Visiting Sleeping Beauties: Reawakening Fashion? You must join the virtual exhibition queue when you arrive. If capacity has been reached for the day, the queue will close early.

Learn more
ticketsMember | Make a donation
Search

Search The Collection

Filter By

Object Type / Material
Geographic Location
Date / Era
Department
Show Only:
  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 209 results
Sort By:
Offering to Ceres: Seventy-three prints engraved by F. Bartolozzi &c. from the Original Pictures and Drawings of Michaelangelo, Domenichino, Annibal, Lodovico, and Agostino Carraci, Guercino, P. da Cortona, Carlo Maratti, Elisabetta Sirani, Pellegrino Tibaldi, Franceschino &c. in the collection of His Majesty, &c., vol. II
Giuseppe Zocchi
1793–98
Composition with stucco ornaments of a man and a woman, viewed from the rear, plate 7 from "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661
Allegorical scene with a sacrificial lamb
Giovanni Battista Bonacina
1640–70
Roman warriors blowing horns and preparing to attack their enemy, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Sala di Marte of the Palazzo Pitti, Florence
Jacques Blondeau
ca. 1677
Title page to "Galleria Dipinta nel Palazzo del Prencipe Panfilio" after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome
Carlo Cesi
ca. 1661
Fury as a blind woman with torches and chains emerging from the left, chasing a soldier, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Sala di Giove of the Palazzo Pitti, Florence
Jacques Blondeau
ca. 1677
Saul kneeling before Ananias, surrounded by figures and putti; after Pietro da Cortona
Johann Jakob Frey the Elder
1740
The Works of Jonathan Richardson, Containing I: The Theory of Painting. II: Essay on the Art of Criticism, (So far as it relates to Painting). III: The Science of a Connoisseur
Jonathan Richardson Sr.
1792
Human Knowledge assisted by Chastity, Piety, and Divine Love as they triumph over Earthly Love; from "Barberinae aulae fornix", after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome
Pietro da Cortona (Pietro Berrettini)
ca. 1677
Musick
Robert Samuel Marcuard
1777
Minerva depicted at top with a shield and arrow vanquishing the Giants below, from Barberinae aulae fornix
Anonymous, Italian, 17th century
ca. 1677
Sacrifice of Polyxena, after Pietro da Cortona
Pietro Aquila
ca. 1674–92
A kneeling priestess in the center with female attendants presenting offerings, she looks to the left at King Antiochus and three other male figures; a statue of Diana appears in the background; after Pietro da Cortona's lunette in the Sala di Venere in the Palazzo Pitti, Florence
Pietro da Cortona (Pietro Berrettini)
ca. 1616–1669
The Shepherd's Offering
Carlo Faucci
1768
Cleopatra on the left with three female attendants, Augustus on the right with two soldiers behind him; after Pietro da Cortona's lunette in the Sala di Venere in the Palazzo Pitti, Florence
Pietro da Cortona (Pietro Berrettini)
ca. 1656–79
Composition with two putti playing with a small bird on a string, to the right a large vase of flowers framed by two male nudes; all framed by grotesque friezes and architectural elements, plate 6 from "David trionfante di Golia e de' filistei", after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome
Filippo Carrocci
ca. 1660–70
The Sacrifice of Polyxena, after Pietro da Cortona
Jean Robert Ango
ca. 1759–70
Minerva seated on the left holding a shield, reaching out to Cecrops on the right, who holds a large tree; after Pietro da Cortona's lunette in the Sala di Giove in the Palazzo Pitti, Florence
Pietro da Cortona (Pietro Berrettini)
ca. 1647–1691
Martyrdom of Saint Lawrence, after Pietro da Cortona
Jacques Blondeau
ca. 1675–98
Saint Martina kneeling before the Virgin and Child, as the Child offers her a lily
François Spierre
ca. 1664–79
A Wind God
Pietro da Cortona (Pietro Berrettini)
1669
Faith, Hope, and Charity
Dominique Barrière
1630?–78
The nymphs Florilla and Melissa at left, with Melissa fainting in Florilla's arms, Apollo and the Muses at right; from Giovanni Battista Ferrari's "De Florum Cultura Libri IV"
Johann Friedrich Greuter
ca. 1646
Crispus fleeing Fausta who is seated on a bed at right, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Sala di Venere of the Palazzo Pitti, Florence
François Spierre
ca. 1677
Minerva battling the giants, plate 4 from "Barberinae aulae fornix", after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome
Pietro da Cortona (Pietro Berrettini)
ca. 1677
Castor and Pollux holding the reins of two horses, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Sala di Giove of the Palazzo Pitti, Florence
Jacques Blondeau
ca. 1677
Apollo as a young man, naked and reclining holding a lyre, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Sala di Giove of the Palazzo Pitti, Florence
Cornelis Bloemaert
ca. 1677
Allegory with Hercules fighting off the Harpies at left, to the right Justice and Plenty come to the aid of the beggars below, plate 6 from "Barberinae aulae fornix", after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome
Pietro da Cortona (Pietro Berrettini)
ca. 1677
God the Father with Angels Holding Symbols of the Passion
Pietro da Cortona (Pietro Berrettini)
1647–51
Seventy-Five Portraits of Celebrated Painters, From Authentic Originals
John Girtin
1817
The Judgment of Hercules: Seventy-three prints engraved by F. Bartolozzi &c. from the Original Pictures and Drawings of Michaelangelo, Domenichino, Annibal, Lodovico, and Agostino Carraci, Guercino, P. da Cortona, Carlo Maratti, Elisabetta Sirani, Pellegrino Tibaldi, Franceschino &c. in the collection of His Majesty, &c., vol. II
Giuseppe Zocchi
1793–98
Study of Two Figures for the Age of Gold
Pietro da Cortona (Pietro Berrettini)
1637
The martyrdom of Saint Bibiana; after Pietro da Cortona
Robert van Audenaerde
ca. 1690–1723
Composition with stucco ornaments from "Heroicae Virtutis Imagines", after the frescoes by Pietro da Cortona in the Sala di Venere of the Palazzo Pitti, Florence
Charles Delahaye
ca. 1677
Marcus Curius Dentatus rejecting the bribes of the Sumnites
Anthony Walker
1763
Three standing figures
Matthias Oesterreich
ca. 1752
Saint Charles Borromeo attending to the sick and dying people of Milan; he appears kneeling on the left holding a large, wooden crucifix surrounded by two male figures; the plague victims are splayed out on the ground to the right
Pietro da Cortona (Pietro Berrettini)
ca. 1690–1740
Mercury seen from behind, floating through the air holding a caduceus, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Sala di Giove of the Palazzo Pitti, Florence
Pierre Simon
ca. 1677
Story of Laocoon and His Sons: Seventy-three prints engraved by F. Bartolozzi &c. from the Original Pictures and Drawings of Michaelangelo, Domenichino, Annibal, Lodovico, and Agostino Carraci, Guercino, P. da Cortona, Carlo Maratti, Elisabetta Sirani, Pellegrino Tibaldi, Franceschino &c. in the collection of His Majesty, &c., vol. II
Francesco Bartolozzi
1793–98
Study for Angels Sealing the Foreheads of the Children of Israel in Saint Peter's Basilica
Pietro da Cortona (Pietro Berrettini)
1652