The method of mounting recti-curvilinear enamel plaques seen here is particular to goldsmiths’ work in Catalonia. The larger plaques represent the Betrayal, the Carrying of the Cross, and the Crucifixion. The heads stippled above the circular roundels are a fine example of this metalwork technique, which rarely was used in Spanish art.
Marking: Marks: (on the underside of the foot) +BA / RCK; (on the outside of the lip) import mark [19th century]
Richard von Passavant-Gontard, Frankfurt (1929) ; [ S. J. Phillips Ltd., London (sold 1988)]
The Metropolitan Museum of Art. Recent Acquisitions, 1987-1988 (Metropolitan Museum of Art) (1988). p. 18.
The Metropolitan Museum of Art. "One Hundred Eighteenth Annual Report of the Trustees for the Fiscal Year July 1, 1987, through June 30, 1988." Annual Report of the Trustees of the Metropolitan Museum of Art 118 (1988). p. 33.
Wixom, William D., ed. Mirror of the Medieval World. New York: The Metropolitan Museum of Art, 1999. no. 189, pp. 160–61.