Ian Alteveer is an associate curator in the Department of Modern and Contemporary Art.
Posted: Thursday, February 6, 2014
We've slipped out of the past and into the amazing present with visits to artist Gabriel Orozco's studio and the Zona Maco art fair. In tandem with the contemporary art crowd's arrival in Mexico City for the fair, the galleries have pulled out all the stops. Here, Adrián Villar Rojas has transformed the Kurimanzutto Gallery's elegant space in the neighborhood of San Miguel Chapultepec into a vast terrain of dirt upon which fruit, vegetables, cast sculpture, and little jewels are carefully arranged in strange and evocative tableaux.
Posted: Monday, February 3, 2014
There is something deeply moving about seeing the pyramids at Teotihuacan, about forty-five minutes north of the center of Mexico City. They are sobering reminders of the deep and incredibly rich culture of this country—they've towered above this basin for at least a millennium and a half—and yet there is still so much more to discover under the ground even in their immediate vicinity. Our guide here, one of the site's archaeologists, pointed to a bumpy field of cacti just beyond the monumental boulevard pictured here and said that each of the hillocks we saw probably hid yet another temple platform underneath.
Posted: Sunday, February 2, 2014
Mexico is, of course, renowned for its rich tradition of muralism, and we went straight from the airport to see some of the most splendid examples: Diego Rivera's extraordinary History of Mexico sequence installed in the Palacio Nacional in Mexico City. We've seen many more since that morning—it has been a mural extravaganza! At the Palacio de Bellas Artes we were lucky to go behind the scenes with Deputy Director Daniel Lozano Maya, who's shown here explaining Rivera's complex 1934 masterpiece Man, Controller of the Universe.