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Exhibitions

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Van Gogh: Irises and Roses

May 12–August 16, 2015

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  • Genghis Khan's Cultural Legacy Highlighted in Landmark Metropolitan Museum Exhibition

    In a lifetime characterized by war and conquest, Genghis Khan (1167?–1227) forged the largest contiguous land empire in human history. His legacy was a unified Mongol confederacy that his sons and grandsons ruled for more than a century. During this peaceful era, people, objects, and ideas moved with unprecedented freedom over a vast territory that reached from the Pacific Ocean to the Black Sea. The confluence of previously distant cultures yielded a bold new visual aesthetic that would resonate in Islamic art for centuries to come.

  • Christmas Tree and Neapolitan Baroque Crèche

    The Christmas tree and Neapolitan Baroque crèche at The Metropolitan Museum of Art, a long-established yuletide tradition in New York, will be on view for the holiday season beginning in late November. The brightly lit, 20-foot blue spruce – with a collection of 18th-century Neapolitan angels and cherubs among its boughs and groups of realistic crèche figures flanking the Nativity scene at its base – will once again delight holiday visitors in the Museum's Medieval Sculpture Hall. Set in front of the 18th-century Spanish choir screen from the Cathedral of Valladolid, with recorded Christmas music in the background, the installation reflects the spirit of the holiday season. There will be a spectacular lighting ceremony every Friday and Saturday evening at 7:00 p.m.

  • Gauguin in New York Collections: The Lure of the Exotic to Open at Metropolitan Museum of Art June 18

    For the first time in more than 40 years, 19th–century French artist Paul Gauguin is the subject of a major monographic show in New York City. On view at The Metropolitan Museum of Art from June 18 through October 20, 2002, Gauguin in New York Collections: The Lure of the Exotic features approximately 120 works drawn from museums and private collections in New York City and State, many of which are rarely exhibited publicly. The exhibition also marks the first time that the Metropolitan will display its own extensive holdings of the artist's work, numbering some 60 objects.

  • Leonardo da Vinci, Master Draftsman

    The first comprehensive exhibition of Leonardo da Vinci's drawings ever presented in America, Leonardo da Vinci, Master Draftsman, a landmark international loan exhibition, will bring together nearly 120 works by one of the most renowned masters of all time. Even in an era celebrated for its limitless scientific discovery, technological invention, and sublime artistic achievement, Leonardo stands as an icon in Western consciousness — the very embodiment of the universal Renaissance genius.

  • Metropolitan Museum Opens Gallery Devoted to the Works of Louis Comfort Tiffany

    The Metropolitan Museum of Art will open a new permanent exhibition space this fall, devoted to the full range of work by Louis Comfort Tiffany (1848-1933), who was one of the most versatile and talented American artists of his time. Part of the recently named Deedee Wigmore Galleries, the installation will highlight the Museum's preeminent Tiffany collection and will feature some 70 stunning examples of his windows, lamps, furniture, mosaics, blown Favrile glass vases, pottery, enamelwork, and jewelry. Works from the early 1890s to the early 1920s will be on view. A selection of design drawings from the Museum's holdings of more than 400 works on paper by the Tiffany Studios will be shown. Because of their fragile nature and sensitivity to light, the drawings will be displayed on a rotating schedule.

  • Blithe Spirit: The Windsor Set

    The rapturous elegance of café society in the years immediately preceding World War II will be captured in a new exhibition opening at the Metropolitan Museum on November 1, Blithe Spirit: The Windsor Set. Dating from 1935 to 1940, this extraordinary collection of French couture—featuring works by Chanel, Lanvin, Vionnet, and Schiaparelli—was donated to the Metropolitan Museum's Costume Institute in 1946. The gowns were originally part of the exhibition Paris Openings: 1932-1940, which was organized by Lady Mendl and chaired by the Duchess of Windsor to benefit French War Charities in 1940. Drawn mainly from the collection of The Costume Institute, with loans from the Victoria and Albert Museum in London, the exhibition celebrates a period in fashion history that is unsurpassed in terms of beauty, elegance, and craftsmanship.

  • Significant Objects: Selections from the Modern Design and Architecture Collection

    A rotating selection of important designs in all media, dating from the late 19th to the early 21st century will be on view at The Metropolitan Museum of Art from fall 2002 through April 2004. Significant Objects: Selections from the Modern Design and Architecture Collection will feature furniture, metalwork, ceramics, glass, textiles and jewelry, all drawn from the Metropolitan's holdings. The exhibition will highlight the diversity and depth of the Metropolitan's modern design collection, demonstrating the aesthetic value of the works on view within the Museum's collection and within the larger context of art history.

  • The Prints of Vija Celmins

    Prints of ocean surfaces, star-filled night skies, and desert floors, among other images, by the contemporary artist Vija Celmins will be on view at The Metropolitan Museum of Art from October 15 through December 29, 2002. The Prints of Vija Celmins, the first-ever print retrospective by this Latvian-born American artist, will feature some 50 works including a selection of drawings and artist's books.

  • The New Violin Family: Augmenting the String Section

    The mysteries behind making a violin sound like a violin is explored in The New Violin Family: Augmenting the String Section, now on view at The Metropolitan Museum of Art through March 30, 2003. Featuring 13 instruments, including a famous Hutchins Violin Octet, the exhibition chronicles the work of Dr. Carleen Maley Hutchins (b. Springfield, Massachusetts, 1911), a luthier and acoustical scientist who pioneered modern techniques of violin making. In order to demonstrate the scientific approach she employed to create ideal acoustics, a model depicting her process of plate tuning is on display.

  • New York, New York: Photographs from the Collection at The Metropolitan Museum of Art

    Some sixty photographs of New York City from the 1850s to the 1970s—including many landmarks of American photography—will be on view at The Metropolitan Museum of Art from May 7 through August 25, 2002. Since September 1839, when the painter Samuel F. B. Morse put aside his brushes for a camera, photography has been integral to the life and art of New York City. This celebration of the city as muse includes 19th-century photographs by Edward Anthony, Silas Holmes, and anonymous artists, and 20th-century works by Berenice Abbott, Ralston Crawford, Walker Evans, Walter Gropius, Lewis Hine, Helen Levitt, Edward Steichen, and James VanDerZee, among others. With the exception of Chatham Square (1853), a rare daguerreotype street scene on loan from the renowned Gilman Paper Company Collection, all of the photographs in the exhibition are drawn from the collection of the Metropolitan's Department of Photographs.