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"Rosette Bearing the Names and Titles of Shah Jahan", Folio from the Shah Jahan Album

Object Name:
Album leaf
Date:
recto: ca. 1645; verso: ca. 1630–40
Geography:
India
Culture:
Islamic
Medium:
Ink, opaque watercolor, and gold on paper
Dimensions:
H. 15 3/16 in. (38.6 cm) W. 10 7/16 in. (26.5 cm)
Classification:
Codices
Credit Line:
Purchase, Rogers Fund and The Kevorkian Foundation Gift, 1955
Accession Number:
55.121.10.39
Not on view
A shamsa (literally, sun) traditionally opened imperial Mughal albums. Worked in bright colors and several tones of gold, the meticulously designed and painted arabesques are enriched by fantastic flowers, birds, and animals. The inscription in the center in the "tughra" (handsign) style reads: "His Majesty Shihabuddin Muhammad Shahjahan, the King, Warrior of the Faith, may God perpetuate his kingdom and sovereignty."
Inscription: Inscription in Arabic in tughra script at center:
حضرت شهاب الدین محمد شاه جهان پادشاه غازى خلد الله ملکه و سلطانه
His Majesty Shihab al-Din Muhammad Shah Jahan, the king, the vanquisher,
may God perpetuate his dominion and sovereignty.
Jack S. Rofe, Scotland (1929; sale, Sotheby's, London,December 12, 1929, to Kevorkian); [ Hagop Kevorkian, New York, from 1929]; [ Kevorkian Foundation, New York, until 1955; gift and sale to MMA]
"Gold." Metropolitan Museum of Art Bulletin vol. 31, no. 2 (Winter 1972/1973). Inside front color, ill. p. 74 (color).

Welch, Stuart Cary. Imperial Mughal Painting. New York: George Braziller, 1978. pp. 98-99, ill. pl. 30 (color).

Welch, Anthony. Calligraphy in the Arts of the Muslim World. Austin, TX: University of Texas Press, 1979. no. 85, pp. 9, 194, ill. p. 9 (color).

Welch, Stuart Cary. "Art and Culture 1300–1900." In India!. New York: Holt, Rinehart, and Winston, 1985. no. no 155, pp. 236-237, ill. p. 237 (color).

Welch, Stuart Cary. The Islamic World. vol. 11. New York: The Metropolitan Museum of Art, 1987. pp. 147, 149, ill. fig. 114 (color).

Welch, Stuart Cary, Annemarie Schimmel, Marie Lukens Swietochowski, and Wheeler M. Thackston. The Emperors' Album: Images of Mughal India. New York: The Metropolitan Museum of Art, 1987. no. nos. 1, 3, pp. 80-81, 83, 85, ill., verso pl. 3 (color); recto pl. 1 (color).

Pal, Pratapaditya. Romance of the Taj Mahal. London; Los Angeles: Thames and Hudson, 1989–1991. no. 81, p. 89, ill. fig. 81 (b/w).

Schimmel, Annemarie. "Islamic Calligraphy." Metropolitan Museum of Art Bulletin vol. (Summer 1992). (v) pp. 38-39, ill. fig. 47 (color).

Brand, Michael. "Art and Experience in India." In The Vision of Kings. Canberra, Australia: National Gallery of Australia, 1995. no. 98, p. 140, ill. p. 140 (color).

Kossak, Steven M., ed. Indian Court Painting 16th–19th century. New York: The Metropolitan Museum of Art, 1997. no. 26, pp. 53, 56, ill. pl. 26 (color).

Ekhtiar, Maryam, Sheila R. Canby, Navina Haidar, and Priscilla P. Soucek, ed. Masterpieces from the Department of Islamic Art in The Metropolitan Museum of Art. 1st ed. ed. New York: The Metropolitan Museum of Art, 2011. no. 250A, pp. 340, 358-360, ill. p. 358 (color).



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