Barbara Drake Boehm is the Paul and Jill Ruddock Curator in the Department of Medieval Art and The Cloisters.
Posted: Friday, June 12, 2015
At the heart of the Saint-Guilhem Cloister lies the heavily embroidered legend of the man who founded it—Saint William (Guilhem in the local Occitan dialect). A painted coffret on loan to The Cloisters depicts an early and colorful episode of his story; the stone cloister reflects the final, more sober chapter of the life of Guilhem.
Posted: Friday, August 1, 2014
All around the world, the Feast of Saint Nicholas is celebrated in December. So why would I choose to write about "jolly old Saint Nick" this summer? Because two stories from the legend of this saintly bishop, both dealing with innocent young people who are in danger, have become suddenly and unexpectedly resonant for me.
Posted: Friday, April 20, 2012
In previous posts, we discussed the origins of chess in India centuries ago. For the final post of this blog, we turn to modern-day India, where chess remains as popular as ever.
The city of Banaras (or Varanasi), in Uttar Pradesh, India, is holy to Hindus, Buddhists, and Jains. It is sometimes celebrated as the "City of Temples," of "Learning," or of "Lights." Located on the banks of the Ganges, it is also subject to relentless flooding.
Posted: Tuesday, April 17, 2012
Chess games are sometimes accurately represented in works of art, but that is not always the case. Consider, for example, this curiously theatrical photograph from the mid-nineteenth century.
Posted: Tuesday, March 13, 2012
Allusions to chess appear frequently in the news these days. Alas, these pertain not to art, but rather to what is sometimes perversely called the "art" of war. One recent editorial refers to the excruciating "game of regional chess over Syrian tragedy" (New Age, March 6, 2012, online edition). Another editorial, in The Huffington Post, was entitled "Syria: Three-Level Chess Game" (February 8, 2012).
Posted: Monday, February 27, 2012
The Metropolitan Museum owns more than forty chessboards dating from the Renaissance through the twentieth century; some private collectors have hundreds of boards. Medieval chessboards, on the other hand, rarely survive in any collection, and our knowledge of them depends largely on written sources. While some legends focus uniquely on the fact that they were big and heavy enough to be wielded as lethal weapons (see "An Epic Battle"), more nuanced information can be also gleaned from literature, from chess treatises, and from princely inventories.
Posted: Friday, February 10, 2012
Who would have thought there could be a connection between chess and Valentine's Day? Growing up, my image of chess pretty much corresponded to the Thomas Eakins painting shown above: graying gentlemen gathered around a table in a dimly lit sitting room, with only a glass of port to warm things up. Indeed, as a game that focuses on battle strategy (see "An Epic Battle"), chess seemed to me to be pretty much "a guy thing."
Posted: Monday, January 30, 2012
With the purchase of the Lewis Chessmen in 1831, the British Museum created, overnight, the single-most important collection of medieval chess pieces in the world, its holdings rivaled only by the Cabinet des médailles of the Bibliothèque nationale in Paris, which houses the famed "Charlemagne" chessmen. So rich is the treasure from the Isle of Lewis that the British Museum was able to lend enough pieces to re-create a famous chess game for our current exhibition while retaining a substantial number of pieces on display in London.
Posted: Tuesday, January 10, 2012
For centuries, chess sets have been crafted from a wide range of materials. The Metropolitan's collection of chess pieces, numbering in the hundreds, ranges geographically from Persia to the United States, and chronologically from as early as the eighth to the twentieth century.
Posted: Monday, January 9, 2012
By any standards, Lisbon's Hebrew Bible—now on view at the Met—is a masterpiece of medieval illumination. Its acquisition in 1804 by the National Library of Portugal may be credited to the enlightened intellectualism of the institution's first librarian, António Ribeiro dos Santos.