Image: 80 1/16 x 23 1/2 in. (203.4 x 59.7 cm)
Overall with mounting: 118 x 29 3/8 in. (299.7 x 74.6 cm)
Overall with knobs: 118 x 32 13/16 in. (299.7 x 83.3 cm)
Edward Elliott Family Collection, Gift of Douglas Dillon, 1989
Not on view
Bamboo, which bends without breaking, has long been a symbol of integrity and strength. It was also a favorite subject of Ming and Qing scholar-painters. Xia Chang, a native of the Suzhou region, enjoyed a successful official career that led to his appointment as minister of the Court of Imperial Sacrifices in 1457. He expanded Wang Fu's (1362–1416) style of bamboo painting to become the leading bamboo painter of his time, famous even in Korea, Japan, and Southeast Asia.
Applying calligraphic techniques to painting according to the precepts established by Zhao Mengfu (1254–1322), Xia Chang executed his bamboo stalks in the archaic seal-script style and his bamboo twigs in the "grass," or cursive-script, style. Xia Chang's calligraphic mode of bamboo painting was followed by many later Ming and Qing painters.
Inscription: Artist’s inscription and signature (1 column in standard script)
Artist’s seals 東吳夏昶仲昭書畫印 容臺清暇
Other inscriptions on the painting
1. Qian Bo 錢博 (active mid-15th c., upper right), 10 columns in semi-cursive script, dated 1460; 3 seals: