H (without base) 242 cm (95 1/4 in); w. (of base) 74 cm (29 1/8 in); d. 111 cm (43 11/16 in)
Rogers Fund, 1928
On view at The Met Fifth Avenue in Gallery 115
For the ancient Egyptians, the ideal king was a young man in the prime of life. The physical reality was of less importance, so an old man, a baby, or even a woman who held the titles of pharaoh could be represented in this ideal form, as in this representation of the female pharaoh Hatshepsut. Although many of Hatshepsut's statues depict her as the ideal king, the inscriptions always allude to her feminine gender, sometimes by using both masculine and feminine grammatical forms, sometimes by including her personal name, Hatshepsut, which means "foremost of noble women."
This statue was one of a pair that stood on either side of a granite doorway on the upper terrace of Hatshepsut's temple at Deir el-Bahri. The pose, with both hands open and resting on the front of the kilt, is a devotional gesture that was first used in statues of the Middle Kingdom pharaoh Senwosret III who lived some three hundred years before Hatshepsut. Senwosret had dedicated six statues of this type in the temple of the Middle Kingdom's founder, Mentuhotep II, which is just south of Hatshepsut's temple. As happened throughout Egyptian history, the official architecture and sculpture produced in Hatshepsut's reign was influenced by prototypes developed in earlier periods.
Museum excavations, 1927-28. Acquired by the Museum in the division of finds, 1928.