The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1953
Not on view
This is almost certainly the first of Ribera's two etchings depicting Saint Jerome in the wilderness, interrupted by the sound of a trumpet. Its date—1621—indicates that it postdates the painting of the same subject Ribera sent to the Colegiata in Osuna in Spain. The five paintings by Ribera in Osuna were early commissions received soon after the artist settled in Naples. Although the etching relates to the painting, there are many disparities. In the print the saint is shown seated and sharpening his pen rather than reclining and contemplating a skull, and the angel is suggested only by hands that emerge from clouds, clasping the trumpet. Such variations are typical of Ribera, who characteristically used printmaking to experiment with compositions that had already appeared in paint as well as to disseminate his images to a wider public.
Inscription: Inscribed in plate lower right: "1621 HSP RA''
Vendor: Craddock and Barnard, London
B.XX.81.5; Brown 1973, no.5 i/ii
Adam von Bartsch Le Peintre graveur. Vienna, 1803.
Jonathan Brown Jusepe de Ribera: Prints and Drawings Exh. cat., Princeton, Princeton University, The Art Museum and Harvard University, Fogg Art Museum, 1973-74. Princeton, 1973.
Artist: Jusepe de Ribera (called Lo Spagnoletto) (Spanish, Játiva 1591–1652 Naples)Date: 1630–40Medium: Pen and brown ink with brush and brown wash (recto). Lined with a very thin sheet of paper (verso)Accession: 1981.395On view in:Not on view
Artist: Jusepe de Ribera (called Lo Spagnoletto) (Spanish, Játiva 1591–1652 Naples)Date: 1591–1652Medium: Pen and brown ink with brush and brown wash over traces of black chalk underdrawing on beige paperAccession: 65.66.13On view in:Not on view
Artist: Jusepe de Ribera (called Lo Spagnoletto) (Spanish, Játiva 1591–1652 Naples)Date: 1591–1652Medium: Pen and brown ink on off-white paper. Sheet is set into a thin mat (with annotations on the mat)Accession: 69.297On view in:Not on view