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  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 88 results
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Venus and Vulcan Seated on a Bed
Giorgio Ghisi
mid-1550s
Study for Allegorical Figure of Prudence
Perino del Vaga (Pietro Buonaccorsi)
1501–47
St Paul overcoming the viper, within an architectual setting, an oval composition
Giulio Bonasone
ca. 1540–70
Venus and Vulcan at the Forge
Giorgio Ghisi
mid-1550s
Design for a Grotesque Wall Decoration
Perino del Vaga (Pietro Buonaccorsi)
1501–47
Saint Paul Preaching, an oval composition
Giulio Bonasone
1547
Design for Candlestick or for a Crucifix Base
Perino del Vaga (Pietro Buonaccorsi)
ca. 1540–47
Design of a Candlestick with Winged Figures at Base Surrounding Scenic Medallion
Perino del Vaga (Pietro Buonaccorsi)
1501–47
Saint Mark writing his Gospel, a winged lion at the right
Giulio Bonasone
1531–76
Thetis Standing with Two Tritons
Anonymous, Italian?, 16th century
Jupiter Appearing to Semele
Perino del Vaga (Pietro Buonaccorsi)
1501–47
Alexander the Great freeing Timoclea; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat'
Anne Claude Philippe de Tubières, comte de Caylus
ca. 1729–40
Minerva from the "Doria Grotesques"
Perino del Vaga (Pietro Buonaccorsi)
Designed 1545, woven ca. 1550
The Triumph of Bacchus
Anonymous, Italian?, 16th century
16th century
Allegory or Goddess (Juno?)
Perino del Vaga (Pietro Buonaccorsi)
16th century
Design for a Decorated Wall and Ceiling of a Gallery, marked with the monogram of the French King Henri III or IV
Toussaint Dubreuil
ca. 1580–1600
Neptune Between Two Sea Horses
Anonymous, Italian?, 16th century
ca. 1560–80
Three series totalling 87 prints after Raphael, Giulio Romano, and Perino del Vaga
Pietro Santi Bartoli
1650–77
Thetis Seated with a Triton
Anonymous, Italian?, 16th century
Adoration of the Magi, volume 2, plate 104 from "Monuments des Arts du Dessin"
Louise Bouteiller
1829
Saints Peter and John Healing a Cripple at the Gate of the Temple
Perino del Vaga (Pietro Buonaccorsi)
1501–47
Alexander Cutting the Gordian Knot, Study for a Fresco in the Castel Sant'Angelo, Rome
Perino del Vaga (Pietro Buonaccorsi)
1501–47
The coronation of the Virgin, Christ holding the crown over her head, God the Father blessing above
Master of the Die
1532
Christ and the Daughter of the Centurion
Perino del Vaga (Pietro Buonaccorsi)
16th century
Design for Grotesque Wall Decoration
Perino del Vaga (Pietro Buonaccorsi)
early 16th century
Panel with a Grotesque Design containing Lions, Dolphins and Putti
Master of the Die
1532–53
Two Standing Male Figures
Perino del Vaga (Pietro Buonaccorsi)
1501–47
The Holy Family with the Infant Saint John the Baptist
Perino del Vaga (Pietro Buonaccorsi)
ca. 1524–26
Saint Mark writing his gospel, winged lion at the right
Giulio Bonasone
1531–76
Seated Triton
Perino del Vaga (Pietro Buonaccorsi)
1545–47
The Triumph of Bacchus
Anonymous, Italian?, 16th century
16th century
Neptune Calming the Tempest Raised Against the Fleet of Aeneas
Giulio Bonasone
The Holy Family
Wenceslaus Hollar
1642
Panel with a Grotesque Design containing Goats, Griffons and Putti
Master of the Die
1532–53
Virgin and Child Enthroned with Saint Anthony Abbot, Saint Peter, Saint Paul, Saint Julian the Hospitaler, Saint Roch, and Saint Mary Magdalen?
Perino del Vaga (Pietro Buonaccorsi)
1522–23
The Assumption of the Virgin, below the apostles surround the tomb
Master of the Die
1530–60
Punishment of the Courtesan Who Had Mocked Virgil
Enea Vico
1542
Three separate studies for the miracles of the loaves, showing Christ standing in different positions surrounded by a large crowd; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after drawings by Perino del Vaga
Anne Claude Philippe de Tubières, comte de Caylus
ca. 1729–40
Fall of the Giants, Jupiter in the clouds overhead striking the Giants with lightning
Girolamo Fagiuoli
ca. 1539–49
Two Designs for a Flower Pedestal
Guglielmo della Porta
ca. 1550–70