Art/ Collection/ Art Object

The letters of Sir Richard Westmacott

Sir Richard Westmacott (British, 1775–1856)
19th century
Collection of letters
18 vols. (ca. 1,400 items) plus index
Credit Line:
Purchased with income from the Jacob S. Rogers Fund
Accession Number:
920.3 W52 F
Not on view
During the second and third quarters of the nineteenth century, Sir Richard Westmacott flourished as Great Britain's most successful official sculptor, producing approximately 275 works during his forty-year career. Westmacott's oeuvre displays a rich stylistic diversity, drawing inspiration from Renaissance and Baroque art as well as from classical antiquity. He was elected a member of the Royal Academy in 1811 and was appointed to succeed John Flaxman as professor of sculpture at the Academy in 1827, a post he retained until his death. In 1837 he was knighted by Queen Victoria. Westmacott created public sculptures and monuments for central London, northern English industrial cities, and the outer reaches of the British Empire—the East and West Indies. His final and perhaps greatest sculpture, "The Progress of Civilization," is the familiar pediment sculpture for the British Museum. "The Richard Westmacott Collection" is a scrapbook of 1,497 letters, autograph fragments, printed ephemera, and other items written to Westmacott and members of his family by prominent political and artistic figures, including Charles Dickens, Antonio Canova, the duke and duchess of Devonshire, and King George I.

Illustrated: vol 4, no. 35, illustrated note in red ink from J. M. W. Turner to Sir Richard Westmacott

Related Objects

Examples of Chinese ornament selected from objects in the South Kensington Museum and other collections

Artist: Owen Jones (British, London 1809–1874 London) Date: 1867 Accession: NK1483 .J7 1867 Q On view in:Not on view

The grammar of ornament

Artist: Owen Jones (British, London 1809–1874 London) Date: 1868 Accession: NK1510 .J7 1868 Q On view in:Not on view

The sunshade, the glove, the muff

Artist: Octave Uzanne (French, Auxerre 1851–1931) Date: 1884 Accession: GT2050 .U813 1884 On view in:Not on view

The Holy Land, Syria, Idumea, Arabia, Egypt & Nubia

Artist: David Roberts (British, Stockbridge, Scotland 1796–1864 London) Date: 1842–49 Medium: Illustrated books Accession: 903.6 R541 F On view in:Not on view