This propaganda print depicts a scene from the Sino-Japanese War, fought in 1894–95 over control of Korea. Despite having been hit and thrown backward, the Japanese bugler Shirakami Genjiro (1869–1894) clings to his instrument, an indication of his loyalty and bravery. Shirakami drowned in the war and was honored as a national hero. Printmakers like Migita Toshihide, disciples of traditional ukiyo-e artists, made pictures of historical and contemporary overseas battles for a domestic audience. Their striking imagery glorified the deaths of individuals, promoting the idea of self-sacrifice for the country.
Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
API
Public domain data for this object can also be accessed using the Met's Open Access API.
Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.
Artwork Details
Use your arrow keys to navigate the tabs below, and your tab key to choose an item
右田年英画 「勇卒白神氏之美談」
Title:The Splendid Deed of the Brave Soldier Shirakami
Artist:Migita Toshihide (Japanese, 1863–1925)
Period:Meiji period (1868–1912)
Date:January 1895
Culture:Japan
Medium:Triptych of woodblock prints; ink and color on paper
Dimensions:Oban triptych
Classification:Prints
Credit Line:Gift of Lincoln Kirstein, 1959
Accession Number:JP3262
Signature: Toshihide hitsu
Marking: Seal: Gosai ga in
Lincoln Kirstein American, New York (until 1959; donated to MMA).
New York. The Metropolitan Museum of Art. "Impressions of a New Civilization: The Lincoln Kirstein Collection of Japanese Prints, 1860–1912," May 20–September 7, 1986.
Santa Fe. New Mexico Museum of Art. "Impressions of a New Civilization: The Lincoln Kirstein Collection of Japanese Prints, 1860–1912," June 28–August 3, 1987.
Portland Art Museum. "Impressions of a New Civilization: The Lincoln Kirstein Collection of Japanese Prints, 1860–1912," August 28–October 4, 1987.
Billings. Yellowstone Art Museum. "Impressions of a New Civilization: The Lincoln Kirstein Collection of Japanese Prints, 1860–1912," October 31, 1987–January 3, 1988.
Santa Fe Community College Art Gallery. "Impressions of a New Civilization: The Lincoln Kirstein Collection of Japanese Prints, 1860–1912," February 13–March 20, 1988.
Albany Institute of History & Art. "Impressions of a New Civilization: The Lincoln Kirstein Collection of Japanese Prints, 1860–1912," April 16–July 17, 1988.
Minneapolis Institute of Arts. "Impressions of a New Civilization: The Lincoln Kirstein Collection of Japanese Prints, 1860–1912," August 6–November 6, 1988.
Charleston. Museum at Sunrise. "Impressions of a New Civilization: The Lincoln Kirstein Collection of Japanese Prints, 1860–1912," November 26, 1988–January 1, 1989.
Pullman. Washington State University. "Impressions of a New Civilization: The Lincoln Kirstein Collection of Japanese Prints, 1860–1912," January 21–February 26, 1989.
Champaign. Krannert Art Museum and Kinkead Pavilion, University of Illinois at Urbana-Champaign. "Impressions of a New Civilization: The Lincoln Kirstein Collection of Japanese Prints, 1860–1912," March 11–April 23, 1989.
Saint Louis Art Museum. "Impressions of a New Civilization: The Lincoln Kirstein Collection of Japanese Prints, 1860–1912," March 13–June 18, 1989.
Syracuse. Everson Museum of Art. "Impressions of a New Civilization: The Lincoln Kirstein Collection of Japanese Prints, 1860–1912," July 8–August 13, 1989.
Storrs. William Benton Museum of Art, University of Connecticut. "Impressions of a New Civilization: The Lincoln Kirstein Collection of Japanese Prints, 1860–1912," September 2–October 15, 1989.
The Metropolitan Museum of Art. "Anxiety and Hope in Japanese Art," April 8, 2023–July 14, 2024.
Meech-Pekarik, Julia. The World of the Meiji Print: Impressions of a New Civilization. New York: Weatherhill, 1986, color pl. 33.
The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.
The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.
The Met's collection of Asian art—more than 35,000 objects, ranging in date from the third millennium B.C. to the twenty-first century—is one of the largest and most comprehensive in the world.
