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Mosque Lamp for the Mausoleum of Amir Aydakin al-'Ala'i al-Bunduqdar

Object Name:
Mosque lamp
Date:
shortly after 1285
Geography:
Egypt, probably Cairo
Culture:
Islamic
Medium:
Glass, brownish; blown, folded foot, applied handles; enameled and gilded
Dimensions:
H. 10 3/8 in. (26.4 cm) Diam. of rim 8 1/4 in. (21 cm)
Classification:
Glass
Credit Line:
Gift of J. Pierpont Morgan, 1917
Accession Number:
17.190.985
On view at The Met Fifth Avenue in Gallery 454
This lamp’s inscriptions reveal that it was ordered for Aidakin’s mausoleum (turba), a building still standing in Cairo. Mamluk amirs adopted emblems, often connected with their ceremonial roles at court, which decorated the objects and buildings they commissioned. Here, the motif of two gold crossbows against a red shield illustrates the office of bunduqdar (bow‑keeper).
Inscription: Inscription in Arabic in thuluth script on neck and body:
ممما عمل برسم تربة المقر العالي/ العلائي البندقدار/ قدس الله روحه
From [the objects] that were made for the tomb of His High Excellency
al-‘Ala’i al-Bunduqdar (the keeper of the bow), may God sanctify his soul
Emile Gaillard, Paris (until d. 1904; sale, Hôtel Gaillard,Paris, June 7–16, 1904, lot 579, to Morgan); J. Pierpont Morgan, New York (1904–d. 1913; his estate 1913–17; gifted to MMA)
Denny, Walter B. How to Read Islamic Carpets. New Haven and London: The Metropolitan Museum of Art, p. 47, ill. fig. 33 (color).

Dimand, Maurice S. A Handbook of Muhammadan Art. 2nd rev. and enl. ed. New York: The Metropolitan Museum of Art, 1944. p. 240, ill. fig. 156 (b/w).

Nickel, Helmut. "A Mamluk axe." In Islamic Art in The Metropolitan Museum of Art, edited by Richard Ettinghausen. New York: The Metropolitan Museum of Art, 1972. p. 216, ill. fig. 5 (b/w).

Ettinghausen, Richard. "Islamic Art." Metropolitan Museum of Art Bulletin vol. 33, no. 1 (Spring 1975). p. 21 (color).

Welch, Stuart Cary. The Islamic World. vol. 11. New York: The Metropolitan Museum of Art, 1987. pp. 51-52, ill. fig. 36 (color).

Soucek, Priscilla, ed. Content and Context of Visual Arts in the Islamic World : papers from a colloquium in memory of Richard Ettinghausen, Institute of Fine Arts, New York University. Monographs on the fine arts, vol. 44. University Park, PA: College Art Association of America, 1988. pp. 225, 253, ill. fig. 20 (b/w).

The Metropolitan Museum of Art. The Metropolitan Museum of Art Guide. New York: The Metropolitan Museum of Art, 2012. p. 130, ill. (color).

de Montebello, Philippe, and Kathleen Howard, ed. The Metropolitan Museum of Art Guide. 6th ed. New York: The Metropolitan Museum of Art, 1992. p. 318, ill. fig. 17 (color).

Carboni, Stefano, David Whitehouse, Robert H. Brill, and William Gudenrath. Glass of the Sultans. New Haven: Yale University Press, 2001. no. 114, pp. 228-230, ill. p. 229 (color).

Strouse, Jean. "J. Pierpont Morgan: Financier and Collector." The Metropolitan Museum of Art Bulletin vol. 57, no. 3 (2000). p. 63, ill. fig. 74 (color).

Ekhtiar, Maryam, Sheila R. Canby, Navina Haidar, and Priscilla P. Soucek, ed. Masterpieces from the Department of Islamic Art in The Metropolitan Museum of Art. 1st ed. ed. New York: The Metropolitan Museum of Art, 2011. no. 109, pp. 4, 139, 160-161, ill. p. 160 (color).

Ekhtiar, Maryam, and Claire Moore, ed. "A Resource for Educators." In Art of the Islamic World. New York: The Metropolitan Museum of Art, 2012. pp. 226-227, ill. pl. 45 (color).



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