Qānūn

Turkish

On view at The Met Fifth Avenue in Gallery 681

Although the term qānūn(kanun) appears in the thirteenth century, the trapezoidal plucked zither (psaltery) used today probably originated in Egypt or Syria during the 18th century. Today it is distributed throughout the Middle East, North Africa and parts of Asia. The adjustable levers on the oblique side (player's left), called mandal ("that which supports") in Turkish and orabe ("carriage") in Arabic, raise the pitch of each triple course of gut or nylon strings. This permits the player to use several tones, often shown as scales, that satisfy a makam (a melodic pattern combined with stock phrases and ornaments). The bridge supporting the strings is placed upon a belly ("wajh") traditionally made of fishskin. Placed on a small table the kanun's 72 strings, grouped in 24 courses, are plucked with metal plectra attached to the player's index fingers. Modern kanuns are larger than this 19th-century model.

#Demonstration of modern qanun by Tamer Pinarbasi, 2018. "Gurbet O Kadar" by Yidirim Gurses, performed by Tamer Pinarbasi, qanun, Ara Dinkjian, ud, and Glen Velez, frame drum.

0:00
0:00
Qānūn, Wood; parchment; gut strings; mother-of-pearl, ivory, bone, ebony inlay; shells; gold foil; metal; brass, Turkish

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Open Access

As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.

API

Public domain data for this object can also be accessed using the Met's Open Access API.