AFTER NICOLAS POUSSIN: NEW ETCHINGS BY LEON KOSSOFF
A series of 14 recent etchings by London painter Leon Kossoff (b. 1926) will be on view at The Metropolitan Museum of Art beginning March 28. Based on paintings by the 17th-century French artist Nicolas Poussin (1594-1665), the etchings are the result of a period of intense, first-hand study of the Baroque master's canvases during the 1995 Poussin exhibition at London's Royal Academy. After Nicolas Poussin: New Etchings by Leon Kossoff, which will be installed in the North Mezzanine Gallery of the Museum's Lila Acheson Wallace Wing, runs through August 13.
In celebration of the 300th anniversary of the birth of the 18th-century French artist Jean-Siméon Chardin (1699-1779), The Metropolitan Museum of Art will present a major loan exhibition of 66 works that will survey the artist's distinguished career as a still-life and genre painter. On view from June 27 through September 3, 2000, Chardin will be the first exhibition in New York devoted to the artist and the first in the United States in more than 20 years.
AMERICAN MODERN, 1925 — 1940: DESIGN FOR A NEW AGE
American Modern, 1925 — 1940: Design for a New Age, an exhibition tracing the rise of a distinctively American modern design aesthetic through the efforts of approximately 50 of its creative pioneers, will be on view at The Metropolitan Museum of Art from May 16, 2000 through January 7, 2001. Drawn exclusively from the Museum's collection and from the John C. Waddell Collection, a major promised gift to the Metropolitan, this landmark exhibition features more than 150 objects — including furniture, clocks, appliances, posters, textiles, radios, tableware, and even a bathroom sink — by such leading designers as Norman Bel Geddes, Donald Deskey, Paul Frankl, Raymond Loewy, Isamu Noguchi, Eliel Saarinen, Walter Dorwin Teague, Walter von Nessen, and Russel Wright.
A CENTURY OF DESIGN, PART II: 1925-1950
A Century of Design, Part II: 1925-1950 — the second in a four-part series of exhibitions at The Metropolitan Museum of Art surveying design in the 20th century — will display more than 50 objects from the Museum's collection to demonstrate the dynamic rise of Modernism and its influence on public perception of everyday objects, such as furniture, housewares, and decorative objects. On view in the Museum's Gallery for Modern Design and Architecture from May 9 through October 29, 2000, the exhibition will follow the advancement of design in Europe during the second quarter of the 20th century — from Art Deco through the influences of the Bauhaus school, Functionalism, Russian Constructivism, and organic Scandinavian design.
The Metropolitan Museum's series of thematic installations devoted to the art of Paul Klee (1879 — 1940) continues with Klee's Line, on view March 17 through July 9, 2000. The selection of 21 works explores Klee's varied use of line, which evolved over the years from exact naturalism to spidery playfulness to thick contours. In addition, Klee used different types of line for different subjects.
MICHAEL BELKIN NAMED CHIEF TECHNOLOGY OFFICER AT THE METROPOLITAN MUSEUM OF ART
(March 27, 2000) — The Metropolitan Museum of Art today named Michael Belkin to the post of Chief Technology Officer, effective April 24.
MASTERPIECES OF JAPANESE ART FROM THE MARY GRIGGS BURKE COLLECTION
This press kit for Masterpieces of Japnaese Art from the Mary Griggs Burke Collection includes a general release about the exhibition, immediately following, as well as these four releases, to which you can link by clicking on their titles:
ART AND ORACLE: SPIRIT VOICES OF AFRICA
A figure sculpted in central Africa's rainforest to determine guilt or innocence, a maternity image made by an Igbo potter to enable a woman to conceive children, and a set of dice carved to decide the destiny of a Shona chief will be among the works featured in Art and Oracle: Spirit Voices of Africa, on view at The Metropolitan Museum of Art from April 26 through July 30, 2000. Throughout history and around the world, peoples have sought the intervention of divine powers to understand their fate, and this exhibition will demonstrate the dynamic relationship between ritual practice and creative expression through some 200 artifacts from more than 50 African cultures.
RIDING ACROSS CENTRAL ASIA: IMAGES OF THE MONGOLIAN HORSE IN ISLAMIC ART
The Mongolian horse — a small, tireless, and agile animal that was instrumental to the movement of the Mongol armies across Central Asia — has also come to symbolize the introduction of new cultures and traditions to the eastern Islamic world. The depiction of horses in Islamic art — both realistic and symbolic — will be examined in the exhibition Riding across Central Asia: Images of the Mongolian Horse in Islamic Art, which will open at The Metropolitan Museum of Art on April 26.
SUBJECTS AND SYMBOLS IN AMERICAN SCULPTURE: SELECTIONS FROM THE PERMANENT COLLECTION
Nineteenth–century American artists regarded "ideal themes" — those inspired by mythology, history, and literature — as the most challenging and venerable in the hierarchy of genres. Such subjects provided an opportunity for sculptors to demonstrate their familiarity with allegorical, historical, and literary topics, their skill at incorporating identifying attributes into their compositions, and frequently also their expertise in rendering the nude.