This armor was assembled and restored under the direction of Dr. Bashford Dean in the 1920s, when it was part of his private collection. It consists of elements mostly from Chalcis, such as those exhibited in the vitrines to the left and right. Dean's intent was to present a full armor of the style worn about 1400, a period from which no complete armors survive. Distinctive features are the early form of brigandine (a torso defense constructed of plates riveted inside a doublet) and the brass borders on the edges of the exposed plates of the other parts of the armor. Portions of the brass at the top edge of the left cuisse (thigh defense), the lower edges of the right greave (lower leg defense), and the visor are genuine; the remainder of the brass is restored. The helmet, a visored bascinet, is not from Chalcis. The velvet covering of the brigandine is a restoration of the early twentieth century.
Marking: The right breastplate is stamped near the lower edge three times in a horizontal row: a horned cow's head surmounted by a crown.
Louchheim, Aline B. "Five Thousand Years of Art." In Art New Annual 1945-46 (Diamond Jubilee of the Metropolitan Museum of Art). p. 31.
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MMA Guide to the Collections, European Arms and Armor. New York, 1962. p. 6, fig. 10.
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Nickel, Helmut. "Arms and Armor From the Permanent Collection." The Metropolitan Museum of Art Bulletin 49, no. 1 (Summer 1991). pp. 15, 64, ill.
Eaves, Ian. "Two Early Examples of Armour of Proof in the Collections of the Metropolitan Museum of Art." In The Armorer's Art: Essays in Honor of Stuart Pyhrr. Woonsocket, Rhode Island: Andrew Mowbray Inc. – Publishers, 2014. pp. 39–40, ill. p. 40 (color).
Nickel, Helmut, William Reid, Ian Eaves, Mario Scalini, Claude Gaier, Álvaro Soler Del Campo, Jean-Pierre Reverseau, Jan Piet Pyupe, Donald J. LaRocca, Jeffrey Forgeng, Jonathan Tavares, Dirk H. Breiding, Pierre Terjanian, and Mr. Ronald S. Lauder. The Armorer's Art: Essays in Honor of Stuart Pyhrr, edited by Donald J. LaRocca. Woonsocket, Rhode Island: Andrew Mowbray Inc. – Publishers, 2014. pp. 39–40, ill. p. 40 (color).