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Left field gauntlet
Artwork Details
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Title:Left Gauntlet of Henry (1594–1612), Prince of Wales
Armorer:Made under the direction of Jacob Halder (British, master armorer at the royal workshops at Greenwich, documented in England 1558–1608)
Date:ca. 1608
Geography:Greenwich
Culture:British, Greenwich
Medium:Steel, gold, leather, textile
Dimensions:H. 9 15/16 in. (25.3 cm); W. 4 15/16 in. (12.6 cm); D. 5 5/16 in. (13.5 cm); Wt. 1 lb. 10.05 oz. (738 g) as mounted with mannequin hand
Classification:Armor Parts-Gauntlets
Credit Line:Munsey Fund, 1932
Accession Number:32.130.6k
Clarence H. Mackay, Long Island, New York (1922–32; sold to MMA).
Meyrick, Samuel Rush. A Critical Inquiry into Antient [sic] Armour: As It Existed in Europe, Particularly in Great Britain from the Norman Conquest to the Reign of King Charles II.... Vol. III. 2nd ed. London: H. G. Bohn, 1842. p. 115.
Strutt, Joseph, and James Robinson Planché. Complete View of the Dress and Habits of the People of England, from the Establishment of the Saxons in Britain to the Present Time.... Vol. 2. London: Henry G. Bohn, 1842. pl. CXLI.
Whitaker, Thomas Dunham. The History & Antiquities of the Deanery of Craven, in the County of York. London: Nichols and Sons, 1878. pp. 399–405 (Earl of Cumberland, and 1572 inventory of Skipton Castle discussed).
Chaffers, W. The Cap a Pee Suit of George, 3rd Earl of Cumberland, A.d. 1590: The Property of the Right Honourable Lord Hothfield, Appleby Castle, Westmoreland. Folkstone, England: English Press, 1885.
New Gallery. Exhibition of the Royal House of Tudor: The New Gallery, Regent Street. London: The Gallery, 1890. no. 577.
Anonymous. "The Exhibition of the Royal House of Tudor." The Portfolio: An Artistic Periodical (1890), p. 66 (Wilton House armors discussed).
Clay, J. W. "The Clifford Family." The Yorkshire Archaeological Journal (1905), p. 408.
Laking, Guy Francis, Charles A. de Cosson, and Francis Henry Cripps-Day. A Record of European Armour and Arms Through Seven Centuries. Vol. IV. London: G. Bell and Sons, 1920–1922. pp. 52–61, figs. 1132, 1135–1137.
Williamson, George Charles. George, Third Earl of Cumberland (1558–1605): His Life and His Voyages, A Study From Original Documents. Cambridge: Cambridge University Press, 1920. pp. xix, 106, 277, pls. XIX, XX.
Grancsay, Stephen V. "Swords from the Dresden Armory." The Metropolitan Museum of Art Bulletin (February 1929), p. 85, 97 (discussion and bibliography of Greenwich School).
Grancsay, Stephen V. Loan Exhibition of European Arms and Armor: The Metropolitan Museum of Art, New York, August 3 to September 27, 1931. New York: The Metropolitan Museum of Art, 1931. no. 22.
Grancsay, Stephen V. "Historical Arms and Armor." The Metropolitan Museum of Art Bulletin (March, 1933), pp. 50, 54–56, fig. 3.
Cripps-Day, Francis Henry. "An Introduction to the Study of Greenwich Armour." Fragmenta Armamentaria (1934), pp. 86–87.
Llewellyn, William, W. G. Constable, and James G. Mann. Exhibition of British Art, C. 1000–1860: Short Catalogue. London: Burlington House, 1934. p. 106, no. 1477, ill.
Royal Academy of Arts. British Art: An Illustrated Souvenir of the Exhibition of British Art at the Royal Academy of Arts, London. London: Published for the Executive Committee of the exhibition by W. Clowes, 1934. p. 106, no. 1477, ill.
Grancsay, Stephen V. Historical Arms and Armor: Twenty Plates. New York: The Metropolitan Museum of Art, 1935. fig. 5.
Royal Academy of Arts, W. G. Constable, Charles Johnson, Elizabeth Senior, and Olive Gertrude Vernon Briggs. Commemorative Catalogue of the Exhibition of British Art: Royal Academy of Arts, London, January–March 1934. London: Oxford University Press, 1935. p. 298, no. 1328, pl. 242.
Grancsay, Stephen V. "An Element of the Armor of the Queen's Champion." The Metropolitan Museum of Art Bulletin (November 1936), pp. 233–35, fig. 2.
Grancsay, Stephen V. Historical Arms and Armor: Twenty Plates. 2nd ed. ed. New York: The Metropolitan Museum of Art, 1938. fig. 5.
Grancsay, Stephen V. Historical Armor: A Picture Book. New York: The Metropolitan Museum of Art, 1944. p. 6, pl. 23.
Grancsay, Stephen V. Historical Armor: A Picture Book. 2nd ed. New York: The Metropolitan Museum of Art, 1946. p. 6, pl. 23.
Grancsay, Stephen V. Historical Armor: A Picture Book. 3rd ed. New York: The Metropolitan Museum of Art, 1951. p. 6, pl. 23.
Tower of London Armouries. Exhibition of Armour Made in the Royal Workshops at Greenwich, 22nd May–29th September, 1951. London: H. M. Stationery Office, 1951. no. 21, pl. XXIV.
Sotheby & Co. English Portrait Miniatures of the 16th and 17th Centuries. London: Sotheby's, Oct. 11, 1955. lot 74 (miniature by Nicholas HIlliard shows the Earl of Cumberland wearing this armor).
Grancsay, Stephen V. "The New Galleries of European Arms and Armor." The Metropolitan Museum of Art Bulletin (May 1956), pp. 211, 229, cover, ill.
Grancsay, Stephen V. "A Miniature Portrait of the Earl of Cumberland in Armor." The Metropolitan Museum of Art Bulletin (January, 1957), pp. 120–22, ill.
Grancsay, Stephen V. Historical Armor: A Picture Book. 4th ed. New York: The Metropolitan Museum of Art, 1957. p. 6, pl. 23.
Reid, William. "The Sussex Arm." The Journal of the Arms & Armour Society (1959–61), pp. 269–70.
Thomas, Bruno, Ortwin Gamber, and Hans Schedelmann. Die schönsten Waffen und Rüstungen aus europäischen und amerikanischen Sammlungen. Heidelberg; Munich: Keysersche Verlagsbuchhandlung, 1963. no. 56, ill.
Norman, A. V. B. Arms and Armour. London: Weidenfeld and Nicolson, 1964. p. 88, fig. 89.
Blackmore, Howard. Arms and Armour. Dutton Vista Pictureback. London: Studio Vista, 1965. p. 88, fig. 89, ill. (color).
Nickel, Helmut. In the Presence of Kings: Royal Treasures from the Collections of the Metropolitan Museum of Art. New York: The Metropolitan Museum of Art, 1967. no. 17, ill.
Nickel, Helmut. "English Armour in the Metropolitan Museum of Art." Connoisseur 172, no. 693 pp. 196–203, figs. 9, 11.
Nickel, Helmut. Warriors and Worthies: Arms and Armor Through the Ages. New York: Atheneum, 1969. p. 74, ill.
Metropolitan Museum of Art, and Kenneth Clark. Masterpieces of Fifty Centuries. New York: E. P. Dutton, 1970. pp. 52, 240, no. 250.
Nickel, Helmut. Arms and Armor Through the Ages. Revised ed. London: Collins, 1971. p. 79, ill.
Whitaker, Thomas Dunham, Alfred W. W. Morant, and L. C. Miall. The History & Antiquities of the Deanery of Craven, in the County of York. 3rd ed. Manchester: E.J. Morten, 1973. pp. 399–405 (Earl of Cumberland, and 1572 inventory of Skipton Castle discussed).
Nickel, Helmut. Ullstein-Waffenbuch: eine kulturhistorische Waffenkunde mit Markenverzeichnis. Berlin: Ullstein, 1974. p. 121, ill.
Abbot Hall Art Gallery. Lady Anne Clifford. London: Abbot Hall Art Gallery, 1976.
Burkett, M. E. "Conclusions from the Lady Anne Clifford Exhibition." Quarto: Abbot Hall Art Gallery Quarterly Bulletin (October 1976), pp. 1–24 (discussion of Clifford family portraits).
Blair, Claude, and Lionello G. Boccia. Armi E Armature. Quaderni dell'antiquariato. Milan: Fabbri, 1982. p. 44, ill.
Sotheby Parke Bernet & Co. British Paintings, Drawings and Watercolours. London: Sotheby Parke Bernet & Co., September 21, 1983. no. 280 (a half-length portrait of George Clifford Earl of Cumberland, in what is probably meant to be this armor).
Blair, Claude. "Greenwich Armor." Transactions of the Greenwich and Lewisham Antiquarian Society (1985), pp. 6–11, pl. III.
Grancsay, Stephen V., and Stuart W. Pyhrr. Arms & Armor: Essays by Stephen V. Grancsay from the Metropolitan Museum of Art Bulletin 1920–1964. New York: The Metropolitan Museum of Art, 1986. pp. 111–116, 439–42, figs. 43.3, 108.2.
Nickel, Helmut. "Arms and Armor from the Permanent Collection." The Metropolitan Museum of Art Bulletin (Summer 1991), pp. 22–23, 64, ill.
La Rocca, Donald J. "An English Armor for the King of Portugal." Metropolitan Museum Journal (1995), p. 96, n. 37.
Williams, Alan, and Anthony de Reuck. The Royal Armoury at Greenwich 1515–1649: A History of Its Technology. Royal Armouries Monograph, Vol. 4. Leeds: Trustees of the Royal Armouries, 1995. p. 108, pl. 2.
Reuck, Anthony de. "Greenwich Revisited: or Gunpowder and the Obsolescence of Armour." The Journal of the Arms and Armour Society 15, no. 7 pp. 428, 430, tables 1, 3.
Koda, Harold. Extreme Beauty: The Body Transformed. New York: The Metropolitan Museum of Art, 2001. p. 92, ill.
Williams, Alan. The Knight and the Blast Furnace: A History of the Metallurgy of Armour in the Middle Ages & the Early Modern Period. History of Warfare, Vol. 12. Leiden: Brill, 2002. pp. 797–98.
Pyhrr, Stuart W., Donald J. La Rocca, and Dirk H. Breiding. The Armored Horse in Europe, 1480–1620. New York: The Metropolitan Museum of Art, 2005. pp. 28–29, n. 20.
Metropolitan Museum of Art, and Thomas P. Campbell. The Metropolitan Museum of Art Guide. New York: The Metropolitan Museum of Art, 2012. p. 165, ill.
Pyhrr, Stuart W. "Of Arms and Men: Arms and Armor at the Metropolitan, 1912–2012." The Metropolitan Museum of Art Bulletin (Summer 2012), p. 33, fig. 52.
Nickel, Helmut, William Reid, Ian Eaves, Mario Scalini, Claude Gaier, Álvaro Soler Del Campo, Jean-Pierre Reverseau, Jan Piet Pyupe, Donald J. La Rocca, Jeffrey Forgeng, Jonathan Tavares, Dirk H. Breiding, Pierre Terjanian, and Ronald S. Lauder. The Armorer's Art: Essays in Honor of Stuart Pyhrr, edited by Donald J. La Rocca. Woonsocket, Rhode Island: Andrew Mowbray Inc. – Publishers, 2014. p. 9, ill. (color).
La Rocca, Donald J. "Stuart Pyhrr, the Consumate Curator of Arms and Armor." In The Armorer's Art: Essays in Honor of Stuart Pyhrr. Woonsocket, Rhode Island: Andrew Mowbray Inc. – Publishers, 2014. p. 9, ill. (color).
Norman, A. V. B., Ian Eaves, and Howard L. Blackmore. Arms & Armour In The Collection Of Her Majesty The Queen: European Armour. 1st ed. ed. London: Royal Collection Trust, 2016. pp. 8, ill. pp. 176, pp. 177, ill. pp. 180 fig. 66, ill. pp. 186–187.
Southwick, Leslie. "The Greenwich Armour of Henry Frederick, Prince of Wales, and others presented to and commissioned by the Prince between 1604 and 1612." Park Lane Arms Fair (Spring 2016), pp. 34, 37–38, figs. 9–10.
Made under the direction of Jacob Halder (British, master armorer at the royal workshops at Greenwich, documented in England 1558–1608)
ca. 1595–96; restored and completed, 1915
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