"Farhad Carves a Milk Channel for Shirin", Folio from a Khamsa (Quintet) of Nizami
Nizami (Ilyas Abu Muhammad Nizam al-Din of Ganja) (probably 1141–1217)
Sultan Muhammad Nur (ca. 1472–ca. 1536)
Painting by Shaikh Zada
Folio from an illustrated manuscript
A.H. 931/A.D. 1524–25
present-day Afghanistan, Herat
Ink, opaque watercolor, and gold on paper
Painting: H. 8 3/8 in. (21.3 cm)
W. 5 1/16 in. (12.9 cm)
Page: H. 12 5/8 in. (32.1 cm)
W. 8 3/4 in. (22.2 cm)
Mat: H. 19 1/4 in. (48.9 cm)
W. 14 1/4 in. (36.2 cm)
Gift of Alexander Smith Cochran, 1913
Not on view
In Nizami’s tale of Khusrau and Shirin, the princess Shirin has an ardent admirer in the talented sculptor and stonemason, Farhad. When Shirin desires milk from a herd of goats that graze in a distant field, Farhad sets to work cutting a channel from the goats’ mountain pastureland to a pool at the foot of Shirin’s palace. In this painting, Shirin visits Farhad upon his completion of the pool. At the very top of the composition, a goat cavorts in its hillside home.
F. R. Martin, Sweden; Alexander Smith Cochran, Yonkers, NY (until 1913; gifted to MMA)
"Masterpieces from The Metropolitan Museum of Art New York." In The Arts of Islam. Berlin, 1981. no. 71, pp. 180-181, ill. p. 181 (b/w).
Brend, Barbara. "Illustrations to Amir Khusrau's Khamsa." In Perspectives on Persian Painting. New York: RoutledgeCurzon, 2003. p. 190.
Artist: Nizami (Ilyas Abu Muhammad Nizam al-Din of Ganja) (probably 1141–1217)Date: dated A.H. 931/A.D. 1524–25Medium: Ink, opaque watercolor, and gold on paperAccession: 184.108.40.206On view in:Gallery 455
Artist: Nizami (Ilyas Abu Muhammad Nizam al-Din of Ganja) (probably 1141–1217)Date: dated A.H. 931/A.D. 1524–25Medium: Ink, opaque watercolor, silver, and gold on paperAccession: 220.127.116.11On view in:Not on view