The Belles Heures of Jean de France, duc de Berry

Jean, Duke of Berry d. 1416(1408/09–d. 1416; item no. 960 in 1413 inventory) ; Yolande, Queen of Sicily and Duchess of Anjou(1417–d.1443) ; Pierre-Gabriel Bourlier, baron d'Ailly(before 1879–sold by 1884) ; Baron Edmond James de Rothschild, Paris (by 1884–d. 1934) ; by descent, Maurice Edmond Charles Rothschild, Paris and Geneva (1936–1954) ; [ Rosenberg & Stiebel, New York (sold 1954)]

Delisle, Léopold. Mélanges de paléographie et de bibliographie. Paris: Champion, 1880. pp. 283–93.

Delisle, Léopold. "Les Livres d'Heures du duc de Berry." Gazette des Beaux-Arts, 2nd ser., 29, no. 4 (April 1884). no. XXIV, p. 106; no. X, pp. 399-400.

Champeaux, Alfred de, and Paul Gauchery. Les travaux d'art exécutés pour Jean de France. Paris: Champion, 1894. pp. 119, 135–37, 144.

Guiffrey, Jean. Inventaires de Jean duc de Berry (1401-1416). Vol. 1. Paris: Ernest Leroux, 1894. no. 960, p. 253.

Durrieu, Paul. "Les 'Belles Heures' de Jean de France duc de Berry." Gazette des Beaux-Arts, 3rd ser., 35, no. 4 (1906). pp. 265–92.

Schilling, Rosy. "A Book of Hours from the Limbourg Atelier." Burlington Magazine 81, no. 473 (August 1942). pp. 194, 197.

Pächt, Otto. "Early Italian Nature Studies and the Early Calendar Landscape." Journal of the Warburg and Courtauld Institutes 13, nos. 1/2 (1950). pp. 39–40.

Panofsky, Erwin. Early Netherlandish Painting: Its Origins and Character. Vol. 1. Cambridge: Harvard University Press, 1953. pp. 29-32, 34, 43-45, 369 (p. 27 n. 1); 370 (p. 29 n. 3); 370 (p. 30 n. 1); 371 (p. 31 n. 1); 372 (p. 32 n. 2); 373 (p. 34 n. 5); 377 (p. 44 n. 1); 379 (p. 47 n. 3); 386 (p. 62 n. 7); 412 (p. 134 n. 4).

Porcher, Jean. Les belles heures de Jean de France, duc de Berry. Paris: Bibliothèque nationale de France, 1953. pl. I–CLVIII, discussed throughout.

Porcher, Jean. Les manuscrits à peintures en France du XIIIe au XVIe siècle. Paris: Bibliothèque nationale de France, 1955. p. 70.

Freeman, Margaret. "A Book of Hours Made for the Duke of Berry." The Metropolitan Museum of Art Bulletin, n.s., 15, no. 4 (December 1956). pp. 93-99, 102-104.

Comstock, Helen. "The Duke of Berry's 'Belles Heures'." The Connoisseur 139 (April 1957). pp. 133–34.

Neugass, Fritz. "Das Metropolitan erwarb ein Studenbuch des Duc de Berry." Die Weltkunst 28, no. 2 (January 15, 1958). pp. 5–7.

Rorimer, James J., and Margaret B. Freeman, ed. The Belles Heures of Jean, Duke of Berry, Prince of France. New York: The Metropolitan Museum of Art, 1958. Discussed and ill. throughout.

Freeman, Margaret B. "The Annunciation from a Book of Hours for Charles of France." The Metropolitan Museum of Art Bulletin, n.s., 19, no. 4 (December 1960). pp. 105, 109, fig. 6.

Randall Jr., Richard H. A Cloisters Bestiary. New York: The Metropolitan Museum of Art, 1960. p. 23.

Rorimer, James J., and Margaret B. Freeman, ed. Das schöne Stundenbuch des Herzogs von Berry. Munich: Droemersche Verlagsanstalt Th. Knaur Nachf., 1960. Discussed and ill. throughout.

Verdier, Philippe. "A Medallion of the 'Ara Coeli' and the Netherlandish Enamels of the Fifteenth Century." Journal of the Walters Art Gallery 24 (1961). pp. 10-15, fig. 5, 6, 8.

Behling, Lottlisa. "Ergänzungen zu Form und Symbolik von Verkündigung und Goldtempel des Isenheimer Altars." Zeitschrift für Kunstwissenshaft (1962). p. 45, fig. 7.

Faye, C. U. Supplement to the Census of medieval and renaissance manuscripts in the United States and Canada. New York: Bibliographic Society, 1962. pp. 327–28.

Meiss, Millard. "French and Italian Variations on an Early Fifteenth-Century Theme: St. Jerome and His Study." Gazette des Beaux-Arts, 6th ser., 62 (September 1963). pp. 147, 150, 151, 156–62, fig. 5, 8, 10, 12, 13.

Pächt, Otto. "The Limbourgs and Pisanello." Gazette des Beaux-Arts, 6th ser., 62 (September 1963). pp. 110–21, fig. 2, 8.

Rorimer, James J. The Cloisters: The Building and the Collection of Medieval Art in Fort Tryon Park. 3rd revised ed. New York: The Metropolitan Museum of Art, 1963. pp. 150–52.

Hoving, Thomas. "The Thread of Patronage: The Medieval Collections of The Metropolitan Museum of Art and The Cloisters." Apollo 82, no. 43 (September 1965). pp. 176-77, fig. 1, pl. VII.

Porcher, Jean. "Limbourg." In Encyclopedia of World Art. Vol. 9. New York: McGraw-Hill, 1965. cols. 252–54.

Stoddard, Whitney S. Monastery and Cathedral in France: Medieval Architecture, Sculpture, Stained Glass, Manuscripts, the Art of the Church Treasuries. Middletown, CT: Wesleyan University Press, 1966. pp. 348–53, 359, fig. 405.

Young, Bonnie. "A Jewel of St. Catherine." The Metropolitan Museum of Art Bulletin, n.s., 24, no. 10 (June 1966). pp. 316-317, 322, fig. 1-3, 9-10.

Gerson, Horst. "Die Brüder Paul, Hermann und Johann aus Limburg." In Kindlers Malerei Lexikon. Vol. 4. Zurich: Kindler, 1967. pp. 156–57.

Meiss, Millard. French Painting in the Time of Jean de Berry: The Late Fourteenth Century and the Patronage of the Duke. Volume 1, Text. London: Phaidon Press, 1967. pp. 44, 55, 71, 92, 97, 112, 127, 178, 202, 218, 235, 238, 246, 250, 257, 265, 270, 273, 292, 294, 297, 311, 402 n. 60.

Meiss, Millard. French Painting in the Time of Jean de Berry: The Late Fourteenth Century and the Patronage of the Duke. Volume 2, Plates. London: Phaidon Press, 1967. fig. 261, 495-496, 518, 746, 776, 785.

Northrup, Marguerite, ed. The Easter story from the Gospels. New York: The Metropolitan Museum of Art, 1967. fig. ill. pp. 14, 28.

Wixom, William D. Treasures from Medieval France. Cleveland: Cleveland Museum of Art, 1967. no. VI-28, pp. 264, 270-73, 282, 284, 379-80.

Marrow, James H. "Dutch Manuscript Illumination before the Master of Catherine of Cleves: the Master of the Morgan Infancy Cycle." Nederlands Kunsthistorisch Jaarboek 19 (1968). p. 98 n. 82.

Meiss, Millard. "La Mort et l'office des morts à l'époque du Maître de Boucicaut et des Limbourg." Revue de l'Art 1 (1968). pp. 17–25, fig. 6, 12, 15–16.

Meiss, Millard. French Painting in the Time of Jean de Berry: The Boucicaut Master. London: Phaidon Press, 1968. pp. 28, 30–32, 36, 66, 82, 129, 137, 145 n. 61, 148 n. 7, fig. 126, 145, 146, 155, 157, 487.

Young, Bonnie. "The Monkeys & the Peddler." The Metropolitan Museum of Art Bulletin, n.s., 26, no. 10 (June 1968). p. 452, fig. 16.

Puttfarken, Thomas, ed. Meister Francke und die Kunst um 1400. Hamburg: Hamburger Kunsthalle, 1969. no. 38, pp. 72–73, pl. 50–51.

Longnon, Jean, and Raymond Cazelles. The Très Riches Heures of Jean, Duke of Berry: Musée Condé, Chantilly. New York: George Braziller, 1969. pp. 13, 20.

Knauer, Elfriede R. "A Cvbicvlo Avgvstorvm: Bemerkungen zu Rogier van der Weydens Bladelin-Altar." Zeitschrift für Kunstgeschichte 33, no. 1 (1970). p. 335, fig. 3.

The Metropolitan Museum of Art. Masterpieces of Fifty Centuries. New York: Dutton Publishing, 1970. no. 167, p. 188, misidentified as 54.1.2.

Klingender, Francis Donald. Animals in Art and Thought to the End of the Middle Ages. London: Routledge & K. Paul, 1971. pp. 457, 459, fig. 282.

Meiss, Millard, and Sharon Off. "The Bookkeeping of Robinet d'Estampes and the Chronology of Jean de Berry's Manuscripts." The Art Bulletin 53, no. 2 (June 1971). pp. 225–35.

Les pleurants dans l'art du Moyen âge en Europe. Dijon: Musée des Beaux-Arts de Dijon, 1971. p. 84.

Philip, Lotte Brand. The Ghent Altarpiece and the Art of Jan van Eyck. Princeton: Princeton University Press, 1971. p. 28, fig. 73.

Deuchler, Florens. "The Cloisters: Ein Museum für mittelalterliche Kunst in New York." Du 32, no. 2 (1972). p. 135.

Meiss, Millard. French Painting in the Time of Jean de Berry: The Limbourgs and their Contemporaries. Volume 1, Text. New York: G. Braziller, 1974. pp. 102–41, 225, 331–36, 416, 454 n. 237, 467 n. 535, 469 n. 576, specific miniatures discussed throughout.

Meiss, Millard. French Painting in the Time of Jean de Berry: The Limbourgs and their Contemporaries. Volume 2, Illustrations. New York: G. Braziller, 1974. fig. 329, 333, 341, 343, 363–64, 371, 385–86, 389, 397–98, 402–03, 406–07, 409–411, 415–18, 420–23, 426–28, 430–31, 434–36, 438–39, 441–42, 444–45, 448, 451–52, 454–55, 463, 466–68, 470, 472–74, 476–79, 485–88, 492–93, 496–99, 503, 637–68, 641, 687, 693, 751, 799, 861, 891.

Meiss, Millard, and Elizabeth H. Beatson. The Belles Heures of Jean, Duke of Berry. New York: George Braziller, 1974. Discussed throughout.

Plummer, John. "A Blank Page in the Belles Heures." In Gatherings in Honor of Dorothy E. Miner, edited by Ursula E. McCracken, Lilian M. C. Randall, and Richard H. Randall Jr. Baltimore: Walters Art Gallery, 1974. pp. 193–202, fig. 1–4.

Avril, François. "La peinture française au temps de Jean de Berry." Revue de l'Art 28 (1975). pp. 40–52, fig. 4, 16–17.

Bénézit, E., ed. "Limburg." In Dictionnaire Critique et Documentaire des Peintres, Sculpteurs, Dessinateurs et Graveurs: de Tous les Temps et de Tous les Pays. Vol. 6. 3rd ed. Paris: Librairie Gründ, 1976. p. 667.

Sterling, Charles. "Jan van Eyck avant 1432." Revue de l'Art 35 (1976). pp. 13, 15, fig. 8bis.

Avril, François. "Pour l'enluminure provençale: Enguerrand Quarton peintre de manuscrits?." Revue de l'Art 35 (1977). pp. 21–23, fig. 37.

Harthan, John. Books of Hours and Their Owners. London: Thames and Hudson, 1977. pp. 64–65, ill. p. 62.

Janson, H. W. "La signification politique du David en bronze de Donatello: in memoriam Milliard Meiss." Revue de l'Art 39 (1978). pp. 37, 38, fig. 8.

Lane, Barbara G. "Rogier's Saint John and Miraflores Altarpieces Reconsidered." The Art Bulletin 60, no. 4 (December 1978). pp. 665–66, fig. 16.

Legner, Anton, ed. Die Parler und der schöne Stil, 1350-1400: Europäische Kunst unter den Luxemburgern. Vol. 3. Cologne: Museen der Stadt Köln, 1978. pp. 191–92.

Legner, Anton, ed. Die Parler und der schöne Stil, 1350-1400: Europäische Kunst unter den Luxemburgern. Vol. 1. Cologne: Museen der Stadt Köln, 1978. p. 211.

Avril, François. "Limbourg." In Petit Larousse de la Peinture, edited by Michel Laclotte. Vol. 1. Paris: Librairie Larousse, 1979. p. 1031.

Le Bras, Gabriel. Les Ordres Religieux: La Vie et l'Art. Vol. 1. Paris: Flammarion, 1979. p. 103, fig. 164.

Marrow, James H. Passion Iconography in Northern European Art of the Late Middle Ages and Early Renaissance: A Study of the Transformation of Sacred Metaphor into Descriptive Narrative. Kortrijk: Van Ghemmert Publishing Company, 1979. p. 161, fig. 115.

Thomas, Marcel. The Golden Age: Manuscript Painting at the Time of Jean, Duke of Berry. New York: G. Braziller, 1979. pp. 26, 27, 86, 88, fig. XIV, pl. 24, 25.

Farber, Allen S. "A Study of the Secondary Decoration of the Belles Heures and Related Manuscripts." PhD diss., Cornell University, 1980. Discussed throughout.

Friedmann, Herbert. A Bestiary for Saint Jerome: Animal Symbolism in European Religious Art. Washington, D.C.: Smithsonian Institution Press, 1980. pp. 34–35, fig. 5–9.

Grimme, Ernst Günther. Die Geschichte der abendländischen Buchmalerei. Cologne: DuMont Buchverlag, 1980. p. 155.

Hibbard, Howard. The Metropolitan Museum of Art. New York: Harper & Row, 1980. pp. 181–82, fig. 337–38, 340.

Bell, Susan Groag. "Medieval Women Book Owners: Arbiters of Lay Piety and Ambassadors of Culture." Signs: Journal of Women in Culture and Society 7, no. 4 (Summer 1982). p. 748, 761, fig. 10.

Purtle, Carol J. The Marian Paintings of Jan van Eyck. Princeton: Princeton University Press, 1982. p. 23, fig. 12.

Alexander, Jonathan J. G. "The Limbourg Brothers and Italian Art: A New Source." Zeitschrift für Kunstgeschichte 46 (1983). pp. 431–35, fig. 6, 7, 9, 10.

Büttner, Frank. Imitatio Pietatis: Motive der christlichen Ikonographie als Modelle zur Verähnlichung. Berlin: Gebr. Mann Verlag, 1983. pp. 122, 136 n. 15, 167–69, 222, fig. 191.

Howard, Kathleen, ed. The Metropolitan Museum of Art Guide. New York: The Metropolitan Museum of Art, 1983. no. 27, p. 371.

Byrne, Donal. "Manuscript Ruling and Pictorial Design in the Work of the Limbourgs, the Bedford Master, and the Boucicaut Master." The Art Bulletin 66, no. 1 (March 1984). pp. 119-36, fig. 4, 9, 11.

Cazelles, Raymond. The Très Riches Heures of Jean, Duke of Berry: Commentary to the Facsimile Edition of Manuscript 65 from the Collection of the Musée Condé, Chantilly. New York: H. N. Abrams, 1984. pp. 24, 44–45, 74, 77, 85–86, 110–11, 116, 125–26, 137, fig. 8, 15.

Labuda, Adam S. "Wort und Bild im späten Mittelalter am Beispiel des Breslauer Barbara-Altars (1447)." Artibus et Historiae 5, no. 9 (1984). p. 45, fig. 27.

Snyder, James. Northern Renaissance Art: Painting, Sculpture, the Graphic Arts from 1350 to 1575. New York: Harry N. Abrams, 1985. pp. 57-58, fig. 49.

Buren, Anne H. van. "Thoughts, Old and New, on the Sources of Early Netherlandish Painting." Simiolus 16, no. 2/3 (1986). pp. 97, 98.

Schrader, J. L. "A Medieval Bestiary." The Metropolitan Museum of Art Bulletin, n.s., 44, no. 1 (Summer 1986). p. 27, 52.

Husband, Timothy B., and Charles T. Little. Europe in the Middle Ages. New York: The Metropolitan Museum of Art, 1987. no. 124, pp. 132-133.

Cazelles, Raymond. Illuminations of Heaven and Earth: the Glories of the Très Riches Heures du duc de Berry. New York: H. N. Abrams, 1988. pp. 68, 100, 118, 160, 200, 207, 219, 220–21, 223, 225, 226–29.

Young, Bonnie. A Walk Through The Cloisters. 5th ed. New York: The Metropolitan Museum of Art, 1988. pp. 104-05.

Brooke, Christopher Nugent Lawrence. The Medieval Idea of Marriage. Oxford: Oxford University Press, 1989. p. 284, fig. 7.

Burn, Barbara, ed. The Life of Christ: Images from the Metropolitan Museum of Art. New York: The Metropolitan Museum of Art, 1989. ill. pp. 13, 71.

Ribault, Jean-Yves. "Enlumineurs et financiers: Documents berrichons inédits sur les frères de Limbourg." Revue de l'art 88 (1990). pp. 48–51.

Sterling, Charles. La peinture médiévale à Paris, 1300–1500. Vol. 1. Paris: Bibliothèque des Arts, 1990. pp. 13, 254, 257, 308, fig. 154.

Brinkmann, Bodo. "Über den Meister des Dresdener Gebetbuchs und seine Beziehung zu Utrecht." In Masters and Miniatures: Proceedings of the Congress on Medieval Manuscript Illumination in the Northern Netherlands, edited by Koert van der Horst, and Johann-Christian Klamt. Studies and Facsimiles of Netherlandish Illuminated Manuscripts, Vol. 3. Doornspijk, The Netherlands: Davaco, 1991. p. 122 n. 30.

Châtelet, Albert. "Peinture et enluminure au XVe siècle." In Masters and Miniatures: Proceedings of the Congress on Medieval Manuscript Illumination in the Northern Netherlands, edited by Koert van der Horst, and Johann-Christian Klamt. Studies and Facsimiles of Netherlandish Illuminated Manuscripts, Vol. 3. Doornspijk, The Netherlands: Davaco, 1991. p. 371.

Colenbrander, Herman Th. "The Limbourg Brothers, the Miniaturists of the Très Riches Heures du Duc de Berry?." In Masters and Miniatures: Proceedings of the Congress on Medieval Manuscript Illumination in the Northern Netherlands, edited by Koert van der Horst, and Johann-Christian Klamt. Studies and Facsimiles of Netherlandish Illuminated Manuscripts, Vol. 3. Doornspijk, The Netherlands: Davaco, 1991. pp. 110–14.

Grams-Thieme, Marion. "Limbourg, Pol de, ca. 1385-ca. 1416, Jean de, ca. 1385-ca. 1416, and Herman de, ca. 1385-ca. 1416." In Lexikon des Mittelalters. Vol. 5. Munich: J. B. Metzler, 1991. col. 1990.

Naughton, Joan M. "Art and Devotion: The Prayer-Books of Jean de Berry." In Medieval Texts and Images: Studies of Manuscripts from the Middle Ages, edited by Margaret M. Manion, and Bernard J. Muir. Chur: Harwood Academic Publishers, 1991. pp. 186–87, fig. 77–78.

Naughton, Joan M. "A Minimally-Intrusive Presence: Portraits in Illustrations for Prayers to the Virgin." In Medieval Texts and Images: Studies of Manuscripts from the Middle Ages, edited by Margaret M. Manion, and Bernard J. Muir. Chur: Harwood Academic Publishers, 1991. pp. 115–16, fig. 46–47.

Alexander, Jonathan J. G. Medieval Illuminators and Their Methods of Work. New Haven: Yale University Press, 1992. p. 142.

Benton, Janetta Rebold. The Medieval Menagerie: Animals in the Art of the Middle Ages. New York: Abbeville Press, 1992. pp. 10, 29-32, 44-45, 52, 125-26, fig. 17, 18, 35-36, 109-10.

Heck, Christian. "Baldung Grien's Grünen Wörth Altarpiece and Devotion to the Two St. Johns." Metropolitan Museum Journal 27 (1992). pp. 92-3, fig. 6.

Koch-Hillebrecht, Manfred. Museen in den USA : Gemälde. Munich: Hirmer, 1992. p. 105.

Plummer, John. "The Beginnings of the Belles Heures." In The Cloisters: Studies in Honor of the Fiftieth Anniversary, edited by Elizabeth C. Parker. New York: The Metropolitan Museum of Art, 1992. pp. 420-39, fig. 1, 2, 4-5, 8, 10, 14, 16-18, pl. 8.

Randall, Lilian M. C. Medieval and Renaissance Manuscripts in the Walters Art Gallery. Vol. 2, pt. 1. Baltimore: Walters Art Museum, 1992. pp. 16, 20, 33, 77, 299.

Wedl-Bruognolo, Renate. "Limburg." In Marienlexikon, edited by Remigius Bäumer. Vol. 4. St. Ottilien: EOS Verlag, 1992. p. 124.

Alexander, Jonathan J. G. "A Metalwork Triptych of the Passion of Christ in The Metropolitan Museum, New York." Wiener Jahrbuch für Kunstgeschichte 46/47, pt. 1 (1993–1994). pp. 28, 29, fig. 3, 6, ill. pp. 378–79.

Avril, François. Les Manuscrits à Peintures en France, 1440-1520. Paris: Bibliothèque nationale de France, 1993. pp. 20-21, 25-26, 29, 176, 182.

Burn, Barbara, ed. Masterpieces of the Metropolitan Museum of Art. New York: The Metropolitan Museum of Art, 1993. p. 72.

Chastel, André. L'Art Français: Volume 1, Pré-moyen âge, Moyen âge. Paris: Flammarion, 1993. pp. 332-33.

Farber, Allen S. "Considering a Marginal Master: The Work of an Early Fifteenth-Century, Parisian Manuscript Decorator." Gesta 32, no. 1 (1993). 21-39, fig. 1, 2 ,3, 8, 24, figs. 1 (fol. 16r), 2 (fol. 204 r), 3 (fol. 52r), 24 (fol. 57r).

Hinz, Berthold. "Nackt/ Akt: Dürer und der 'Prozess der Zivilisation'." Städel-Jahrbuch 14 (1993). pp. 211–12, fig. 14.

Kolve, V. A. "The Annunciation to Christine: Authorial Empowerment in The Book of the City of Ladies." In Iconography at the Crossroads: Papers from the Colloquium Sponsored by the Index of Christian Art, Princeton University. Occasional Papers, Vol. 2. Princeton, N. J.: Princeton University Press, 1993. p. 179, fig. 5.

Mellinkoff, Ruth. Outcasts: Signs of Otherness in Northern European Art of the Late Middle Ages. Vol. 1. Berkeley: University of California Press, 1993. p. 81.

Mellinkoff, Ruth. Outcasts: Signs of Otherness in Northern European Art of the Late Middle Ages. Vol. 2. Berkeley: University of California Press, 1993. fig. III.95.

Easton, Martha. "Saint Agatha and the Sanctification of Sexual Violence." Studies in Iconography 16 (1994). p. 98, fig. 10.

Hall, Edwin. The Arnolfini Betrothal: Medieval Marriage and the Enigma of van Eyck's Double Portrait. Berkeley: University of California Press, 1994. pp. 106–7, fig. 49.

Howard, Kathleen, ed. The Metropolitan Museum of Art Guide. 2nd ed. New York: The Metropolitan Museum of Art, 1994. no. 27, p. 405.

Calkins, Robert G. "Limbourg Brothers." In Medieval France: An Encyclopedia, edited by William W. Kibler, and Grover A. Zinn. Garland Encyclopedias of the Middle Ages, Vol. 2. New York and London: Garland Publishing, Inc., 1995. pp. 549–50 [1039–40].

Gathercole, Patricia May. Animals in Medieval French Manuscript Illumination. Lewiston, N.Y.: E. Mellen Press, 1995. pp. 14, 15, 54, 101, 103.

Manion, Margaret M. "Psalter Illustration in the 'Très Riches Heures' of Jean de Berry." Gesta 34, no. 2 (1995). pp. 149-150, fig. 3.

Camille, Michael. Master of Death: The Lifeless Art of Pierre Remiet, Illuminator. New Haven: Yale University Press, 1996. pp. 197, 240–41, fig. 187.

Kubiski, Joyce. "Orientalizing Costume in Early Fifteenth-Century French Manuscript Painting (Cité des Dames Master, Limbourg Brothers, Boucicaut Master, and Bedford Master)." Gesta (2001). pp. 170 & 172, fig. 13, p. 170, p. 172 b/w ill.

Syson, Luke, and Dillian Gordon. Pisanello: Painter to the Renaissance Court. London and New Haven CT: Yale University Press, 2001. pp. 149, 151-152, fig. 4.30, 4.31.

Zeman, Georg. "The Copenhagen Mocking of Christ and the Early Style of the Limburg Brothers." Master Drawings 41, no. 3 (Autumn 2003). pp. 205–13, fig. 2, 4.

Evans, Helen C., ed. Byzantium: Faith and Power (1261-1557). New York, New Haven, and London: The Metropolitan Museum of Art, 2004. no. 297, p. 487.

Cleveland Museum of Art and Musée des Beaux-Arts de Dijon. L'art à la cour de Bourgogne: le mécénat de Philippe le Hardi et de Jean sans Peur (1364-1419), edited by Stephen Fliegel, and Sophie Jugie. Paris: Éditions de la Réunion des Musées Nationaux, 2004. no. 12, pp. 47, 98-99, fig. 5.

Cleveland Museum of Art and Musée des Beaux-Arts de Dijon. Art from the Court of Burgundy: The Patronage of Philip the Bold and John the Fearless 1364-1419, edited by Stephen Fliegel, and Sophie Jugie. Cleveland: Cleveland Museum of Art, 2004. no. 12, pp. 47, 98-99, fig. 5, ill. p. 98.

Taburet-Delahaye, Elisabeth, ed. Paris 1400: Les Arts sous Charles VI. Paris: Musée du Louvre, 2004. no. 188, pp. 98–99, 252, 293–304, 309, 325, fig. 24, 69, 78, 80, 87, 95, 99.

Bakker, Boudewijn. "Conquering the Horizon. The Limbourg Brothers and the Painted Landscape." In The Limbourg Brothers: Nijmegen masters at the French Court, 1400-1416, edited by Pieter Roelofs, and Rob Dückers. Ghent: Ludion Press, 2005. no. 93-102, pp. 190-191, 194, 197-198, 205-206, fig. 1, 6, 9, 12.

Barnet, Peter, and Nancy Y. Wu. The Cloisters: Medieval Art and Architecture. New York and New Haven: The Metropolitan Museum of Art, 2005. no. 82, pp. 117–18, 197.

Boehm, Barbara Drake. "Charles IV: The Realm of Faith." In Prague: The Crown of Bohemia, 1347–1437, edited by Barbara Drake Boehm, and Jiri Fajt. New York: The Metropolitan Museum of Art, 2005. pp. 27–28.

Clark, Gregory T. "The Influence of the Limbourg Brothers in France and the Southern Netherlands, 1400–1460." In The Limbourg Brothers: Nijmegen masters at the French Court, 1400–1416, edited by Pieter Roelofs, and Rob Dückers. Ghent: Ludion Press, 2005. no. 93-102, pp. 208-209, 211, 217-219, 222-223, 225-229, 231, fig. 1, 17, 22, 24,27.

de Hamel, Christopher. The Rothschilds and their Collections of Illuminated Manuscripts. London: British Library, 2005. pp. 21, 26, 31, 34, 37, 43, 47, pl. 9, 20.

Dückers, Rob. "'In the beginning...': The Bible Moralisee in the Work of the Limbourg Brothers." In The Limbourg Brothers: Nijmegen masters at the French Court, 1400–1416, edited by Pieter Roelofs, and Rob Dückers. Ghent: Ludion Press, 2005. no. 93-102, pp. 87-88, 90, 92, fig. 8.

Dückers, Rob. "The Limbourg Brothers and the North: Book Illumination and Panel Painting in the Guelders Region 1380–1435." In The Limbourg Brothers: Nijmegen masters at the French Court, 1400–1416, edited by Pieter Roelofs, and Rob Dückers. Ghent: Ludion Press, 2005. no. 93-102, pp. 64-65, 68-69, 74, 78-82, fig. 1, 4, 6, 7, 11.

Roelofs, Pieter, and Rob Dückers, ed. The Limbourg Brothers: Nijmegen masters at the French Court, 1400–1416. Ghent: Ludion Press, 2005. no. 93-102, pp. 323, 344-345, 354-373, 380, 388, 392, 404, 408, 412, 420, 422-423.

Grandmontagne, Michael. Claus Sluter und die Lesbarkeit mittelalterlicher Skulptur: das Portal der Kartause von Champmol. Worms: Wernersche Verlagsgesellschaft, 2005. pp. 318, 351–56, fig. 109–110.

Husband, Timothy. "The Belles Heures of Jean, Duc de Berry. A Visual Analysis." In The Limbourg Brothers: Nijmegen masters at the French Court, 1400-1416, edited by Pieter Roelofs, and Rob Dückers. Ghent: Ludion Press, 2005. no. 93-102, pp. 96-111, fig. 1, 3, 4, 5, 6, 7.

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