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  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 148 results
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Apollo and the Muses
Giorgio Ghisi
ca. 1557
Silenus sleeping at right, taunted by a Satyr, and a Goat climbing on a table at left
Giorgio Ghisi
ca. 1540
Last Judgment; after Michelangelo's fresco in the Sistine Chapel
Giorgio Ghisi
ca. 1545
The Virgin of Sorrows: Angel; one of nine surrounding compartments from the Virgin of Sorrows, now separated
Giorgio Ghisi
by 1575
Sinon Deceiving the Trojans
Giorgio Ghisi
mid-1540's
The Mystic Marriage of St. Catherine
Giorgio Ghisi
ca. 1555–56
The Prophet Joel; from the series of Prophets and Sibyls in the Sistine Chapel
Giorgio Ghisi
1570–75
The Calumny of Apelles
Giorgio Ghisi
1560
The Prophet Jeremiah, from the series of Prophets and Sibyls in the Sistine Chapel
Giorgio Ghisi
1570–75
Danae seated in a boat with the infant Perseus is in the arms of Acrisius, about to be cast out to sea
Battista Angolo del Moro
1543–60
Hercules, Bacchus, Pan, and Saturn(?), from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738–39) at Fontainebleau
Giorgio Ghisi
1560s
The Visitation
Giorgio Ghisi
1540–50
The Vision of Ezekiel; a group of corpses and skeletons emerging out of tombs, above them five winged putti holding a banderole
Giorgio Ghisi
1554
Venus and Vulcan Seated on a Bed
Giorgio Ghisi
mid-1550s
The Virgin of Sorrows; central part of a print with nine surounding compartments, now separated
Giorgio Ghisi
by 1575
The Three Fates Clotho, Lachesis, and Atropos
Giorgio Ghisi
1558–59
Last Judgment; after Michelangelo's fresco in the Sistine Chapel
Michelangelo Buonarroti
ca. 1545
The Judgment of Paris
Giorgio Ghisi
1555
Neptune Seated Blowing a Conch Shell
Anonymous, 16th century
16th century
The Virgin of Sorrows: Angel; one of nine surrounding compartments from the Virgin of Sorrows, now separated
Giorgio Ghisi
by 1575
Venus pricked by the thorns on a rose bush, in the background Mars chasing Adonis, in the foreground winged cupid resting
Giorgio Ghisi
1556
Apollo, Pan, and a putto blowing a horn, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau
Giorgio Ghisi
1560s
Venus and Vulcan at the Forge
Giorgio Ghisi
mid-1550s
The Death of Procris; Cephalus mournig the death of Procris on the right surrounded by Cupid and mourning satyrs and nymphs, the goddess of dawn in her chariot in the background
Giorgio Ghisi
ca. 1540
Emblem of Lucrezia Gonzaga
Giorgio Ghisi
before 1566
Thetis Seated with a Triton
Anonymous, Italian?, 16th century
16th century
Caius Marius in prison; two Cimbrian soldiers entering his cell
Giorgio Ghisi
1560–70
The Prophet Jeremiah, from "Prophets and Sibyls in the Sistine Chapel"
Giorgio Ghisi
1570–75
An allegory of sickness, man laying prostrate on a bed surrounded by figures
Giorgio Ghisi
ca. 1540
Angelica and Medoro; the couple embracing, Medoro carving their names in the bark of a tree; Cupid holding a torch in the background
Giorgio Ghisi
ca. 1570
Thetis Seated with a Triton
Anonymous, Italian?, 16th century
Three Muses and a putto above with a lyre, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau
Giorgio Ghisi
1560s
Album of Sixteenth-Century Prints most with Mythological Subjects or Objects and Architecture after the Antique
Agostino Veneziano (Agostino dei Musi)
17th century
The Delphic Sibyl; from the series of Prophets and Sibyls in the Sistine Chapel
Giorgio Ghisi
1570–75
The Vision of Ezekiel
Giorgio Ghisi
1554 (republished 1595)
The Prison
Anonymous, Italian, 16th century
1550–1600
Female Winged Allegorical Figure Holding a Sphere
Giorgio Ghisi
1558/1559
Virgin of Sorrows: The Presentation in the Temple; one of nine surrounding compartments from the Virgin of Sorrows, now separated
Giorgio Ghisi
by 1575
Roman Soldiers Before an Emperor
Giorgio Ghisi
before 1540 (?)
The Dispute on the Holy Sacrament; the Holy Trinity in the upper centre surrounded by the Virgin Mary and Saint John, saints, patriarchs and angels; below them an altar with the Holy Sacrament, ecclesiastics and doctors of the Church debating its nature; after Raphael's fresco in the Stanza della Segnatura in the Vatican Palace
Giorgio Ghisi
1552