This ambitious work is one of the artist’s first compositions on a large scale. The foreground is somewhat awkwardly arranged, but the sunlit plain in the distance seems to announce Koninck’s mature style of panoramic landscape painting. Earlier Dutch landscape and marine painters had surveyed sweeping views of earth and sky, but Koninck (who knew Rembrandt well) introduces dramatic contrasts of light and shadow and a sense of nature as a constantly changing force.
Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
API
Public domain data for this object can also be accessed using the Met's Open Access API.
Inscription: Signed and dated (lower right): P. koninck / 164[9?]
sale [de Smeth and others], Lebrun, Paris, April 15ff., 1811, no. 82, for Fr 430 to Henri; John Pemberton Heywood, Norris Green, Lancashire, and Cloverly Hall, Shropshire (until 1893; posthumous sale, Christie's, London, June 10, 1893, no. 54, for 900 gns. [£945] to Quilter); Harry Quilter, London (until 1906; his sale, Christie's, London, April 7, 1906, no. 128, for £787.10.0 to Weatherly); [R. Langton Douglas and another dealer, London, until 1911; sold to The Met]
Athens. National Gallery Alexandros Soutzos Museum. "From El Greco to Cézanne: Masterpieces of European Painting from the National Gallery of Art, Washington, and The Metropolitan Museum of Art, New York," December 13, 1992–April 11, 1993, no. 20.
New York. The Metropolitan Museum of Art. "The Age of Rembrandt: Dutch Paintings in The Metropolitan Museum of Art," September 18, 2007–January 6, 2008, no catalogue.
"In the Sale Room." Connoisseur 15 (June 1906), p. 136, states that it brought 750 gns at the Quilter sale of 1906, and 900 gns at the Heywood sale of 1893.
"Landscape by Philips de Koninck." Metropolitan Museum of Art Bulletin 7 (January 1912), p. 13, ill. p. 11.
Horst Gerson. Philips Koninck. Berlin, 1936, pp. 15–17, 19–20, 109, no. 46, pl. 18, includes provenance information.
Josephine L. Allen and Elizabeth E. Gardner. A Concise Catalogue of the European Paintings in The Metropolitan Museum of Art. New York, 1954, p. 57.
Wolfgang Stechow. Dutch Landscape Painting of the Seventeenth Century. London, 1966, pp. 44–45, fig. 76.
P[ieter]. J. J. van Thiel. "Philips Konincks Vergezicht met hutten aan de weg." Bulletin van het Rijksmuseum 15 (1967), p. 111.
Carlos van Hasselt. Dessins de paysagistes hollandais du XVIIe siècle. Exh. cat., Bibliothèque Albert 1er. [Brussels], 1968, vol. 1, p. 91, under no. 89.
C. M. Kauffmann. Catalogue of Foreign Paintings. London, 1973, vol. 1, p. 164, under no. 202.
Madlyn Millner Kahr. Dutch Painting in the Seventeenth Century. New York, 1978, p. 211, fig. 161.
Denys Sutton. "Robert Langton Douglas, Part III, XIV: Agent for the Metropolitan Museum." Apollo 109 (June 1979), pp. 421, 423, fig. 20, gives provenance information.
Walter A. Liedtke inThe Metropolitan Museum of Art: Notable Acquisitions, 1979–1980. New York, 1980, p. 41.
John Walsh Jr. and Cynthia P. Schneider. A Mirror of Nature: Dutch Paintings from the Collection of Mr. and Mrs. Edward William Carter. Exh. cat., Los Angeles County Museum of Art. Los Angeles, 1981, p. 69, under no. 16.
Werner Sumowski. Drawings of the Rembrandt School. Ed. Walter L. Strauss. Vol. 6, New York, 1982, p. 3280, under no. 1479.
Werner Sumowski. Gemälde der Rembrandt-Schüler. Vol. 1, J. A. Backer–A. van Dijck. Landau/Pfalz, 1983–[94?], p. 428, under no. 191.
Werner Sumowski. Gemälde der Rembrandt-Schüler. Vol. 3, B. Keil–J. Ovens. Landau/Pfalz, 1983–[94?], pp. 1533, 1545, no. 1046, ill. p. 1596.
William W. Robinson inFrom Michelangelo to Rembrandt: Master Drawings from the Teyler Museum. Exh. cat., Pierpont Morgan Library. New York, 1989, p. 115, under no. 73.
Capolavori europei dalla Romania. Exh. cat., Palazzo Ducale. Venice, 1991, p. 99.
Deborah Krohn et al. inFrom El Greco to Cézanne: Masterpieces of European Painting from the National Gallery of Art, Washington, and The Metropolitan Museum of Art, New York. Exh. cat., National Gallery Alexandros Soutzos Museum. Athens, 1992, p. 307, no. 20, ill. (color) [catalogue section unpaginated].
Katharine Baetjer. European Paintings in The Metropolitan Museum of Art by Artists Born Before 1865: A Summary Catalogue. New York, 1995, p. 325, ill.
Elsbeth Wiemann inDie Entdeckung der Landschaft: Meisterwerke der niederländischen Kunst des 16. & 17. Jahrhunderts. Exh. cat., Staatsgalerie Stuttgart. Cologne, 2005, p. 135.
Walter Liedtke. Dutch Paintings in The Metropolitan Museum of Art. New York, 2007, vol. 1, pp. 404, 407, 409–11, no. 102, colorpl. 102.
Important Old Master Paintings from the Eric Albada Jelgersma Collection. Christie's, London. December 6, 2018, p. 82, fig. 1 (color), under no. 17.
Gerard ter Borch the Younger (Dutch, Zwolle 1617–1681 Deventer)
ca. 1660–62
Resources for Research
The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.
The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.
