Jusepe de Ribera, 1591–1652

Pérez Sánchez, Alfonso E., and Nicola Spinosa, with essays by Gabriele Finaldi, Jose Milicua, Nicola Spinosa, Alfonso E. Pérez Sánchez, Jonathan Brown, and Manuela B. Mena Marques

1992

422 pages

177 illustrations

This title is out of print.

Download PDF (49.80 MB)Read online

Table of contents

About the authors

Director's Foreword
Philippe de Montebello, Director, The Metropolitan Museum of Art

Sponsor's Statement
Francisco Luzón, Chairman, Argentaria, Corporación Bancaria de España

Lenders to the Exhibition

Contributors to the Catalogue

Notes to the Reader

Introduction
Keith Christiansen

A Documentary Look at the Life and Work of Jusepe de Ribera
Gabriele Finaldi

From Játiva to Naples
José Milicua

Ribera and Neapolitan Painting
Nicola Spinosa

Ribera and Spain: His Spanish Patrons in Italy and Spain; The Influence of His Work on Spanish Artists
Alfonso E. Pérez Sánchez

Chronology

Paintings

Jusepe de Ribera as Printmaker
Jonathan Brown

Prints

Drawing in the Art of Ribera
Manuela B. Mena Marqués

Drawings

Documentary Appendix: The Life and Work of Jusepe de Ribera
Gabriele Finaldi

Concordance
Bibliography
Index
Photograph Credits

Met Art in Publication

The Holy Family with Saints Anne and Catherine of Alexandria, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Oil on canvas — The Holy Family with Saints Anne and Catherine of Alexandria
Jusepe de Ribera (called Lo Spagnoletto)
1648

The poet, standing crowned with laurel, leaning on a stone, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching — The poet, standing crowned with laurel, leaning on a stone
Jusepe de Ribera (called Lo Spagnoletto)
1620–21

Saint Jerome Hearing the Trumpet of the Last Judgment, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching, engraving, and drypoint; first state of two (Brown) — Saint Jerome Hearing the Trumpet of the Last Judgment
Jusepe de Ribera (called Lo Spagnoletto)
1621

Saint Jerome Hearing the Trumpet of the Last Judgment, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching and engraving — Saint Jerome Hearing the Trumpet of the Last Judgment
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1621

Drunken Silenus holding a cup aloft into which a Satyr pours wine, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Etching with drypoint, engraving, and burnishing — Drunken Silenus holding a cup aloft into which a Satyr pours wine
Jusepe de Ribera (called Lo Spagnoletto)
1628

Head of a Satyr Facing Left, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Red chalk on brownish paper — Head of a Satyr Facing Left
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1625–30

Studies of Two Ears and of a Bat. Below, the motto: FULGET SEMPER VIRTUS, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Red chalk and brush and red wash on beige paper. Composition outlined on all borders with ruled lines in black chalk — Studies of Two Ears and of a Bat. Below, the motto: FULGET SEMPER VIRTUS
Jusepe de Ribera (called Lo Spagnoletto)
1591–1652

Study for a Crucifixion of St. Peter, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Pen and brown ink on off-white paper — Study for a Crucifixion of St. Peter
Jusepe de Ribera (called Lo Spagnoletto)
1628–30

Man Wearing a Large Cloak and a Small Naked Man on His Head, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Pen and brown ink with brush and brown wash (recto). Lined with a very thin sheet of paper (verso) — Man Wearing a Large Cloak and a Small Naked Man on His Head
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1637–40

Unidentified Scene: Figures Watching a Fallen Giant and Another Figure Levitating, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Pen and brown ink on off-white paper. Sheet is set into a thin mat (with annotations on the mat) — Unidentified Scene: Figures Watching a Fallen Giant and Another Figure Levitating
Jusepe de Ribera (called Lo Spagnoletto)
1591–1652

Virgin and Child on Crescent Moon with Putti, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Pen and brown ink with brush and brown wash over traces of black chalk underdrawing on beige paper — Virgin and Child on Crescent Moon with Putti
Jusepe de Ribera (called Lo Spagnoletto)
1591–1652

Adoration of the Shepherds, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Pen and brown ink, brush and brown wash — Adoration of the Shepherds
Jusepe de Ribera (called Lo Spagnoletto)
1645–50

Citation

Chicago

MLA

APA

Pérez Sánchez, Alfonso E., Nicola Spinosa, José de Ribera, and Metropolitan Museum of Art, eds. 1992. Jusepe de Ribera, 1591 - 1652: Publ. to Accompany the Exhibition Jusepe de Ribera: 1591 - 1652, Held at The Metropolitan Museum of Art, New York (September 18 - November 29, 1992). New York: Abrams.

Jusepe de Ribera, 1591–1652

Met Art in Publication

Related Content

Citation