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Water

Artist:
Charles Sheeler (American, Philadelphia, Pennsylvania 1883–1965 Dobbs Ferry, New York)
Date:
1945
Geography:
Object plac
Medium:
Oil on canvas
Dimensions:
24 in. × 29 1/4 in. (61 × 74.3 cm)
Classification:
Paintings
Credit Line:
Arthur Hoppock Hearn Fund, 1949
Accession Number:
49.128
Not on view
In painting and photography, Sheeler presented his interest in industry’s robust architecture. He viewed American factories and industrial plants as modern-day equivalents to the Gothic cathedrals of Europe. Expressing his belief in machinery’s powerful symbolism, he said, "Industry concerns the greatest numbers—it may be true, as has been said, that our factories are our substitute for religious expression." Here, Sheeler adopted techniques from his photographic practice—cropping, sharply angled views—and applied them to painting, presenting the water plant’s massive system of pipes and buttressed towers as an imposing contemporary monument.
Inscription: Signed and dated (lower left) Sheeler 1945
the artist, New York (1945–at least 1946; to Downtown Gallery); [Downtown Gallery, New York, until 1949; sold to MMA]

Art Institute of Chicago. "The Fifty–Sixth Annual American Exhibition," October 25, 1945–January 1, 1946.

New York. The Metropolitan Museum of Art. "20th Century Painters: A Special Exhibition of Oils, Water Colors and Drawings Selected from the Collections of American Art in the Metropolitan Museum," June 16–October 29, 1950, unnum. brochure. (p. 11).

Canberra. Australian National Gallery. "20th Century Masters from The Metropolitan Museum of Art, New York," March 1–April 27, 1986, unnumbered cat. (p. 59).

Brisbane. Queensland Art Gallery. "20th Century Masters from The Metropolitan Museum of Art, New York," May 7–July 1, 1986, unnumbered cat.

Berlin. Deutsches Historisches Museum. "Kunst und Propaganda: Im Streit der Nationen 1930–1945," January 26–April 29, 2007, no. US/44.

C. J. Bulliet. "Religious Trends Challenge Our Materialism in Chicago Annual." Art Digest 20 (November 1, 1945), pp. 7–8, ill., states that this painting won the $500 Harris Prize at the 1945 Chicago Annual American Exhibition of Paintings.

Robert Beverly Hale. 100 American Painters of the 20th Century: Works Selected from the Collections of The Metropolitan Museum of Art. New York, 1950, p. xxi, ill. p. 103.

Francis Henry Taylor. "A Report on American Art." Metropolitan Museum of Art Bulletin 8 (January 1950), ill. p. 134.

Henry Geldzahler. American Painting in the Twentieth Century. New York, 1965, pp. 139–40, ill.

Ross Woodrow in 20th Century Masters from The Metropolitan Museum of Art, New York. Exh. cat., Australian National Gallery. Canberra, 1986, p. 59, ill. (color).

Lowery S. Sims in 20th Century Art: Selections from the Collection of The Metropolitan Museum of Art, New York. Vol. 2, Painting: 1945–1985. New York, 1986, pp. 10–11, ill. (color, overall and detail).

William S. Lieberman in 20th Century Art: Selections from the Collection of The Metropolitan Museum of Art, New York. Vol. 2, Painting: 1945–1985. New York, 1986, p. 6.

Nikola Doll in Kunst und Propaganda: Im Streit der Nationen 1930–1945. Exh. cat., Deutsches Historisches Museum. Dresden, 2007, pp. 422–23, no. US/44, ill. (color).



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