Ken Moore is the Frederick P. Rose Curator in Charge of the Department of Musical Instruments.
Posted: Monday, April 13, 2015
One of the most exquisite acquisitions made by the Department of Musical Instruments in the last decade was a spectacular koto, or long zither, from early seventeenth-century Japan. In addition to the instrument itself are many components, including an early nineteenth-century lacquered storage box, an eighteenth- and nineteenth-century silk brocade wrapping, and thirteen silver-tipped and -lined bridges. Each component is expertly decorated, and the process of exhibiting and photographing the beauty of these pieces is complicated. A stop-action video taken after a 2013 photo session reveals the various elements involved in packing the koto for transportation.
Posted: Wednesday, February 4, 2015
This Sunday, February 8, marks the presentation of the fifty-seventh Grammy Awards. Although the ceremony is taking place in Los Angeles this year, here in New York, displayed among the treasures housed at The Metropolitan Museum of Art, are instruments once played by famous and influential musicians who have received or were nominated for Grammys during their careers.
Posted: Monday, August 11, 2014
The first time I heard the evocative sounds and exquisite poetry of classic Persian music, I was amazed by its simple and elegant beauty. I later learned the complexity and philosophical principals behind the music, and about the different genres and ancient regional traditions that still endure. After a trip to Iran to visit scholars, composers, instrument makers, and musicians, a friend introduced me to the music and life of the exceptional musician, jurist, and philosopher Nour Ali Elahi (1895–1974), also known as Ostad Elahi. The resulting new exhibition, The Sacred Lute: The Art of Ostad Elahi, examines Ostad's transformation of the art of tanbūr—his modifications to the instrument, its playing technique, and the elevation of its repertoire—as well as his innovative approach to the quest for self-knowledge and his personal transformation from a classical mystic to a modern jurist.
Posted: Monday, July 7, 2014
A highly unusual musical instrument in the Museum's collection is a lyre fashioned from a human skull. Although the piece has not been exhibited since before 1980, it gained fame in Jerzy Kosinski's 1982 best-selling novel Pinball—a rock 'n' roll mystery written for George Harrison—and perennially draws attention.
Posted: Monday, May 12, 2014
In conjunction with the exhibition Early American Guitars: The Instruments of C. F. Martin, on view through December 7, the Department of Musical Instruments is presenting a series of monthly concerts on Friday evenings in the Museum's Charles Engelhard Court. The next concert in this series will be held on May 16, featuring the guitarist, composer, and instrument designer Trevor Gordon Hall.
Posted: Monday, March 3, 2014
On Wednesday, March 5, the Department of Musical Instruments will present a gallery concert featuring the Kakande Quartet, who will perform music from the Mandé Empire of West Africa. The ensemble is led by the renowned Guinean balofon player Famoro Dioubate. As a jali, or griot, Dioubate represents an eight-hundred-year lineage of musicians that serve as the primary storytellers and historians of their society.
Posted: Friday, February 21, 2014
February 21 marks the birthday of classical guitarist Andrés Segovia (1893–1987). The Museum is home to two of his instruments—including the famed 1937 guitar made by Hermann Hauser, an instrument that Segovia called "the greatest guitar of our epoch."
Posted: Monday, January 13, 2014
"Pleasing to ear and eye alike" is a motto that appears frequently on keyboard instruments of the Renaissance and Baroque. It refers to the beautiful physical decoration that adorns an instrument which, presumably, will produce beautiful music. The motto could also be used to describe the entire collection of musical instruments housed at The Metropolitan Museum of Art.
Posted: Tuesday, March 9, 2010
Last Tuesday, we unlocked the doors of the Musical Instruments galleries, which had been closed for an eight-month hiatus while roof work was performed on the American Wing side of our galleries. During that time we refreshed the appearance of the European instrument gallery. A new paint job, better internal case lighting, reframed case doors, and a redefined arrangement of the display now offers our visitors an enhanced experience of the instruments.