Lacquered wood with gold togidashimaki-e, hiramaki-e, and e-nashiji (“pear-skin picture”)
H. 5 7/8 in. (15.0 cm); W. 8 1/8 in. (20.6 cm); L. 14 3/8 in. (36.5 cm)
Mary Griggs Burke Collection, Gift of the Mary and Jackson Burke Foundation, 2015
Not on view
This box with a shallow drawer was made to hold Buddhist sutras and is decorated with the sacred symbol of Buddhist art: the lotus pond. The style of the leaves, stems, and seed heads in the various stages of the plant’s life is reminiscent of early seventeenthcentury designs by Tawaraya Sōtatsu (d. ca. 1640). The application of the hiramaki-e (flat “sprinkled picture”) and e-nashiji (“pear-skin picture”) sprinkling represents a later type of the Kōdaiji style.
This box made to hold sutras is decorated with a motif of lotus in a pond—an apt theme, as the lotus is the most sacred plant in Buddhist iconography. The depiction of leaves at various stages of the plant's growth and decay is reminiscent of early-seventeenth-century handscroll designs painted by Sōtatsu and bearing poems inscribed by Hon'ami Kōetsu (cat. no. 84).
Except for the bottom and the interior of the close-fitting lid, both of undecorated lacquer, the design covers the entire surface of the box. A shallow drawer with a metal handle is set into the box just above the base. Gilded metal fittings with incised designs of foliage protect the four corners and the center of each long side of the lid and base. Dewdrops filled with various shades of sprinkled gold are scattered across the black-lacquered background and on the lotus plants. The blossoms, leaves, and stems are filled in with gold dust, and patches of granular gold create a dark and light ground and the impression of subtle shading. Stylistically, the sutra box belongs to the Kōdaiji maki-e type of lacquerware (cat. nos. 88–92 ), but technically the decoration is far more complex and accomplished than that found on other works of the Kōdaiji type. It may therefore be dated to the end of the Momoyama period, in the early seventeenth century.
[Miyeko Murase 2000, Bridge of Dreams]
Signature: Signature on underside- front proper right corner.
Mary Griggs Burke ; Mary and Jackson Burke Foundation , New York (until 2015; donated to MMA)
Tokyo National Museum. "Nihon bijutsu meihin ten: nyūyōku bāku korekushon," May 21, 1985–June 30, 1985.
Nagoya City Art Museum. "Nihon bijutsu meihin ten: nyūyōku bāku korekushon," August 17, 1985–September 23, 1985.
Atami. MOA Museum of Art. "Nihon bijutsu meihin ten: nyūyōku bāku korekushon," September 29, 1985–October 27, 1985.
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Museum of Fine Arts, Gifu. "Enduring Legacy of Japanese Art: The Mary Griggs Burke Collection," July 5, 2005–August 19, 2005.
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Tokyo Metropolitan Art Museum. "Enduring Legacy of Japanese Art: The Mary Griggs Burke Collection," January 24, 2006–March 5, 2006.
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Tokyo National Museum. Nihon bijutsu meihin ten: New York Burke Collection / A Selection of Japanese Art from the Mary and Jackson Burke Collection. Exh. cat. Tokyo: Chunichi Shimbun, 1985, cat. no. 108.
Pal, Pratapaditya, and Julia Meech-Pekarik. Buddhist Book Illuminations. New York: Ravi Kumar, 1988, pl. 87.
Avitabile, Gunhild, ed. Die Kunst des alten Japan: Meisterwerke aus der Mary and Jackson Burke Collection, New York. Exh. cat. Frankfurt: Schirn Kunsthalle Frankfurt, 1990, cat. no. 111.
Murase, Miyeko. Bridge of Dreams: The Mary Griggs Burke Collection of Japanese Art. Exh. cat. New York: The Metropolitan Museum of Art, 2000, cat. no. 93.
Tsuji Nobuo et al. Nyūyōku Bāku korekushon-ten: Nihon no bi sanzennen no kagayaki / Enduring Legacy of Japanese Art: The Mary Griggs Burke Collection. Exh. cat., Museum of Fine Arts, Gifu; Hiroshima Prefectural Museum of Art; Tokyo Metropolitan Art Museum; and Miho Museum, Shigaraki, Shiga Prefecture. [Tokyo]: Nihon Keizai Shinbunsha, 2005, cat. no. 60.
Artist: Tōyō (Japanese, active second half of the 18th century)Date: second half of the 18th centuryMedium: Three cases; lacquered wood with gold and silver hiramaki-e, togidashimaki-e, and gold foil cutouts on black lacquer ground Netsuke: box with flowers; lacquered wood with hiramaki-e Ojime: coral beadAccession: 13.67.64On view in:Gallery 223