansen was formerly an editorial assistant in the Editorial Department.
Posted: Wednesday, March 5, 2014
Piero della Francesca: Personal Encounters, a new catalogue by Keith Christiansen—the John Pope-Hennessy Chairman of the Met's Department of European Paintings—is the first publication to explore the private devotional works of one of the Renaissance's great masters. Published in conjunction with the eponymous exhibition (on view through March 30), the appropriately small book matches the intimate exhibition, which focuses on one of the gems of the Gallerie dell'Accademia in Venice: Piero della Francesca's Saint Jerome and a Supplicant, a work that has long mesmerized Christiansen, and has never before left Italy. I sat down with him to discuss this work and why he felt compelled to put this show and publication together.
Posted: Tuesday, January 7, 2014
To coincide with the opening of the exhibition The American West in Bronze, 1850–1925, Thayer Tolles—the Met's Marica F. Vilcek Curator of American Paintings and Sculpture in The American Wing—has coauthored an evocative catalogue that explores the themes of the Old West as brought to life in enduringly popular sculptures. The publication includes new photography, essays that consider the complex role artists played in constructing the public perception of the West, and an illustrated chronology of historical and artistic events.
Posted: Monday, December 23, 2013
With less than a month left to see the exhibition Balthus: Cats and Girls—Paintings and Provocations at The Metropolitan Museum of Art, I sat down with Sabine Rewald—Jacques and Natasha Gelman Curator in the Department of Modern and Contemporary Art, and author of the accompanying exhibition catalogue—to discuss her many years of fascination with Balthus, as well as her latest research that has brought such a renewed richness to the artist's subjects.
Posted: Wednesday, November 13, 2013
I recently had the opportunity to speak with Mike Hearn—the Met's Douglas Dillon Curator in Charge of the Department of Asian Art—about his work in authoring the catalogue accompanying the upcoming exhibition Ink Art: Past as Present in Contemporary China, his inspiration for incorporating modern works into his department, and the role of the Chinese artist in today's art world.
Posted: Wednesday, July 24, 2013
The Museum's new Guide highlights special works from each of our seventeen curatorial departments. Coming in at four hundred fifty-six pages and featuring almost six hundred works of art, it is the first new Guide to be published about the Museum in twenty-nine years. While reviewing the new publication, I discovered a few fun facts about the works of art from around the globe and across the centuries featured in its pages.
Posted: Wednesday, June 5, 2013
Just in time to celebrate the opening of the New European Paintings Galleries, Curator Maryan Ainsworth has coauthored a comprehensive guide to the Met's German paintings. The collection, which includes pictures made in the German-speaking lands (including Austria and Switzerland) from 1350 to 1600, constitutes the largest and most comprehensive group in an American museum today. Comprising major examples by the towering figures of the German Renaissance—Albrecht Dürer, Lucas Cranach the Elder, and Hans Holbein the Younger—and many by lesser masters, the collection has grown slowly but steadily from the first major acquisitions in 1871 to the most recent in 2011; it now numbers seventy-two works, presented here in sixty-three entries.
Posted: Tuesday, April 30, 2013
Photography was invented just twenty years before the American Civil War. In many ways the war—its documentation, its soldiers, its battlefields—was the arena of the camera's debut in America. "The medium of photography was very young at the time the war began but it quickly emerged into the medium it is today," says Jeff Rosenheim, curator of the current exhibition Photography and the American Civil War (on view through September 2), and author of its accompanying catalogue. "I think that we are where we are in photographic history, in cultural history, because of what happened during the Civil War . . . it's the crucible of American history. The war changed the idea of what individual freedom meant; we abolished slavery, we unified our country, we did all those things, but with some really interesting new tools, one of which was photography."
Posted: Wednesday, March 28, 2012
Chief Photographer Joe Coscia has worked at the Museum for more than twenty years. One of his recent assignments was to photograph the works of art for Masterpieces of European Sculpture in The Metropolitan Museum of Art, 1400–1900, written by Ian Wardropper and published last fall. I asked him about the unique work of a museum photographer, as well as the collaborations and complex choices involved in shooting the masterpieces illustrated in this book.
Posted: Wednesday, March 14, 2012
In the words of the historian Jacob Burckhardt, fifteenth-century Italy was "the place where the notion of the individual was born." In keeping with this notion, early Renaissance Italy hosted the first great age of portraiture in Europe.
Posted: Friday, January 20, 2012
Left: Heroic Africans exhibition catalogue; Right: Commemorative figure of a priestess, 19th century. Cameroon, Grassfields region, Bangwa chiefdom. Bamileke peoples. Wood, pigments. Musée Dapper, Paris (3343)
Alisa LaGamma, curator of Heroic Africans: Legendary Leaders, Iconic Sculptures and author of the accompanying catalogue, recently discussed the Commemorative figure of a priestess, one of the masterpieces from the exhibition, for the Yale University Press blog. Don't miss the rare opportunity to see the powerful figure, on loan from the Musée Dapper, Paris (3343). The exhibition at the Met closes on January 29 before traveling to the Museum Rietberg in Zurich.