Circle of Rogier van der Weyden, possibly Vranke van der Stockt (Netherlandish, ca. 1420–1495)
Pen and brown ink over traces of black chalk.
11 13/16 x 16 3/4 in. (30.0 x 42.6 cm)
Robert Lehman Collection, 1975
Not on view
This remarkable drawing – among the few extant fifteenth-century designs for representational sculpture – is a study for one of three narrative capitals carved for the Brussels town hall between 1444 and 1450. The subject is a pun on the word scupstoel (literally “shovel chair”), a contraption used for public humiliation in which felons were raised above water and then dropped in. Scupstoel was also the name of a house that previously stood on the site of the new wing of the town hall. An inscription on the drawing’s reverse indicates that the drawing served as a patroen, a model that may illustrate an intermediary stage between the preliminary sketch and the detailed pattern used by the sculptors of the capital. Its curved design suggests the three-dimensional form of the capital. Traditionally associated with the circle of Rogier van der Weyden, the renowned Netherlandish master who oversaw a large workshop as town painter of Brussels, the drawing recently has been attributed to Rogier’s successor in this role: the painter Vrancke van der Stockt. A 19th-century reconstruction of the “Scupstoel” capital (after the original, Musée Communal, Brussels) is now on the ground floor arcade, L’Hôtel de Ville, Grande Place, Brussels.
Inscription: Annotated along the left side of the verso in pen and ink in a fifteenth-century hand: "tpatroen van den scupst [ ] l / ende van spapenkeld onder" (the last five letters unclear).
Artist: Fra Bartolomeo (Bartolomeo di Paolo del Fattorino) (Italian, Florence 1473–1517 Florence)Date: ca. 1501Medium: Pen and brown ink, traces of black chalk; mounted on an album pageAccession: 1975.1.270On view in:Not on view
Artist: Taddeo Zuccaro (Italian, Sant'Angelo in Vado 1529–1566 Rome)Date: ca. 1557–58Medium: Pen and brown and gray ink, brown wash, over black chalk, heightened with white, on buff paper.Accession: 1975.1.553On view in:Not on view
Artist: Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd (?) 1484/85–1545 Strasbourg (Strassburg))Date: ca. 1510–11Medium: Pen and two shades of carbon black ink, traces of black chalk underdrawingAccession: 1975.1.855On view in:Not on view
Artist: Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach)Date: ca. 1480–90Medium: Pen and carbon black ink, over pen and brown ink, on paper prepared with sanguine wash.Accession: 1975.1.872On view in:Not on view