Zinc alloy; cast, engraved, inlaid with brass (bidri ware)
H. 6 7/8 in. (17.5 cm)
Diam. 6 1/2 in. (16.5 cm)
Louis E. and Theresa S. Seley Purchase Fund for Islamic Art and Rogers Fund, 1984
Not on view
This huqqa base, with irises and other flowers, would have originally been fitted with a long stem supporting a brazier and a pipe through which the smoker would have inhaled. Many of the known examples of huqqa bases from the seventeenth and eighteenth centuries were made in the Deccan and decorated with the type of metal inlay known as bidri, in which the base metal of the object is darkened through a chemical process in order to highlight the inlaid metal of the ornament.
[ Bashir Mohamed Ltd, London, until 1982; sold to MMA]
Metropolitan Museum of Art Bulletin vol. 42 (1984–1985). p. 9, ill. (b/w).
Welch, Stuart Cary. "Art and Culture 1300–1900." In India!. New York: Holt, Rinehart, and Winston, 1985. no. 218, pp. 322-323, ill. p. 322 (b/w).
Welch, Stuart Cary. The Islamic World. vol. 11. New York: The Metropolitan Museum of Art, 1987. p. 152, ill. fig. 117 (color).
Walker, Daniel S. Flowers Underfoot: Indian Carpets of the Mughal Era. New York: The Metropolitan Museum of Art, 1997. pp. 117-118, ill. fig. 117 (b/w).
Zebrowski, Mark. Gold, Silver and Bronze from Mughal India. London: Laurence King Publishers, 1997. p. 234, ill. fig. 389.
Ekhtiar, Maryam, Sheila R. Canby, Navina Haidar, and Priscilla P. Soucek, ed. Masterpieces from the Department of Islamic Art in The Metropolitan Museum of Art. 1st ed. ed. New York: The Metropolitan Museum of Art, 2011. no. 274, pp. 341, 386, ill. p. 386 (color).
Haidar, Navina, and Marika Sardar. "Opulence and Fantasy." In Sultans of Deccan India 1500–1700. New York: The Metropolitan Museum of Art, 2015. no. 90, p. 186, ill. pl. 90 (color).