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  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
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Moses holding the Tables of the Law above his head, plate 16 from "Schola Italica Picturae"
Domenico Cunego
1773
Truth triumphing over time, a young, half-nude woman reaching upwards and an old, winged man holding a snake below
Domenico Cunego
1777
Galatea, plate 8 from "Schola Italica Picturae"
Domenico Cunego
1771
The Creation of Adam, Sistine Chapel, plate 2 from "Schola Italica Picturae"
Domenico Cunego
1772
St. Hieronymus, plate 35 from "Schola Italica Picturae"
Domenico Cunego
1769
Saint Joseph of Cupertino, flying overhead, with a woman fainting at left
Domenico Cunego
1745–1803
Lot flanked by his two daughters, one of them holding a decorated jug, after Reni
Domenico Cunego
1771
Caput Incognitum
Domenico Cunego
1776
Two Nereids on a Shore, plate 38 from "Schola Italica Picturae"
Domenico Cunego
1771
The Birth of St. John the Baptist, plate 28 from "Schola Italica Picturae"
Domenico Cunego
1769
Two Nereids accompanied by cupids, one scatters pearls and other other holds a piece of coral
Domenico Cunego
1771
The Works in Architecture of Robert and James Adam, Esquires. Volume II. Containing the Five Following Numbers, viz... and vol. III, Containing the Remainder of the Designs...
Robert Adam
[1822]
Della Magnificenza e d'Architettura de' Romani (On the Grandeur and the Architecture of the Romans by Gio. Battista Piranesi, Fellow of the Royal Society of Antiquaries of London)
Giovanni Battista Piranesi
1761, 1765
An outline of the fresco paintings by Michelangelo on the ceiling of the Sistine Chapel, Rome
Domenico Cunego
ca. 1790–1800
Priam Redeems the Dead Body of Hector
Domenico Cunego
1775
The Return of the Prodigal Son, plate 37 from "Schola Italica Picturae"
Domenico Cunego
1770
Ganymede abducted by Jupiter, plate 22 from "Schola Italica Picturae"
Domenico Cunego
1770
Trofeo o sia Magnifica Colonna Coclide di marmo composta di grossi macigni ove si veggono scolpite le due guerre daciche fatte, da Trajano inalzata nel mezzo del Gran Foro eretto al medesimo imperadore per ordine del senato e popolo romano doppo i suoi trionfi (The Trophy or Magnificent Spiral Column of marble composed of large drums on which are carved the two Dacian Wars of Trajan, raised in the middle of the large Forum, erected in honor of the same Emperor on the order of the Senate and People of Rome after his Triumph) (1775-6); Columna Antonina (1776-9)
Giovanni Battista Piranesi
1774–79
Portrait of Clement XIV, from "Trofeo o sia Magnifica Colonna Coclide..." (The Trophy or Magnificent Spiral Column)
Domenico Cunego
1774–79
The works in architecture of the late Robert and James Adam, Esqs., complete in three volumes, containing plans, elevations, sections, and detail of the principal buildings, public and private,
James Adam
1822
Frontispiece: Portrait of Pope Clement XIII, from "Della Magnificenza e d'Architettura de'Romani" (On the Grandeur and the Architecture of the Romans by Gio. Battista Piranesi, Fellow of the Royal Society of Antiquaries of London)
Domenico Cunego
1761
An outline of Michelangelo's figures in the spandrels from the ceiling of the Sistine Chapel, Rome
Domenico Cunego
ca. 1790–1800
Apollo and Silenus, plate 30 from "Schola Italica Picturae"
Domenico Cunego
1770
Virgin and Child
Domenico Cunego
1772
The Works in Architecture of Robert and James Adams, Esquires. Volume I Containing the Five Following Numbers, viz. . .
Robert Adam
1778
Orazione funebre in morte del Marchese Scipione Maffei detta nella cattedrale di Verona...Con l'aggiunta d'alcuni componimenti poetici d'autore veronese... (Verona 1755)
Marc'Antonio Pindemonte
1755
The head of Mary Magdalene looking down to the right, in an oval frame, after Reni
Domenico Cunego
ca. 1745–1803
Frederica Charlotte Ulrica, Duchess of York
Domenico Cunego
1787
Norandino and Lucina in a landscape with the ogre Orco feeling the fleece with which she has covered her back, plate 39 from "Schola Italica Picturae"
Domenico Cunego
1772
Portrait of Antonio di Ponte, plate 25 from "Schola Italica Picturae"
Domenico Cunego
1769
Providence, plate 27 from "Schola Italica Picturae"
Domenico Cunego
1772
The Death of St. Cecelia, plate 32 from "Schola Italica Picturae"
Domenico Cunego
1772
Juno
Domenico Cunego
1767
The entombment of Christ
Domenico Cunego
1775
Hebe Giving Drink to the Eagle of Jupiter
Domenico Cunego
after 1764
Galatea, plate 31 from "Schola Italica Picturae"
Domenico Cunego
1772
Apollo and Hyacinth, plate 33 from "Schola Italica Picturae"
Domenico Cunego
1771
Sibylla Persica
Aloysio Cunego
1780
(XXI) Raccolta di Alcuni Disegni del Barberi da Cento detto il Guernico, incisi in Rame, e presentati al singolar merito del Sig. Tommaso Jenkins pittore, ed accademico di S. Luca, in atto di respetto e d'amicizia dall'architetto e suo coaccademio: Gio. Battista Piranesi (Collection of several drawings after Barbieri da Cento (known as Guercino) etched on copper and presented to Thomas Jenkins, painter and member of the Academy of St. Luke, out of respect and friendship from his fellow member, the architect Gio. Battista Piranesi); (XXII) Schola Italica Picturae
Giovanni Battista Piranesi
1764–73
The Virgin looking upwards with hands crossed over her chest, after Reni
Domenico Cunego
1776