The poem on this print is signed Katsura no Mayuzumi. It leaves implicit the charms of the waitress:
Naniwacho chaya ni yasuraide, Naniwazu no na ni ou mono wa yuki kai ni ashi no tomaranu hito mo araji na.
While relaxing at a teahouse in Naniwacho, No one can fail to stop in here as they pass by the leggy weeds of Naniwa's straits whatever his reason for coming.
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Naniwaya Okita 喜多川歌麿画 難波屋おきた
Title:Okita of the Naniwaya Teahouse
Artist:Kitagawa Utamaro (Japanese, ca. 1754–1806)
Period:Edo period (1615–1868)
Date:ca. 1793
Culture:Japan
Medium:Woodblock print; ink and color on paper
Dimensions:14 1/8 x 9 7/8 in. (35.9 x 25.1 cm)
Classification:Prints
Credit Line:The Howard Mansfield Collection, Purchase, Rogers Fund, 1936
Accession Number:JP2734
Signature: Utamaro hitsu
Inscription: Poem: Naniwacho chaya ni yasuraide, Naniwazu no na ni ou mono wa yuki kai ni ashi no tomaranu hito mo araji na. (While relaxing at a teahouse in Naniwacho, No one can fail to stop in here as they pass by the leggy weeds of Naniwa's straits whatever his reason for coming)
Howard Mansfield , New York (until 1936; sold to MMA)
New York. Asia Society. "Designed for Pleasure: The World of Edo Japan in Prints and Paintings, 1680–1860," February 27, 2008–May 4, 2008.
Edo-Tokyo Museum. "Five Ukiyo-e Favorites: Utamaro, Sharaku, Hokusai, Hiroshige and Kuniyoshi," November 19, 2019–January 19, 2020.
Fukuoka Art Museum. "Five Ukiyo-e Favorites: Utamaro, Sharaku, Hokusai, Hiroshige and Kuniyoshi," January 28, 2020–March 22, 2020.
Aichi Prefectural Museum of Art. "Five Ukiyo-e Favorites: Utamaro, Sharaku, Hokusai, Hiroshige and Kuniyoshi," April 2, 2020–May 31, 2020.
Meech, Julia, and Jane Oliver, eds. Designed for Pleasure: The World of Edo Japan in Prints and Paintings, 1680–1860. Exh. cat. Seattle: Asia Society and Japanese Art Society of America in association with, 2008, p. 233, cat. no. 134.
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