Art/ Collection/ Collection/ Art Object

The Station

Artist:
Barnett Newman (American, New York 1905–1970 New York)
Date:
1963
Medium:
Oil on canvas
Dimensions:
24 x 24 1/4 in. (61 x 61.6 cm)
Classification:
Paintings
Credit Line:
Gift of Longview Foundation, Inc., in memory of Audrey Stern Hess, 1975
Accession Number:
1975.189.1
Rights and Reproduction:
© 2016 Artists Rights Society (ARS), New York
Not on view
Inscription: Signed and dated (lower right): Barnett Newman '63
Longview Foundation, Inc., New York (1964–75; their gift to MMA)

Southampton, N. Y. Parrish Art Museum. "Twentieth Century American Paintings from The Metropolitan Museum of Art," September 25–December 31, 1977, no. 31.

Palais des Beaux-Arts, Brussels. "La Peinture Américaine au 20e Siècle de la Collection du Metropolitan Museum of Art," June 28–August 23, 1978, no. 29 (as "Le Chemin").

Reno. Sierra Nevada Museum of Art. "The New York School, 1940–1960: The First Generation of Abstract Expressionism," February 3–March 4, 1979, unnumbered cat. (pl. 5).

Galerie des Beaux-Arts, Bordeaux. "Profil du Metropolitan Museum of Art de New York: de Ramsès à Picasso," May 15–September 1, 1981, no. 224 (as "The Station [Station du Chemin de Croix]").

Montpellier. Musée Fabre. "Abstractions Américaines, 1940–1960," July 3–October 3, 1999, no. 14.

Thomas B. Hess. Barnett Newman. Exh. cat., Museum of Modern Art, New York. New York, 1971, p. 98, calls it "Station".

Helen A. Harrison. Twentieth Century American Paintings from The Metropolitan Museum of Art. Exh. cat., Parrish Art Museum. Southampton, N. Y., 1977, p. 37, no. 31, ill.

Helen A. Harrison in La Peinture Américaine au 20e Siècle de la Collection du Metropolitan Museum of Art. Exh. cat., Palais des Beaux-Arts, Brussels. Brussels, 1978, unpaginated, no. 29, ill., reprints Ref. Harrison 1977.

Brenda Richardson. Barnett Newman: The Complete Drawings, 1944–1969. Exh. cat., Baltimore Museum of Art. Baltimore, 1979, p. 156.

William S. Lieberman in Profil du Metropolitan Museum of Art de New York: de Ramsès à Picasso. Exh. cat., Galerie des Beaux-Arts, Bordeaux. Bordeaux, 1981, p. 173, no. 224, ill.

Lowery S. Sims in Profil du Metropolitan Museum of Art de New York: de Ramsès à Picasso. Exh. cat., Galerie des Beaux-Arts, Bordeaux. Bordeaux, 1981, p. 167, calls it "Chemin de Croix".

Lily Mark. "The Relevance of Title to Form and Content in the Mature Work of Barnett Newman." PhD diss., University of Witwatersrand, 1983, p. 156.

Eugene Victor Thaw. "The Abstract Expressionists." Metropolitan Museum of Art Bulletin 44 (Winter 1986–87), p. 37, fig. 30 (color).

Harold Rosenberg. Barnett Newman. 2nd ed. [1st ed. 1978]. New York, 1994, fig. 37.

Hélène Lagrange. Abstractions Américaines 1940–1960. Exh. cat., Musée Fabre, Montpellier. Paris, 1999, pp. 76–77, no. 14, ill. (color).

Heidi Colsman–Freyberger. "Catalogue Raisonné." Barnett Newman: A Catalogue Raisonné. New York and New Haven, 2004, pp. 302–3, no. 85, ill. (color).

Suzanne Penn. "Intuition and Incidents: The Paintings of Barnett Newman." Reconsidering Barnett Newman: A Symposium at the Philadelphia Museum of Art. Ed. Melissa Ho. Philadelphia, 2005, pp. 94–95 n. 17.



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