The composition of this picture is splendidly orchestrated, with a striking effect of unity and emphasis that did not exist in Inness's early works. He apparently painted this just after his return from four years abroad. His experience of painting in Italy and France led him away from naturalistic effects with much disparate detail toward coherent arrangements in which a single motif dominates, and everything else is subordinate. Here the sunlit trees dominate the entire landscape, their richness intensified by the deep foreground of shadow and blue violet tones of the lowering sky.
Signature: [at lower right]: G. Inness
George I. Seney, Brooklyn, by 1887; with Samuel Putnam Avery, New York, as agent, 1887