Standing Male Nude Holding a Bow ("Poynter Apollo")
Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)
Pen and brown and black ink
8 5/8 x 5 11/16 in. (21.9 x 14.5 cm)
Gift of Mrs. William H. Osborn, 1963
Not on view
As his artistic career advanced and his exposure to Italian art grew, Albrecht Dürer became increasingly preoccupied with the study and representation of ideal human proportion. The Poynter Apollo, named for one of the several collectors who have owned the work over the centuries, is one of four studies by Dürer of the male nude based on classical prototypes and the canon of Vitruvius, the ancient Roman architect whose treatises were reexamined and greatly appreciated during the Renaissance. The drawing also reflects Dürer's experience of and admiration for antique sculpture–in particular, the Apollo Belvedere, which had been recently discovered and was considered the perfect example of male beauty until the beginning of the nineteenth century. It was known to Dürer through drawings and was a source of inspiration in his search for the perfect anatomy. This study, which shows Apollo holding a bow and a globe, or orb–two of the god's many attributes–was executed in the first years of the sixteenth century, during a period in between Dürer's first and second trips to Italy. It was prepared in two distinct stages, as can be seen from both the color of the inks and the nature of the lines. The light-brown ink contours may have been traced from the figure of the sun god in the artist's painting of Apollo and Diana, now in London's British Museum. The hair and modeling lines may have then been added freehand, providing the artist with an exercise in alternative ways of rendering the same subject. Apollo's pose was closely followed by Dürer in his depiction of Adam in the 1504 engraving Adam and Eve.
Signature: At lower center, monogrammed "AD" [D underneath A] in pen and gray ink
Marking: At lower left, the collector's mark (partly effaced) of Edward John Poynter (Lugt 874)
Sir Edward John Poynter (British (born France), Paris 1836–1919 London); his sale, Sotheby's, London, April 24–25, 1918, lot 243 (£1580 to Colnaghi); P. & D. Colnaghi & Co.; Donor: Mrs. William H. Osborn
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Walter L. Strauss The Complete Drawings of Albrecht Dürer. New York, 1974, cat. no. 1501/8, fig. no. 1501/8, p. 582, ill.
Charles W. Talbot, Jr. "Recent Literature on Drawings by Dürer." in Master Drawings. vol. 14, no. 3, 1976, p. 294.
Eric Zafran "Cherchez la Femme. Letter from New England." Apollo. vol. 108, no. 199, 1978, fig. no. 2, p. 200, ill.
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Artist: Design based on a woodcut by Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)Date: 1598Medium: Wool, silk, metal thread (20 warp threads per inch, 8 per cm.)Accession: 11.148.5On view in:Not on view
Artist: Design based on a woodcut by Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)Date: 1592Medium: Wool, silk, metal thread (20 warp threads per inch, 8 per cm.)Accession: 11.148.1On view in:Not on view
Artist: Design based on a woodcut by Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)Date: 1595Medium: Wool, silk, metal thread (20 warp threads per inch, 8 per cm.)Accession: 11.148.3On view in:Not on view