Drunken Silenus holding a cup aloft into which a Satyr pours wine
Jusepe de Ribera (called Lo Spagnoletto) (Spanish, Játiva 1591–1652 Naples)
Etching with drypoint, engraving, and burnishing
Sheet: 10 11/16 in. × 14 in. (27.2 × 35.5 cm)
Rogers Fund, 1922
Not on view
Ribera's etchings helped him to establish a reputation far beyond Naples, where he lived for most of his life. This etching is often considered his greatest. It relates to a painting he had produced two years earlier now in the Capodimonte Museum in Naples. Occupying the foreground Silenus is crowned by Pan, who is identified by his leopard skin cloak and pan pipes and staff at his feet. Silenus raises his cup to accept another drink of wine. His action is humorously echoed by the two infants at right engaged in similar activities, one of which has passed out. The braying donkey at right adds to the hilarity of the composition. For his composition, Ribera drew inspiration from the prints of other artists, including Mantegna's pair of Bacchanals (29.44.15) and Annibale Carracci's Drunken Silenus (22.214.171.124).
Inscription: Lettered at lower right 'Joseph, á Ribera Hisp.s Valenti / Setaben f. Partenope / 1628
The Metropolitan Museum of Art. "Drawings and Prints: Selections from the Permanent Collection," April 14, 1997–July 20, 1997.
B. XX.84.13; Brown 1973, no.14 i/iii
Adam von Bartsch Le Peintre graveur. Vienna, 1803.
Jonathan Brown Jusepe de Ribera: Prints and Drawings Exh. cat., Princeton, Princeton University, The Art Museum and Harvard University, Fogg Art Museum, 1973-74. Princeton, 1973.
Artist: Formerly attributed to Jusepe de Ribera (called Lo Spagnoletto) (Spanish, Játiva 1591–1652 Naples)Date: 1624Medium: Etching and drypoint; second state of two (Brown)Accession: 51.501.5014On view in:Not on view
Artist: Formerly attributed to Jusepe de Ribera (called Lo Spagnoletto) (Spanish, Játiva 1591–1652 Naples)Date: 1624Medium: Etching and drypoint (counterproof)Accession: 26.70.4(117)On view in:Not on view