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Exhibitions

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Assyria to Iberia at the Dawn of the Classical Age
September 22, 2014–January 4, 2015

Landmark Metropolitan Museum Exhibition Features Art of First Millennium B.C. from Middle East to Western Europe

Current search results within: 2011-2006

  • Metropolitan Museum to Open Renovated Galleries for the Art of the Arab Lands, Turkey, Iran, Central Asia, and Later South Asia
    Opened: November 1, 2011

     

  • Storytelling in Japanese Art
    November 19, 2011–May 6, 2012

     

  • Victorian Electrotypes on View in New Installation at the Metropolitan Museum
    November 22, 2011–April 22, 2012

     

  • Lisbon's Hebrew Bible
    On view November 22, 2011

     

  • Art in Renaissance Venice, 1400-1515: Paintings and Drawings from the Museum's Collections
    November 8, 2011 - February 5, 2012

  • Christmas Tree and Neapolitan Baroque Crèche on Display for Holiday Season at Metropolitan Museum
    November 22, 2011–January 8, 2012

     

  • The Making of a Collection: Islamic Art at the Metropolitan
    November 1, 2011-February 5, 2012

  • Stieglitz and His Artists: Matisse to O'Keeffe Features 200 Works by European and American Modernists in the Metropolitan Museum's Collection
    October 13, 2011–January 2, 2012

     

  • Exhibition Celebrating Late Renaissance Master Perino del Vaga at Metropolitan Museum
    September 27, 2011–February 5, 2012

    Perino del Vaga (Pietro Buonaccorsi, 1501-1547), a pupil of Raphael, was a leading innovator of the late Renaissance style known as Mannerism, and one of the most influential Italian artists of the 16th century. The Metropolitan Museum of Art recently acquired a painting and a drawing by the master, and they will both be featured in Perino del Vaga in New York Collections, on view from September 27, 2011, through February 5, 2012. The new acquisitions will be seen alongside some 18 drawings by the artist from the Metropolitan Museum, the Morgan Library & Museum, and private collections, as well as a second painting from a New York private collection.

  • Major International Loan Exhibition Featuring Greatest Artists in History of Indian Painting Goes on View at Metropolitan Museum in October
    September 28, 2011 – January 8, 2012

     

  • Epic Exhibition at Metropolitan Museum Reexamines Masterpieces of African Art in Relation to Historic Figures
    September 21, 2011 – January 29, 2012

     

  • Good Humor at the Met—Caricature and Satire Explored in Infinite Jest at the Metropolitan Museum
    September 13, 2011–March 4, 2012

     

  • Acclaimed Hong Kong Collection of Ming Loyalist Art On View at Metropolitan Museum This Fall
    September 7, 2011 – January 2, 2012

     

  • Schedule of Exhibitions
    January - June 2012

  • The 9/11 Peace Story Quilt by Faith Ringgold and New York City Students On View at Metropolitan Museum Beginning August 30
    August 30, 2011 – January 22, 2012

     

  • Metropolitan Museum Highlights Frans Hals Paintings from Collection in Exhibition on View Beginning July 26

    The Metropolitan Museum of Art holds the most important collection of paintings in America by the celebrated Dutch artist Frans Hals (1582/83-1666), whose portraits and genre scenes were famous in his lifetime for their immediacy and dazzling brushwork. Frans Hals in the Metropolitan Museum—on view from July 26, through October 10, 2011—presents 13 paintings by Hals, including two lent from private collections, and several works by other Netherlandish masters.

  • Mother India at Metropolitan Museum Features Depictions of the Goddess in Indian Painting

    Devi, the Indian goddess, is the omnipresent embodiment of power and wisdom given expression in all of India’s ancient religions. From the beginnings of figurative representation in early India, she has been the frequent subject of sculpture and a favored subject in later devotional painting. Mother India: The Goddess in Indian Painting, to be presented at The Metropolitan Museum of Art from June 29 through November 27, 2011, will feature 40 works from the Museum’s collection that depict Devi in all her various aspects. Perhaps the most widely worshipped deity in all India, Devi stands alongside Shiva and Vishnu in the first rank of the Hindu, Buddhist, and Jain pantheons.

  • Alexander McQueen's Iconic Designs in Costume Institute Retrospective at Metropolitan Museum

    The spring 2011 Costume Institute exhibition at The Metropolitan Museum of Art, Alexander McQueen: Savage Beauty, is on view May 4 through August 7 (new, extended closing date). The exhibition celebrates the late Mr. McQueen's extraordinary contributions to fashion. From his Central Saint Martins postgraduate collection in 1992 to his final runway presentation, which took place after his death in February 2010, Mr. McQueen challenged and expanded our understanding of fashion beyond utility to a conceptual expression of culture, politics, and identity.

  • SCHEDULE OF EXHIBITIONS
    MAY 2011 - JANUARY 2012

    EDITORS PLEASE NOTE: Information provided below is subject to change. To confirm scheduling and dates, call the Communications Department at (212) 570-3951. CONTACT NUMBER FOR USE IN TEXT IS (212) 535-7710.

  • Rarely Seen 18th-Century Pastel Portraits on View in New Exhibition at Metropolitan Museum

    Pastel quite suddenly became popular throughout Europe in the 18th century, so much so that, by 1750, some 2,500 artists and amateurs were working in pastel in Paris alone. Portraits in pastel were commissioned by all ranks of society, but most enthusiastically by the royal families, their courtiers, and the wealthy middle classes. Although pastel is a drawing material, 18th-century pastel portraits are often highly finished, quite large, brightly colored, and elaborately framed, evoking oil paintings, the medium to which they were invariably compared. The powdery pastel crayons are particularly suited to capturing the fleeting expressions that characterize the most life-like portraits.

  • Sculptures by Renowned British Artist Anthony Caro on View at Metropolitan Museum April 26

    Sculptures by Anthony Caro (b. 1924)—who is considered the most influential and prolific British sculptor of his generation, and a key figure in the development of modernist sculpture over the last 60 years—will be featured in The Metropolitan Museum of Art's 2011 installation on The Iris and B. Gerald Cantor Roof Garden, opening April 26. The installation will include a selection of sculpture in steel, painted and unpainted, spanning the artist's career to date and highlighting principal aspects of his long career: engagement with form in space, dialogue between sculpture and architecture, and creation of new, abstract analogies for the human figure and landscape.

  • Korean Ceramics from the Leeum Collection on View at Metropolitan Museum

    A special loan exhibition focusing on the dynamic art of buncheong ceramics will go on view at The Metropolitan Museum of Art on April 7.  Featuring more than 60 masterpieces from the renowned collection of Leeum, Samsung Museum of Art in Seoul, Korea—the majority of which have never before been seen in the U.S.—Poetry in Clay: Korean Buncheong Ceramics from Leeum, Samsung Museum of Art will explore the bold and startlingly modern ceramic tradition that flourished in Korea during the 15th and 16th centuries of the Joseon dynasty (1392-1910), as well as its eloquent reinterpretations by today's leading ceramists.

  • Rooms with a View, First Exhibition to Focus on Motif of the Open Window in 19th Century Art, at Metropolitan Museum

    During the Romantic era, the open window appeared either as the sole subject or the main feature in many pictures of interiors that were filled with a poetic play of light and perceptible silence. Rooms with a View: The Open Window in the 19th Century, at The Metropolitan Museum of Art from April 5 through July 4, 2011, is the first exhibition to focus on this motif as captured by German, Danish, French, and Russian artists around 1810–20. Works in the exhibition range from the initial appearance of the motif in two sepia drawings of about 1805–06 by Caspar David Friedrich to paintings of luminous empty rooms from the late 1840s by Adolph Menzel. The show features 31 oil paintings and 26 works on paper, and consists mostly of generous loans from museums in Germany, Denmark, France, Italy, Austria, Sweden, and the United States.

  • Night Vision at Metropolitan Museum Features 20th-Century Photography Made After Dark

    Night Vision: Photography After Dark, on view at The Metropolitan Museum of Art from April 26 through September 18, 2011, will feature photography of the 20th century inspired by the pleasure, danger, and allure of the night. For more than 100 years photographers have been drawn to the challenge of making images after dark, capturing the aesthetic effects of nighttime rain, early-morning fog, shining street lamps, and dimly lit rooms. Modern camera artists have been captivated by glowing skyscrapers, dazzling neon signs, glittering nightlife, and the shadowy realm of the nocturnal underworld. Highlights of the Metropolitan's exhibition include classic night photography of the 1930s-1950s by Berenice Abbott, Bill Brandt, Brassaï, Robert Frank, André Kertész, William Klein, Weegee, and Garry Winogrand, as well as three early photographs by Diane Arbus that have never been shown or published before, and recently acquired photographs by Peter Hujar and Kohei Yoshiyuki.

  • Rare Medieval Hebrew Manuscript to be Displayed at Metropolitan Museum

    The Washington Haggadah—one of the most important illustrated Hebrew manuscripts preserved in an American public collection and an unprecedented loan from the Library of Congress—will be shown at The Metropolitan Museum of Art beginning April 5, to coincide with the observance of Passover later that month. A Haggadah is the book used at the Passover seder, the ritual meal that commemorates the exodus of the ancient Israelites from Egypt. Although the essential components of the text were established in the second century, the Haggadah was first made into an independent, illustrated book in the Middle Ages. The manuscript will remain on view through June 26.

  • After the Gold Rush at Metropolitan Museum Features Contemporary Photographs from the Collection
    March 22, 2011 – January 2, 2012

     

  • Richard Serra's First Retrospective Exhibition of Drawings Opens at Metropolitan Museum on April 13

    The first retrospective of the drawings of American contemporary artist Richard Serra will be on view at The Metropolitan Museum of Art from April 13, 2011, through August 28, 2011. Richard Serra Drawing: A Retrospective traces the crucial role that drawing has played in Richard Serra's work for more than 40 years. Although Serra is well known for his large-scale and site-specific sculptures, his work has also changed the practice of drawing. This major exhibition will show how Serra's work has expanded the definition of drawing through innovative techniques, unusual media, monumental scale, and carefully conceived relationships to surrounding spaces. The exhibition, which includes many loans from important European and American collections, features 43 drawings and 28 sketchbooks from the 1970s to the present, as well as four films by the artist and a new, large-scale work completed specifically for this presentation.

  • Exhibition of Magnificent Andean Tunics on View at Metropolitan Museum Beginning March 8

    The Metropolitan Museum of Art will present a special exhibition focusing on the Andean tunic, beginning March 8. Featuring some 30 tunics drawn from the Museum's collection with loans from The Textile Museum, Washington, D.C., The Cleveland Museum of Art, and two private collections, The Andean Tunic, 400 BCE – 1800 CE, will examine the form of the tunic, essentially a type of shirt, which had an important cultural place in Andean South America for centuries. Textiles, a much developed art form there in ancient times, were themselves valued as wealth, and tunics were among the most treasured of them.

  • Met Museum's New Installation Positions African Masks with Works by Modern and Contemporary Artists from Africa, Europe, and U.S.
    March 8 - August 21, 2011

     

  • Guitar Heroes Exhibition, Opening February 9, to Feature Extraordinary Instruments Created by Three Legendary Modern-day Master Craftsmen

    Three New York master luthiers, renowned for their hand-carved stringed instruments—particularly their archtop guitars, which have been sought after by many of the most important guitarists of the last century—will be the subject of Guitar Heroes: Legendary Craftsmen from Italy to New York, on view at The Metropolitan Museum of Art from February 9 through July 4, 2011. Featuring the extraordinary guitars of John D'Angelico, James D'Aquisto, and John Monteleone, this unprecedented exhibition of approximately 80 musical instruments will focus on the work of these modern-day master craftsmen and their roots in a long tradition of stringed instrument-making that has thrived for more than 400 years and that was first brought to New York from Italy around the turn of the 20th century.

  • Cézanne's Card Players Series United in Landmark Exhibition at Metropolitan Museum

    Cézanne's Card Players, on view at The Metropolitan Museum of Art beginning February 9, 2011, will unite works from the famous series by Paul Cézanne (1839-1906), bringing together a majority of the related paintings, oil studies, and drawings. A select group of portraits of peasants, several of whom appear in the Card Players compositions, will also be included in this landmark exhibition, the first devoted to the subject. Created in the 1890s while the artist was living at his family's estate outside Aix-en-Provence, these images capture the character Cézanne admired in the people of the region. Together the works chart the development of the series as Cézanne strove to achieve the most powerful expression of his motif.

  • International Loan Exhibition of Forbidden City Treasures Goes on View at Metropolitan Museum February 1

    "When China's last emperor, Puyi, left the Forbidden City in 1924, the doors closed on a secluded compound of pavilions and gardens deep within the palace. Filled with exquisite objects personally commissioned by the Qianlong emperor, the complex of lavish buildings and thoughtful landscaping lay dormant for decades."
    —From Juanqinzhai in the Qianlong Garden, The Forbidden City, Beijing

  • Sculptural Installations by Contemporary Icelandic Artist Katrin Sigurdardottir on View October 19 at Metropolitan Museum

    Katrin Sigurdardottir at the Met is an exhibition of two new sculptural installations created specifically for the Metropolitan by Sigurdardottir, an Icelandic artist (born in 1967), who lives and works in New York City and Reykjavik. Sigurdardottir is known for her highly detailed renditions of places, both real and fictional, that often incorporate an element of surprise.

  • SCHEDULE OF EXHIBITIONS

    EDITORS PLEASE NOTE: Information provided below is subject to change. To confirm scheduling and dates, call the Communications Department at (212) 570-3951. CONTACT NUMBER FOR USE IN TEXT IS (212) 535-7710.

  • Eclectic Centennial Exhibition of 1910s Photography,"Our Future Is In The Air," on View at Metropolitan Museum Beginning November 10

    The 1910s—a period remembered for "The Great War," Einstein's theory of relativity, the Russian Revolution, and the birth of Hollywood—was a dynamic and tumultuous decade that ushered in the modern era. This new age—as it was captured by the quintessentially modern art of photography—will be the subject of the exhibition "Our Future Is In The Air": Photographs from the 1910s, on view at The Metropolitan Museum of Art from November 10, 2010, through April 10, 2011.

  • Original Color Photographs by Stieglitz and Steichen on View at Metropolitan Museum for One Week Only, January 25-30

    For the first time in more than 25 years, The Metropolitan Museum of Art will display five of its original Autochromes by Edward Steichen and Alfred Stieglitz for one week only—January 25-30, 2011—as part of the current exhibition Stieglitz, Steichen, Strand. Invented by Auguste and Louis Lumière in 1907, Autochromes are one-of-a-kind color transparencies that are seductively beautiful when backlit.

  • Restored Renaissance Masterpiece on View in New Installation at Metropolitan Museum

    Filippino Lippi (1457-1504) is one of the great artists of 15th-century Florence. Among his principal patrons was the wealthy banker Filippo Strozzi (1428–1491), who in 1487 contracted the artist to decorate his funerary chapel in Santa Maria Novella with an outstanding cycle of frescoes. Around the same time, Strozzi also commissioned a Madonna and Child for his villa at Santuccio, west of the city. This work was acquired from the Duveen firm in 1928 by Jules Bache and was bequeathed to the Metropolitan Museum in 1949. In preparation for an exhibition on the artist that will be held in Rome next year, the picture was taken to conservation for examination this fall. A test cleaning revealed that beneath a thick, discolored varnish there was a beautifully preserved, richly colored painting. It emerged that the varnish had been artificially toned to create an almost monochromatic appearance—an amber-colored uniformity that conformed to the idea of how an Old Master should appear. So striking is the transformation that the picture seems a new acquisition.

  • New Installation Thinking Outside the Box to Feature Cabinets, Caskets, and Cases from Metropolitan Museum's Collection

    Thinking Outside the Box: European Cabinets, Caskets, and Cases from the Permanent Collection (1500–1900)—on view at The Metropolitan Museum of Art beginning December 7, 2010— will feature 100 works selected from the Museum's Department of European Sculpture and Decorative Arts. The objects featured in this installation will range from strongboxes to travel cases and from containers for tea or tobacco to storage boxes for toiletries or silverware. These lidded pieces, some of which have not been on display for many years, are made in a large variety of shapes and sizes, and of many different materials, and were created by mostly unknown artists, craftsmen, and amateurs. Viewed together, these works reflect changes in social customs as well as the evolution of styles over four centuries. Many are precious works of art that were collected in their own right.

  • Frans Hals in the Metropolitan Museum

    The Metropolitan Museum of Art holds the most important collection of paintings in America by the celebrated Dutch artist Frans Hals (1582/83-1666), whose portraits and genre scenes were famous in his lifetime for their immediacy and dazzling brushwork. Frans Hals in the Metropolitan Museum —on view from July 26, through October 10, 2011—will present 13 paintings by Hals, including two lent from private collections, and several works by other Netherlandish masters.

  • E. Gilliéron & Son's Reproductions of Art from Greek Bronze Age on View at Metropolitan Museum

    Astonishing archaeological discoveries made during the extraordinarily successful excavations of Heinrich Schliemann at the ancient Greek site of Mycenae in 1876 and of Sir Arthur Evans at Knossos on Crete, beginning in 1900, stirred popular interest in archaeology in the early 20th century and helped create a demand among museums and private collectors for high-quality replicas of antiquities from the newly identified Minoan and Mycenaean civilizations. Opening May 17 at The Metropolitan Museum of Art, Historic Images of the Greek Bronze Age: The Reproductions of E. Gilliéron & Son focuses on the work of Swiss-born Émile Gilliéron (1850–1924) and his son—also named Émile (1885–1939)—who were among the foremost art restorers of their time. Their work influenced the study of Aegean art and was integral to its widespread introduction throughout Europe and America.

  • Christmas Tree and Neapolitan Baroque Crèche on Display for Holiday Season at Metropolitan Museum

    The Christmas tree and Neapolitan Baroque crèche at The Metropolitan Museum of Art, a long-standing yuletide tradition in New York, will be on view for the holiday season, November 23, 2010, through January 6, 2011. The brightly lit, 20-foot blue spruce—with a collection of 18th-century Neapolitan angels and cherubs hovering among its boughs and groups of realistic crèche figures flanking the Nativity scene at its base—will once again delight holiday visitors in the Museum's Medieval Sculpture Hall. Set in front of the 18th-century Spanish choir screen from the Cathedral of Valladolid, with recorded Christmas music in the background and daily lighting ceremonies, the installation reflects the spirit of the holiday season.

  • Magnificent Tibetan Rugs and Ritual Utensils Now on View at Metropolitan Museum

    Rugs and Ritual in Tibetan Buddhism, an installation dedicated to ritual practice in Tibetan Vajrayana Buddhism, explores the role of the ritual objects that were employed by its practitioners in pursuit of spiritual enlightenment. Comprising 30 tantric ritual rugs and utensils—including knives, vessel, fire-offering ladles, ritual staff, daggers, offering table—the installation illustrates an esoteric Buddhism that flourished in Tibet from its beginnings in the eighth century through to the 20th century. While many of the objects on view—depicting gruesome images such as exposed brains in skull cups and flayed human skins—may be shocking to those unfamiliar with the meaning and purpose of Tibetan religious art, the deployment of these objects celebrates the power of detachment from the corporeal body that advanced Buddhist practitioners strive to attain. The installation features Tibetan rugs and ritual utensils from the collection of Anthony d'Offay, London, together with New York-based loans and works from the Museum's own collection.

  • Metropolitan Museum Presents Exhibition on Haremhab, Ancient Egyptian General Who Became Pharaoh

    One of the most fascinating pharaohs of ancient Egypt, Haremhab (reigned ca. 1316–1302 B. C.) was a strong leader in a time of political and religious transition. As commander-in-chief of Tutankhamun's army, he oversaw important military campaigns at the border with Nubia and in the Levant; later, as the last king of Dynasty 18, Haremhab instituted laws that secured the rights of civilians and curbed abuses perpetrated by powerful groups, including the army. A statue that was created before he became king shows the general as a scribe and thus an administrator and wise man. This statue—the most famous three-dimensional image of Haremhab—is the focus of The Metropolitan Museum of Art's exhibition Haremhab, The General Who Became King, opening November 16. The display will feature some 70 additional objects in various media—wall reliefs, works on papyrus, statuettes, and garment fragments—from the holdings of the Metropolitan, with the addition of a pivotal loan from the Louvre and another from a New York private collection. Haremhab, The General Who Became King is the inaugural presentation in a series of exhibitions that will spotlight masterpieces from the Museum's collection of Egyptian art.

  • Three Masters of 20th-Century Photography Featured in Stieglitz, Steichen, Strand at Metropolitan Museum

    Three giants of 20th-century American photography—Alfred Stieglitz, Edward Steichen, and Paul Strand—will be featured at The Metropolitan Museum of Art, New York, from November 10, 2010, through April 10, 2011, in the exhibition Stieglitz, Steichen, Strand. The diverse and groundbreaking work of these artists will be revealed through a presentation of 115 photographs, drawn entirely from the Museum's collection. On view will be many of the Metropolitan's greatest photographic treasures from the 1900s to 1920s, including Stieglitz's famous portraits of Georgia O'Keeffe, Steichen's large colored photographs of the Flatiron building, and Strand's pioneering abstractions.

  • Views and Souvenirs from the Grand Tour Assembled in New Installation at Metropolitan Museum

    In the 18th century, privileged Europeans embarked on the Grand Tour, traveling principally to sites in Italy, where they visited cherished ruins of the ancient world and the splendid architecture of the Renaissance and Baroque eras. The influx of these travelers to destinations north and south – Venice, Rome, and Naples in particular – led to a flowering of topographical paintings, drawings, and prints by native Italians serving a foreign market eager to return home with pictures and souvenirs. Italy Observed: Views and Souvenirs, 1706-1899, currently on view at the Metropolitan Museum through January 2, 2011, showcases a selection of the rich holdings of Italian vedute (views) collected by Robert Lehman. From paintings of Venetian life by Luca Carlevaris to a Neapolitan album of gouache drawings documenting the eruption of Vesuvius in 1794 to sketches and watercolors of Italian antiquities, the installation captures the artist's romantic attraction to Italy and its irresistible Roman heritage. It also includes various marketed souvenirs—exquisite fans, spoons, teapots, and pocket watches—on loan from the Museum's Department of European Sculpture and Decorative Arts.

  • CLOSING JANUARY 5:
    Interwoven Globe: The Worldwide Textile Trade, 1500-1800 (pictured below);
    Julia Margaret Cameron;
    Medieval Treasures from Hildesheim;
    and Artist and Amateurs: Etching in Eighteenth-Century France

  • Contemporary Artist John Baldessari's Groundbreaking Work Featured in Major Retrospective at Metropolitan Museum

    Widely renowned as a pioneer of conceptual art, American artist John Baldessari (b. 1931, National City, California) is one of the most influential contemporary artists of the last 50 years. John Baldessari: Pure Beauty, the first major U.S. exhibition in 20 years to survey Baldessari's career, will be on view at The Metropolitan Museum of Art from October 20, 2010, through January 9, 2011. This retrospective will feature approximately 120 works spanning the period from 1962 to 2010.

  • First Exhibition in 45 Years Devoted to Northern Renaissance Master Jan Gossart on View at Metropolitan Museum

    The first major exhibition in 45 years devoted to Jan Gossart (ca. 1478-1532)— one of the most innovative artists of the Burgundian-Habsburg Netherlands— is on view at The Metropolitan Museum of Art from October 6, 2010, through January 17, 2011. Man, Myth, and Sensual Pleasures: Jan Gossart's Renaissance brings together the majority of Gossart's paintings, drawings, and prints, and places them in the context of the influences on his transformation from Late Gothic Mannerism to the new Renaissance mode. Gossart was among the first northern artists to travel to Rome to make copies after antique sculpture and monuments and to introduce biblical and mythological subjects with erotic nude figures into the mainstream of northern painting. Most often credited with successfully assimilating Italian Renaissance style into northern European art of the early 16th century, he is the pivotal Old Master who redirected the course of early Flemish painting from the legacy of its founder, Jan van Eyck, and charted new territory that eventually led to the great age of Rubens.

  • Innovative Furniture by American Designer
    Charles Rohlfs Displayed at Metropolitan Museum

    Praised by the international press and exhibited throughout the United States and Europe at the turn of the 20th century, the American furniture designer Charles Rohlfs (1853–1936) created innovative works that combined elements of Arts and Crafts, Art Nouveau, and proto-modernism in surprising and original ways. In a meteoric career that barely spanned one decade, he designed only a few hundred works—many of them for his own home. While Rohlfs's forms were too eccentric for the commercial market of his time, he achieved recognition as a unique voice and seminal force in the history of American art furniture.

  • The Yuan Revolution: Art and Dynastic Change

    The Yuan Revolution: Art and Dynastic Change, a complement to the exhibition The World of Khubilai Khan: Chinese Art in the Yuan Dynasty, traces the momentous stylistic transformation in painting and calligraphy that began under Mongol rule and culminated in the literati traditions of the early Ming. Featuring more than 70 works in all pictorial formats—hanging scrolls, handscrolls, album leaves, and fans—the installation focuses on the rise of a new scholarly aesthetic in the graphic arts that occurred in response to the wrenching social and political changes brought about by the Mongol conquest. Drawn primarily from the Metropolitan's own holdings, the installation also includes 17 important loans from local private and university collections.

  • Modern Works by Artist Joan Miró Displayed at Metropolitan Museum with Dutch Old Master Paintings That Inspired Them

    During a trip to the Netherlands in spring 1928, the Catalan painter Joan Miró (1893–1983) purchased postcards from the museums he visited. Two 17th-century Dutch genre scenes particularly caught his attention and served as the inspiration for a series of paintings he created that summer. The traveling exhibition Miró: The Dutch Interiors, which opens at the Rijksmuseum, Amsterdam, and will be on view at The Metropolitan Museum of Art beginning October 5, features Miró's three "Dutch Interiors" and the two Old Master paintings on which they are based. The New York venue will also show preparatory drawings and additional paintings by Miró in the Metropolitan's collection. This exhibition is the first in which Miró's paintings have been hung alongside the Dutch Golden Age pictures that inspired them.

  • Extraordinary Chinese Works from Dramatic Era of Khubilai Khan to Open in Landmark Fall Exhibition at Metropolitan Museum

    The Metropolitan Museum of Art will present a major international loan exhibition devoted to the art of the Yuan dynasty (1271-1368)—one of the most dynamic and culturally rich periods in Chinese history—beginning September 28. Bringing together over 200 works drawn principally from China, with additional loans from Taiwan, Japan, Russia, Germany, the United Kingdom, Canada, and the United States, The World of Khubilai Khan: Chinese Art in the Yuan Dynasty will explore the art and material culture that flourished during the pivotal and vibrant period in Chinese culture and history dating from 1215, the year of Khubilai Khan's birth, to 1368, the fall of the Yuan dynasty. The assemblage of extraordinary works will include paintings and sculpture, as well as decorative arts in gold and silver, textile, ceramics, and lacquer, and the exhibition will highlight new art forms and styles that were generated in China as a result of the unification of the country under the Yuan dynasty, founded by Khubilai in 1271. The loans from China will include key pieces from recent archaeological finds that add immeasurably to our knowledge and understanding of Chinese art of this period.

  • Hebrew Manuscripts on View during High Holy Days at Metropolitan Museum's Main Building and The Cloisters

    Two important medieval Hebrew manuscripts—a Mishneh Torah made between 1300 and 1400 in Germany and an illuminated leaf from a prayer book made in Austria around 1360—are on display at The Metropolitan Museum of Art and The Cloisters, respectively, in conjunction with the Jewish High Holy Days this fall. The Cloisters is the Metropolitan's branch museum dedicated to the art and architecture of medieval Europe. The High Holy Days are ten days of penitence and prayer that commence with Rosh Hashanah (Jewish New Year) and end with Yom Kippur (the Day of Atonement), the most solemn day of the Jewish year. This year, the High Holy Days begin the evening of September 8.

  • Ancient Roman Mosaic from Israel on View at Metropolitan Museum

    In 1996, workmen widening the Jerusalem–Tel Aviv road in Lod (formerly Lydda), Israel, made a startling discovery: signs of a Roman mosaic pavement were found about three feet below the modern ground surface. A rescue excavation was conducted immediately by the Israel Antiquities Authority, revealing a mosaic floor that measures approximately 50 feet long by 27 feet wide. It is of exceptional quality and in an excellent state of preservation. The mosaic, comprising seven panels, is symmetrically divided into two large "carpets" by a long rectangular horizontal panel, and the entire work is surrounded by a ground of plain white. To preserve the mosaic, it was reburied until funding was secured for its full scientific excavation and conservation. Recently removed from the ground, the three most complete and impressive panels will be exhibited to the general public for the first time when they go on display at The Metropolitan Museum of Art on September 28. The pavement is believed to come from the home of a wealthy Roman living in the Eastern Roman Empire in around A.D. 300. Because the mosaic's imagery has no overt religious content, it cannot be determined whether the owner was a pagan, a Jew, or a Christian.

  • Ramayana Manuscripts on View at Metropolitan Museum

    The Ramayana –The Story of Rama, one of the great epic narratives of South Asia literature, is the focus of an installation on view at The Metropolitan Museum of Art through September 26. Showcasing 30 brilliantly polychromed paintings and pictorial textiles that depict episodes from the narrative, Epic India: Scenes from the Ramayana explores the magical power embodied in this ancient prose-narrative text that has so captured the imagination of Indian artists from early in the history of Indian art. The exhibition is drawn largely from the Metropolitan Museum's own collection, with some major loans from a New York private collection. The paintings on view were produced mostly during the 17th and 18th centuries in the Hindu court ateliers of Rajasthan, western India, and the Punjab Hills; others are of northern Indian provenance in a Sub-Imperial Mughal style.

  • Italian Old Master Drawings from the Tobey Collection on View at Metropolitan Museum

    An Italian Journey: Drawings from the Tobey Collection, Correggio to Tiepolo presents 72 extraordinary works of the 16th through 18th centuries, from one of the preeminent collections of Italian Old Master drawings in private hands. It features masterpieces by gifted and historically important draftsmen—principally Italian masters but also artists whose careers brought them south of the Alps—among them Correggio, Parmigianino, Bernini, Poussin, Guercino, Canaletto, and Tiepolo. The drawings represent the principal centers of Italian art: Florence, Rome, Naples, Bologna, Parma, Venice, Genoa, and Milan. Their strikingly broad range of subject matter includes figure studies, historical and mythological narratives, landscapes, vedute, botanical drawings, motifs copied from or inspired by classical antiquity, and designs for painted compositions.

  • Ringo Starr's Gold Drum on View at Met Museum in
    Celebration of the Musician's 70th Birthday

    July 'Artists Den' National Television Broadcast Features Ringo Starr at the Met

  • Contemporary Photography and Video Featured in Between Here and There at Metropolitan Museum

    Themes of dislocation and displacement in contemporary photography will be explored in The Metropolitan Museum of Art's forthcoming exhibition in the Joyce and Robert Menschel Hall for Modern Photography. Drawn almost entirely from the Museum's collection, Between Here and There: Passages in Contemporary Photography on view July 2, 2010 through February 21, 2011, will feature 22 artists whose photographic works convey a sense of a rootless or unfixed existence.

  • Leon Levinstein's Rarely Seen New York City Street Photographs On View at Metropolitan Museum

    A master of classic American street photography, Leon Levinstein (American, 1910–1988) is best known for his candid and unsentimental black-and-white figure studies made in New York City neighborhoods from Times Square and the Lower East Side to Coney Island. From June 8 through October 17, 2010, The Metropolitan Museum of Art presents Hipsters, Hustlers, and Handball Players: Leon Levinstein's New York Photographs, 1950-1980. This exhibition, drawn exclusively from the Metropolitan's collection, features 44 photographs that reflect Levinstein's fearless approach to the medium. Levinstein's graphic virtuosity—seen in raw, expressive gestures and seemingly monumental bodies—is balanced by an unusual compassion for his off-beat subjects from the demimonde.

  • "American Woman: Fashioning a National Identity" at Metropolitan Museum to Open May 5, 2010; First Costume Institute Exhibition Based on Renowned Brooklyn Museum Costume Collection

    The spring 2010 exhibition organized by The Costume Institute of The Metropolitan Museum of Art is American Woman: Fashioning a National Identity, the first drawn from the newly established Brooklyn Museum Costume Collection at the Met. The exhibition, on view from May 5 through August 15, 2010, explores developing perceptions of the modern American woman from the 1890s to the 1940s, and how they have affected the way American women are seen today. Focusing on archetypes of American femininity through dress, the exhibition reveals how the American woman initiated style revolutions that mirrored her social, political, and sartorial emancipation. Early mass-media representations of American women established the fundamental characteristics of American style – a theme explored via a multimedia installation in the final gallery.

  • Press Guidelines for Visiting Elevated Pathways of Doug + Mike Starn on the Roof: Big Bambú

    Doug + Mike Starn on the Roof: Big Bambú

  • Doug and Mike Starn Create Monumental Sculpture for Metropolitan Museum's 2010 Roof Garden Installation

    American artists Mike and Doug Starn (born 1961) have been invited by The Metropolitan Museum of Art to create a site-specific installation for The Iris and B. Gerald Cantor Roof Garden, opening to the public on April 27. The identical twin brothers will present their new work, Big Bambú: You Can't, You Don't, and You Won't Stop, a monumental bamboo structure ultimately measuring 100 feet long by 50 feet wide by 50 feet high in the form of a cresting wave that will bridge realms of sculpture, architecture, and performance. Visitors are meant to witness the creation and evolving incarnations of Big Bambú as it is constructed throughout the spring, summer, and fall by the artists and a team of rock climbers. Set against Central Park and its urban backdrop, the installation Doug + Mike Starn on the Roof: Big Bambú will suggest the complexity and energy of an ever-changing living organism. It will comprise the 13th consecutive single-artist installation for the Cantor Roof Garden.

  • 300 Picasso Works in Metropolitan Museum's Collection Featured in Landmark Exhibition Opening April 27

    Picasso in The Metropolitan Museum of Art, a landmark exhibition of 300 works by Pablo Picasso (Spanish, 1881–1973), will provide an unprecedented opportunity to see one of the most important collections in the world of the artist's work. On view at The Metropolitan Museum of Art from April 27 through August 15, 2010, this is the first exhibition to focus exclusively on the remarkable array of works by Picasso in the Met's collection. The exhibition will reveal the Museum's complete holdings of the artist's paintings, drawings, sculptures, and ceramics—never before seen in their entirety—as well as a significant number of his prints.

  • 300 obras de Picasso de la colección del Metropolitan Museum se presentan en una gran exposición que abrirá al público el 27 de abril (Spanish)

    Picasso in The Metropolitan Museum of Art, es una exposición emblemática compuesta por 300 obras de Pablo Picasso (Español, 1881–1973), que brinda una oportunidad sin precedentes de contemplar una de las colecciones más importantes del mundo de la obra de este artista. Se trata de la primera muestra que se centra exclusivamente en la extraordinaria colección que el Met atesora de Picasso. Abrirá sus puertas al público desde el 27 de abril hasta el 15 de agosto de 2010. La exposición presentará la colección completa, nunca antes vista en su totalidad, que el Museo posee del artista: pinturas, dibujos, esculturas y cerámicas, así como un número significativo de sus grabados.

  • Splendid Rediscovered 18th-Century Silver Service on View in New Exhibition at Metropolitan Museum

    Eighteenth-century European court society was famous for its lavish banquets featuring elaborate settings and protocols designed to indicate the status of both host and guests. Integral to these events were extravagant dining services of silver and gold, many of which subsequently were melted down to finance the frequent wars of the period. Vienna Circa 1780: An Imperial Silver Service Rediscovered, now on view at The Metropolitan Museum of Art through November 7, 2010, presents a magnificent and rare surviving Imperial silver service, made about 1779-1782 for Duke Albert Casimir of Sachsen-Teschen (1738-1822) and his consort, Habsburg Archduchess Marie Christine of Austria (1742-1798), daughter of Empress Maria Theresa.

  • Oberlin's Masterpieces on View at Metropolitan Museum

    Founded in 1917, the Allen Memorial Art Museum at Oberlin College is one of the finest college or university collections in the United States, serving as an invaluable educational resource for aspiring art scholars. While the museum is closed in 2010 for renovations, 20 of their masterpieces—19 paintings and one sculpture—are on view at The Metropolitan Museum of Art for five months in the special exhibition Side by Side: Oberlin's Masterworks at the Met. These include the great Ter Brugghen painting Saint Sebastian Tended by Irene (one of the most important North Baroque paintings in the U.S.), Cézanne's Viaduct at l'Estaque, Kirchner's Self-Portrait as a Soldier, and a striking Kirchner sculpture. Each of these works is integrated into the Metropolitan Museum's excellent collection, creating new, provocative juxtapositions.

  • Birthday Celebrations in Chinese Art to be Theme of New Installation at Metropolitan Museum

    A new installation at The Metropolitan Museum of Art explores themes of birthday celebrations and long life in Chinese art. Drawn entirely from the Museum's collection and promised gifts, and on view in The Florence and Herbert Irving Galleries for Chinese Decorative Arts, Celebration: The Birthday in Chinese Art showcases more than 50 works—paintings, garments, and decorative art objects—depicting the birthday and longevity themes that were pervasive in China especially during the Ming (1368–1644) and Qing (1644–1911) dynasties. While the earliest work in the installation is a 13th-century painting, most date from the 16th to 18th centuries. Celebration includes several works never before exhibited, including a monumental 18th-century tapestry (kesi) woven in silk and gold with the character for longevity shou as well as a recently acquired lacquer box with mother-of-pearl inlays capturing a party setting and lively boys at play. The installation will remain on view through August 15, 2010.

  • Objects and Materials from the Funeral of Tutankhamun on View at Metropolitan Museum

    In 1908, while excavating in the Valley of the Kings in Egypt, American archaeologist Theodore Davis discovered about a dozen large storage jars. Their contents included broken pottery, bags of natron (a mixture of sodium carbonate, sodium bicarbonate, sodium sulphate, and sodium chloride that occurs naturally in Egypt), bags of sawdust, floral collars, and pieces of linen with markings from years 6 and 8 during the reign of a then little-known pharaoh named Tutankhamun. The Metropolitan Museum of Art was given six of the vessels and a good part of their contents in 1909.

  • Evocative Medieval Mourning Sculptures from Court of Burgundy Featured in Metropolitan Museum Exhibition

    The renowned 15th-century sculptors Jean de la Huerta and Antoine Le Moiturier labored together for more than 25 years on a grand and complex commission: the tomb of John the Fearless (Jean sans Peur, 1371–1419), the second Duke of Burgundy, and his wife, Margaret of Bavaria, which featured 41 alabaster mourning figures, among other elements. Following the precedent of the mourners carved for the tomb of Philip the Bold, the first Duke of Burgundy, de la Huerta and Le Moiturier created astonishingly realistic and highly individualized pleurants (mourners) that serve as a permanent record of the lavish funeral of one of the richest men in medieval France. The figures express a broad range of powerful emotions—from melancholy to desolation—through facial expression, gesture, and the eloquent draping of garments. The renovation of the Musée des Beaux-Arts in Dijon, France—where 37 of the statuettes from the tomb of John the Fearless are housed—provides an opportunity for the unprecedented loan of these figures for the exhibition The Mourners: Medieval Tomb Sculptures from the Court of Burgundy, opening March 2 at The Metropolitan Museum of Art, the first venue in an eight-city tour. Three additional figures from the tomb of John the Fearless (now in the collections of the Louvre, the Musée National du Moyen Âge, and the Cleveland Museum of Art) and three from the tomb of Philip the Bold will also be shown, along with an architectural element (Cleveland Museum of Art and Memorial Art Gallery, University of Rochester, respectively). The installation at the Metropolitan will be supplemented by related works from the Museum's collection, including the monumental Enthroned Virgin from the convent at Poligny (established by John the Fearless and Margaret of Bavaria) that was carved by Claus de Werve.

  • Sumptuously Illustrated Medieval Manuscript—The Belles Heures of Jean de France, Duc de Berry—On View at Metropolitan Museum

    One of the most beautiful manuscripts in the world is the lavishly illustrated medieval prayer book known as the Belles Heures (Beautiful Hours). It was created by the Limbourg Brothers—three of the greatest illuminators in Europe—for one of the most famous art patrons of all time, Jean de France, duc de Berry (1340–1416). The son, brother, and uncle to three successive kings of France, Jean de France commissioned luxury works in many media—from chalices to castles—without regard for cost, but is best remembered for his patronage of manuscripts. Herman, Paul, and Jean de Limbourg were in their teens when he selected them to create a sumptuous Book of Hours for his private prayers, and he allowed the young artists rare latitude in designing the work.

  • André Mertens Galleries for Musical Instruments Reopen March 2 at Metropolitan Museum

    After an eight-month hiatus, The Metropolitan Museum of Art reopens its André Mertens Galleries for Musical Instruments on March 2, featuring a refreshed and reinstalled presentation of its renowned collection of Western musical instruments.

  • Three Press Previews at Metropolitan Museum
    Monday, March 1, 10am-Noon

    The Mourners: Medieval Tomb Sculptures from the Court of Burgundy
    (opening Tuesday, March 2) – an unprecedented loan from the Musée des Beaux Arts in Dijon of 38 dramatic alabaster statuettes, considered among the most sumptuous and innovative of the late Middle Ages.

  • Northern European Manuscript Illuminations from Robert Lehman Collection to Go on View March 16

    Fourteen rare and important manuscript illuminations from The Metropolitan Museum of Art's Robert Lehman Collection—ranging in date from the 13th through the 16th century and representing high points of the German, French, and Netherlandish schools of illumination—will be on view beginning March 16.

  • Medieval Costume Demonstration at The Cloisters, February 28

    In a special presentation at The Cloisters museum and gardens—The Metropolitan Museum of Art's branch devoted to the art and architecture of the Middle Ages—some 30 citizens of Nijmegen (The Netherlands) wearing historically accurate attire based on medieval designs will participate in a lecture demonstration with costume historian Desirée Koslin. The program will take place twice on Sunday, February 28, 2010, at 1:00 p.m. and again at 3:00 p.m., and will focus on 15 different costumes. Although they are of contemporary construction, each unique costume relates to a specific depiction in one of several well-known illuminated manuscripts of the 15th century. Costumes featured in the demonstration will include those that would have been worn by dukes, duchesses, ladies of the court, and merchants, as well as citizens, servants, and peasants. The costumed citizens of Nijmegen will be available for photographs by the public—taken without flash—during the intermission. The event is free with Museum admission.

  • How Did Chinese Artists Learn and Practice Their Craft? Met Museum Explores the Topic in New Installation

    A new installation opening at The Metropolitan Museum of Art on February 6, Mastering the Art of Chinese Painting: Xie Zhiliu (1910-1997) , demonstrates how Chinese artists learned their craft from earlier masterpieces and from nature. It showcases more than 100 works—including paintings, sketches, drawings, calligraphies, and poetry manuscripts—by Xie Zhiliu (pronounced "shay jer leo"), one of modern China's leading artists and connoisseurs. It also marks the centenary of his birth. A number of his sketches and copies will be accompanied by photographs of the works that inspired him and by his own completed works, in order to trace how he developed his unique style. Drawn primarily from a recent gift to the Metropolitan Museum from the artist's daughter Sarah Shay, the works on view comprise the first solo exhibition of Xie Zhiliu's works to be organized outside China.

  • Magnificent Manuscript and Sculptures Commissioned by Two Early 15th-Century Dukes of France on View in Pair of Metropolitan Museum Exhibitions

    A unique window into the lavish French courts of the Valois dukes of Burgundy and Berry will be offered at The Metropolitan Museum of Art this spring with the simultaneous opening, on March 2, of two landmark exhibitions: The Art of Illumination: The Limbourg Brothers and the Belles Heures of Jean de France, duc de Berry and The Mourners: Medieval Tomb Sculpture from the Court of Burgundy. The former features the exquisitely illustrated pages of a luxurious prayer book that belonged to Jean de Berry (1340–1416); the latter shows expressive alabaster figures from the tomb of his nephew, John the Fearless (Jean sans Peur, 1371–1419).

  • Photocollages Reveal Wit and Whimsy of the Victorian Era in Metropolitan Museum Exhibition Opening February 2

    In the 1860s and 1870s, long before the embrace of collage techniques by avant-garde artists of the early 20th century, aristocratic Victorian women were experimenting with photocollage. Playing with Pictures: The Art of Victorian Photocollage, on view at The Metropolitan Museum of Art February 2 – May 9, 2010, is the first exhibition to comprehensively examine this little-known phenomenon. Whimsical and fantastical Victorian photocollages, created using a combination of watercolor drawings and cut-and-pasted photographs, reveal the educated minds as well as accomplished hands of their makers. With subjects as varied as new theories of evolution, the changing role of photography, and the strict conventions of aristocratic society, the photocollages frequently debunked stuffy Victorian clichés with surreal, subversive, and funny images. Featuring 48 works from public and private collections—including many that have rarely or never been exhibited before—Playing with Pictures will provide a fascinating window into the creative possibilities of photography in the 19th century.

  • SCHEDULE OF EXHIBITIONS
    SEPTEMBER 2009– AUGUST 2010

    EDITORS PLEASE NOTE: Information provided below is subject to change. To confirm scheduling and dates, call the Communications Department at (212) 570-3951. CONTACT NUMBER FOR USE IN TEXT IS (212) 535-7710.

  • First Exhibition Ever Devoted to Bronzino at Metropolitan Museum

    The Drawings of Bronzino, the first exhibition ever dedicated to Agnolo Bronzino (1503-1572), brings together nearly all of the 61 known drawings by, or attributed to, the great Florentine court artist of the Medici. On view at The Metropolitan Museum of Art from January 20 through April 18, 2010, the exhibition features drawings of extraordinary beauty and rarity which are seldom on public view, and draws loans from major museums and private collections within Europe and North America, including the Galleria degli Uffizi, Musée du Louvre, British Museum, Royal Library of Windsor Castle, Ashmolean Museum, Kupferstich-Kabinett Dresden, and Staatliche Museen Berlin.

  • Romare Bearden's The Block and Related Drawings On View at Metropolitan Museum Beginning January 15

    Romare Bearden's vibrant mural-size tableau The Block (1971) and related sketches and photographs will be featured at The Metropolitan Museum of Art beginning January 15, 2010, in a small installation of works from the collection. The Block, an ambitious 18-foot-long collage, celebrates the Harlem neighborhood in New York City that nurtured and inspired so much of the artist's life and work. Romare Bearden (1911–1988) is best known for the colorful cut-paper collages that he began making in the 1960s. Elaborate works such as The Block (1971) elevated this genre to a major art form through its unusual materials, expressionist color, abstracted forms, flattened shapes and spaces, and shifts in perspective and scale—all the while maintaining focus on the human narrative being told within a single city block.

  • Installation of Contemporary Aboriginal Painting Opens at Metropolitan Museum

    An installation of 14 bold and colorful paintings created by contemporary Aboriginal Australian artists will go on view at The Metropolitan Museum of Art on December 15. Drawn from a U. S. private collection, Contemporary Aboriginal Painting from Australia will provide an introduction to Aboriginal painting, which has become Australia's most celebrated contemporary art movement and has attained prominence within the international art world. The installation will present works created primarily over the past decade by artists from the central desert, where the contemporary painting movement began, and from adjoining regions, to which the movement spread. The works on view—all of which have never before been on public display—will feature paintings by prominent artists, including some of the founders of the contemporary movement, as well as emerging figures. This is the first presentation of contemporary Australian Aboriginal painting to be held at the Metropolitan Museum.

  • Metropolitan Museum Celebrates 35th Anniversary of Packard Collection Acquisition

    In 1975, The Metropolitan Museum of Art acquired, by gift and purchase, more than 400 works of Japanese art from collector Harry G. C. Packard (1914-1991). This daring acquisition instantly transformed the Museum into an institution with one of the finest collections of its kind in the West, comprised of encyclopedic holdings from the Neolithic period through the 19th century.

  • Rare North Italian Renaissance Drawings Featured in New Installation at Metropolitan Museum

    North Italian Drawings, 1410–1550: Selections from the Robert Lehman Collection and the Department of Drawings and Prints, on view from November 3, 2009–January 31, 2010, features 31 exceedingly rare drawings from The Metropolitan Museum of Art's Robert Lehman Collection, with an additional nine chosen from the Department of Drawings and Prints. The installation showcases a period in Italian art that saw the emergence of drawing as an essential tool for artists and includes a selection of works that illustrate the versatility of the medium over more than a century. Drawings from the later 15th century show how artists used the medium to work out elaborate, multi-figured compositions, and several works from the 16th century reveal the close relationship between drawing and painting.

  • Mythical Architectural Drawings by Contemporary Artist Pablo Bronstein Featured in Fall Exhibition at Metropolitan Museum

    Pablo Bronstein at the Met is a presentation of new work by the London-based artist, addressing the history and future of The Metropolitan Museum of Art, and will be shown at the Museum from October 6, 2009, through February 21, 2010. Several large ink drawings by the artist will suggest a mythical history of the Metropolitan Museum, imagining the building under construction. A series of computer drawings will focus on hypothetical futures of the Museum. This will be the artist's first solo exhibition in New York.

  • Surface Tension at Metropolitan Museum Features Contemporary Photographs from the Collection

    Photographs are often perceived as transparent windows onto a three-dimensional world. Yet photographs also have their own material presence as physical objects. Contemporary artists who exploit this apparent contradiction between photograph as window and photograph as object are featured in Surface Tension: Contemporary Photographs from the Collection, on view at The Metropolitan Museum of Art from September 15, 2009, through May 16, 2010. The exhibition presents 30 works that play with the inherent tension between the flatness of the photograph and the often lifelike illusion of depth.

  • Exhibition Featuring Musical Instruments of Pacific Islands Goes on View at Metropolitan Museum

    Sounding the Pacific: Musical Instruments of Oceania, the first exhibition devoted to the subject ever mounted by an art museum, will open at The Metropolitan Museum of Art on November 17. Featuring more than 50 outstanding works—including percussion, wind, and string instruments and forms unique to the Pacific—the exhibition will explore not only the diverse forms of Oceanic musical instruments but also the many different roles they play, or played, in Pacific cultures, from announcing the onset of war, to embodying the voices of supernatural beings or softly enticing a lover. Drawn primarily from the Museum's collection, the exhibition will showcase the objects that were created and used from the early 19th to the late 20th century in all five regions of Oceania: Melanesia, Polynesia, Micronesia, Australia, and Island Southeast Asia. The works on view include instruments ranging from small flutes and ocarinas used for private entertainment or courtship, to massive slit gongs played in performances for entire communities, in which the thundering beats can carry for miles.

  • Landmark Exhibition Devoted to Art of Samurai Opens at Metropolitan Museum October 21

    "What Japan was, she owed to the samurai. They were not only the flower of the nation but its root as well." From Bushido: The Soul of Japan by Inazo Nitobe (1907)

  • Metropolitan Museum Exhibition Features 100 Iconic American Paintings That Tell Stories of Everyday Life

    From the decade before the Revolution to the eve of World War I, many of America's most acclaimed painters captured in their finest works the temperament of their respective eras. They recorded and defined the emerging character of Americans as individuals, citizens, and members of ever-widening communities. Opening at The Metropolitan Museum of Art this fall, American Stories: Paintings of Everyday Life, 1765–1915 will bring together for the first time more than 100 of these iconic pictures that tell compelling stories of life's tasks and pleasures. The first overview of the subject in more than 35 years, the exhibition includes loans from leading museums and private lenders—and many paintings from the Metropolitan's own distinguished collection. American Stories features masterpieces by John Singleton Copley, Charles Willson Peale, William Sidney Mount, George Caleb Bingham, Winslow Homer, Thomas Eakins, John Singer Sargent, Mary Cassatt, William Merritt Chase, John Sloan, and George Bellows, and notable works by some of their key colleagues.

  • Marble Sculpture Attributed to Michelangelo on Loan to Metropolitan Museum from French Republic

    The marble sculpture Young Archer, attributed to Michelangelo Buonarroti (Caprese 1475- Rome 1564), is now on view in the Vélez Blanco Patio in The Metropolitan Museum of Art. The fragmentary marble figure of a nude youth, which is missing arms and lower legs, was retained previously in the Fifth Avenue mansion that has housed the Cultural Services office of the French Embassy for decades. The sculpture is on special loan to the Metropolitan Museum for ten years from the French Republic, Ministry of Foreign and European Affairs.

  • Exhibition of Rare Du Paquier Porcelain at Metropolitan Museum

    The Du Paquier ceramic manufactory, founded by Claudius Innocentius du Paquier in Vienna in 1718, was only the second factory in Europe able to make true porcelain in the manner of the Chinese. This small porcelain enterprise developed a highly distinctive style that remained Baroque in inspiration throughout the history of the factory, which was taken over by the State in 1744. Imperial Privilege: Vienna Porcelain of Du Paquier, 1718–44, at The Metropolitan Museum of Art through March 21, 2010, charts the history of the development of the Du Paquier factory, setting its production within the historic and cultural context of Vienna in the first half of the 18th century. The exhibition features more than 100 works, half drawn from the Metropolitan Museum's superb collection, and half from the premier private collection of this material.

  • First Comprehensive Exhibition Featuring China's 18th-Century Master Painter Luo Ping Goes on View at Metropolitan Museum October 6

    The first comprehensive exhibition of Luo Ping's paintings ever presented in America, Eccentric Visions: The Worlds of Luo Ping (1733-1799) will bring together nearly 60 works, including many Chinese "National Treasures," by one of the most celebrated painters in 18th-century China. Complemented by 27 pieces from American collections, this momentous international-loan exhibition will reveal the range and brilliance of the artist's vision as well as his place among his peers. Highlights of the exhibition will include the sensational handscroll Ghost Amusements (ca. 1766)—one of the best known paintings in the late imperial China—depicting the world of ghosts that, he claimed, he had seen with his own eyes. The youngest of the so-called "Eight Eccentrics," a group of highly individualistic artists active in the prosperous metropolis of Yanzhou, Luo Ping was an extraordinary artist, whose works influenced the course of later Chinese painting.

  • Recently Rediscovered Velázquez Painting Featured in New Exhibition at Metropolitan Museum

    Velázquez Rediscovered, a special exhibition on view at The Metropolitan Museum of Art until February 7, 2010, features a newly identified painting by Velázquez, Portrait of a Man, formerly ascribed by the Museum to the workshop of Velázquez and recently reattributed to the master himself following its cleaning and restoration. It will be shown alongside other works from the Museum's superior collection of works by the great Spanish painter.

  • Magnificent Selection of Chinese Red Lacquerware On View at Metropolitan Museum This Summer

    Although lacquer is used in many Asian cultures, the art of carving lacquer is unique to China. Showcasing some 50 wondrously wrought examples, Cinnabar: The Chinese Art of Carved Lacquer, opening on August 6, will explore the development of this important artistic tradition from the 13th to the 18th century. Drawn from The Metropolitan Museum of Art's holdings as well as the collection of Florence and Herbert Irving, the installation will feature a number of masterworks, including newly acquired, rare 13th-century lacquer boxes for holding incense or cosmetics, and a recently restored eight-panel screen depicting a birthday celebration in an elaborate private compound. Dated 1773, this screen has never before been exhibited in public.

  • Nan Rosenthal Retires and Marla Prather Joins Modern Art Department at Metropolitan Museum

    New York, July 10, 2008)—After 15 years as Senior Consultant for modern and contemporary art at The Metropolitan Museum of Art, Nan Rosenthal will retire on July 1, it was announced today by Gary Tinterow, Engelhard Curator in Charge of the Department of Nineteenth-Century, Modern, and Contemporary Art at the Metropolitan.

  • Christmas Tree and Neapolitan Baroque Crèche on Display for Holiday Season at Metropolitan Museum

    The Christmas tree and Neapolitan Baroque crèche at The Metropolitan Museum of Art, a long-established yuletide tradition in New York, will be on view for the holiday season from November 24, 2009, through January 6, 2010. The brightly lit, 20-foot blue spruce – with a collection of 18th-century Neapolitan angels and cherubs among its boughs and groups of realistic crèche figures flanking the Nativity scene at its base – will once again delight holiday visitors in the Museum’s Medieval Sculpture Hall. Set in front of the 18th-century Spanish choir screen from the Cathedral of Valladolid, with recorded Christmas music in the background and daily lighting ceremonies, the installation reflects the spirit of the holiday season.

  • Judaica from Byzantium and Medieval Europe On View at Metropolitan Museum

    Nearly a dozen examples of early Jewish art—dating from the first through the seventh century C.E.—are on view in the south gallery of the Mary and Michael Jaharis Galleries for Byzantine art and the Medieval Europe Gallery. Works on loan from the Jewish Theological Seminary, The American Numismatic Society, and the Judy and Michael Steinhardt Collection, New York, are shown alongside objects from the holdings of the Metropolitan.

  • Spring 2010 Asian Art Installations

    Arts of Korea Gallery

  • Gallery of Late Gothic Art Reopens at The Cloisters

    Monumental Tapestry is Highlight of Multi-Year Project at Met's Northern Manhattan Branch

  • Last Chance!
    Vermeer's Masterpiece "The Milkmaid"
    Watteau, Music, and Theater
    Roxy Paine on the Roof: "Maelstrom"
    Close at Metropolitan Museum on Sunday, November 29

    Vermeer's Masterpiece "The Milkmaid"
    On the occasion of the 400th anniversary of Henry Hudson's historic voyage from the Netherlands to New York, the Rijksmuseum in Amsterdam has sent The Milkmaid, perhaps the most admired painting by the Dutch artist Johannes Vermeer (1632–1675), to the Metropolitan Museum. The exhibition marks the first time that The Milkmaid has traveled to the U.S. since 1939, and also features all five paintings by Vermeer from the Metropolitan's collection and works by other Dutch masters.

  • 侍芸術の最高峰を集めた大特別展、ニューヨークのメトロポリタン美術

    メトロポリタン美術館では10月21日より>侍の芸術:日本の武器、武具、1156-1868 展を開催します。この展覧会は日本全国60以上のパブリック、プライベート・コレクションから選りすぐった名品が一堂に会する一大イベントで、日本の刀剣・甲冑を中心に侍の芸術を総括的、且つ詳細に紹介します。展示作品は国宝34点、重要文化財64点、重要美術品6点、名物9点を含む、甲冑、刀剣、日本刀の鍔・拵え(こしらえ)、弓矢、馬具、旗、陣羽織、大名の装飾品、また侍を描いた屏風、絵巻物等合計214点で、この中には日本国外で初公開となる作品も多数含まれており、武家文化の真髄を刀剣・甲冑戦具等芸術を通して見せるユニークな展覧会となります。刀剣・甲冑を中心に侍芸術を総括的にみせる展覧会はこれが世界最初で最大規模のもので、展示作品には日本刀の最高傑作として知られる名刀、大包平(12世紀)や、三日月の前立て付き兜が圧倒的な存在感を放つ伊達政宗の鎧(16-17世紀)他、信長、秀吉、家康等日本を代表する武将ゆかりの品々がメトロポリタンの特別展ギャラリーに並びます。期間中12月の第1週に約60作品の展示替えが行われる予定です。

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