Polychrome woodblock print; chuban; ink and color on paper
H. 11 1/8 in. (28.3 cm); W. 7 1/16 in. (17.9 cm)
medium-size print (chu-ban)
The Howard Mansfield Collection, Purchase, Rogers Fund, 1936
Not on view
The orderly composition of this scene, with architectural elements arranged in parallel diagonals, reveals a private room and courtyard behind a roofed wall covered with vines. In the tightly organized space, a woman in a loose garment sits on the veranda after her bath. The maid turns her head toward the clock, partially seen at left, at the moment it strikes the hour. The woman, though listening to the clock, seems preoccupied. The traditional representation of the "evening bell" in this print from the Eight Views of the Xiao and Xiang Rivers appears in the pagoda of a temple in the distance. Here, the clock stands in for the temple bell. Again, there is a subtle suggestion of a romantic narrative; the strikes of the clock may remind the woman of a lover's impending visit. The standing screen decorated with bamboo divides formal areas of the house from the intimate scene we see here.
Howard Mansfield , New York (until 1936; sold to MMA)
Nagoya City Museum. "Ukiyo-e from the Metropolitan Museum of Art," April 14, 1995–May 28, 1995.
New York. The Metropolitan Museum of Art. "A Sensitivity to the Seasons: Spring and Summer," December 17, 2005–June 4, 2006.
New York. The Metropolitan Museum of Art. "Japanese Bamboo Art: The Abbey Collection," June 13, 2017–February 4, 2018.