Art/ Collection/ Art Object
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元/明 吳伯理 龍松圖 軸
Dragon Pine

Artist:
Wu Boli (Chinese, active late 14th–early 15th century)
Period:
Ming dynasty (1368–1644)
Date:
ca. 1400
Culture:
China
Medium:
Hanging scroll; ink on paper
Dimensions:
Image: 48 x 13 1/4 in. (121.9 x 33.7 cm) Overall with mounting: 100 x 18 5/8 in. (254 x 47.3 cm) Overall with knobs: 100 x 21 in. (254 x 53.3 cm)
Classification:
Paintings
Credit Line:
Edward Elliott Family Collection, Gift of Douglas Dillon, 1984
Accession Number:
1984.475.3
Not on view
Wu Boli, a Daoist priest at the Shangqing ("Upper Purity") Temple on Dragon Tiger Mountain, Jiangxi Province, was a close folower of Fang Congyi (ca. 1301–ca. 1392). Dragon Pine was painted for Zhang Yuchu, the forty-third Daoist "pope" of the Orthodox Unity sect, and bears his appreciative colophon.

This animated pine recalls an account by the tenth-century hermit-painter Jing Hao that describes "a gigantic pine tree, its aged bark overgrown with lichen, its winged scales seeming to ride in the air. Its stature is like that of a coiling dragon trying to reach the Milky Way." For Jing Hao, as for later artists, the pine signified "the moral character of the virtuous man." Here, the tree may also represent the Daoist sage, or "perfected being." According to Daoist geomantic beliefs, vital energies collect at the base of a mountain slope along the edge of a stream-precisely the location of the pine in Wu Boli's painting.
#7603. Dragon Pine
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Inscription: No artist’s inscription or signature

Artist’s seal

Longhu Shanqiao Wu Chaoyun tushu yin 龍虎山樵吳巢雲圖書印

Colophon

Zhang Yuchu 張宇初 (1361–1410) , 5 columns in standard script, undated; 2 seals:

囗陽坡,碧漢澄,
囗景囗籟囗,囗陰動清影。
巢雲有高墨,囗相領;
自非忘垢俗,孰幽靜。
無爲 [印]: 耆山囝囗、四十三代天師

Label strip

Zhang Daqian 張大千 (1899–1983), 1 column in semi-cursive/standard script, undated; 1 seal:

宋人巨然《流水松風圖》真跡,第一無上希有,仁濤道兄寶藏。大千張爰題。[印]: 張爰

Collectors’ seals

Song emperor Gaozong 宋高宗 (r. 1127–1162)
Shaoxing 紹興 (spurious)

Other spurious Song seals
Neidian mishu zhi yin 内殿祕書之印
1 illegible partial seal [一殘印不辨]

Chen Rentao 陳仁濤 (active mid-20th c.)
Jingui baocang 金匱寳藏

Zhang Daqian 張大千 (1899–1983)
Dafeng Tang gongyang 大風堂供養
Cang zhi Daqian 藏之大千
Xinyan Lou 昕晏樓
Jichou yihou suode 己丑以後所得
Douglas Dillon , New York (until 1984; donated to MMA)
New York. The Metropolitan Museum of Art. "Peach Blossom Spring," November 21, 1983–June 3, 1984.

New York. The Metropolitan Museum of Art. "Text and Image: The Interaction of Painting, Poetry, and Calligraphy," January 23, 1999–August 16, 1999.

New York. The Metropolitan Museum of Art. "The World of Scholars' Rocks: Gardens, Studios, and Paintings," February 1, 2000–August 20, 2000.

Art Institute of Chicago. "Taoism and the Arts of China," November 4, 2000–January 7, 2001.

Asian Art Museum of San Francisco. "Taoism and the Arts of China," February 21, 2001–May 13, 2001.

New York. The Metropolitan Museum of Art. "The Douglas Dillon Legacy: Chinese Painting for the Metropolitan Museum," March 12, 2004–August 8, 2004.

New York. The Metropolitan Museum of Art. "Art of the Brush: Chinese Painting and Calligraphy," March 12, 2005–August 14, 2005.

New York. The Metropolitan Museum of Art. "Anatomy of a Masterpiece: How to Read Chinese Paintings," March 1, 2008–August 10, 2008.

New York. The Metropolitan Museum of Art. "Arts of the Ming Dynasty: China's Age of Brilliance," January 23, 2009–September 13, 2009.

New York. The Metropolitan Museum of Art. "The Yuan Revolution: Art and Dynastic Change," August 21, 2010–January 9, 2011.

New York. The Metropolitan Museum of Art. "Chinese Gardens: Pavilions, Studios, Retreats," August 18, 2012–January 6, 2013.

New York. The Metropolitan Museum of Art. "Masterpieces of Chinese Painting from the Metropolitan Collection II," May 7, 2016–October 11, 2016.

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