Featured Press Releases

Kongo: Power and Majesty

September 18, 2015–January 3, 2016
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Current search results within: 2012-2007

  • Metropolitan Museum Celebrates 35th Anniversary of Packard Collection Acquisition

    In 1975, The Metropolitan Museum of Art acquired, by gift and purchase, more than 400 works of Japanese art from collector Harry G. C. Packard (1914-1991). This daring acquisition instantly transformed the Museum into an institution with one of the finest collections of its kind in the West, comprised of encyclopedic holdings from the Neolithic period through the 19th century.

  • Rare North Italian Renaissance Drawings Featured in New Installation at Metropolitan Museum

    North Italian Drawings, 1410–1550: Selections from the Robert Lehman Collection and the Department of Drawings and Prints, on view from November 3, 2009–January 31, 2010, features 31 exceedingly rare drawings from The Metropolitan Museum of Art's Robert Lehman Collection, with an additional nine chosen from the Department of Drawings and Prints. The installation showcases a period in Italian art that saw the emergence of drawing as an essential tool for artists and includes a selection of works that illustrate the versatility of the medium over more than a century. Drawings from the later 15th century show how artists used the medium to work out elaborate, multi-figured compositions, and several works from the 16th century reveal the close relationship between drawing and painting.

  • Exhibition Featuring Musical Instruments of Pacific Islands Goes on View at Metropolitan Museum

    Sounding the Pacific: Musical Instruments of Oceania, the first exhibition devoted to the subject ever mounted by an art museum, will open at The Metropolitan Museum of Art on November 17. Featuring more than 50 outstanding works—including percussion, wind, and string instruments and forms unique to the Pacific—the exhibition will explore not only the diverse forms of Oceanic musical instruments but also the many different roles they play, or played, in Pacific cultures, from announcing the onset of war, to embodying the voices of supernatural beings or softly enticing a lover. Drawn primarily from the Museum's collection, the exhibition will showcase the objects that were created and used from the early 19th to the late 20th century in all five regions of Oceania: Melanesia, Polynesia, Micronesia, Australia, and Island Southeast Asia. The works on view include instruments ranging from small flutes and ocarinas used for private entertainment or courtship, to massive slit gongs played in performances for entire communities, in which the thundering beats can carry for miles.

  • Nan Rosenthal Retires and Marla Prather Joins Modern Art Department at Metropolitan Museum

    New York, July 10, 2008)—After 15 years as Senior Consultant for modern and contemporary art at The Metropolitan Museum of Art, Nan Rosenthal will retire on July 1, it was announced today by Gary Tinterow, Engelhard Curator in Charge of the Department of Nineteenth-Century, Modern, and Contemporary Art at the Metropolitan.

  • Gallery of Late Gothic Art Reopens at The Cloisters

    Monumental Tapestry is Highlight of Multi-Year Project at Met's Northern Manhattan Branch

  • Christmas Tree and Neapolitan Baroque Crèche on Display for Holiday Season at Metropolitan Museum

    The Christmas tree and Neapolitan Baroque crèche at The Metropolitan Museum of Art, a long-established yuletide tradition in New York, will be on view for the holiday season from November 24, 2009, through January 6, 2010. The brightly lit, 20-foot blue spruce – with a collection of 18th-century Neapolitan angels and cherubs among its boughs and groups of realistic crèche figures flanking the Nativity scene at its base – will once again delight holiday visitors in the Museum’s Medieval Sculpture Hall. Set in front of the 18th-century Spanish choir screen from the Cathedral of Valladolid, with recorded Christmas music in the background and daily lighting ceremonies, the installation reflects the spirit of the holiday season.

  • Judaica from Byzantium and Medieval Europe On View at Metropolitan Museum

    Nearly a dozen examples of early Jewish art—dating from the first through the seventh century C.E.—are on view in the south gallery of the Mary and Michael Jaharis Galleries for Byzantine art and the Medieval Europe Gallery. Works on loan from the Jewish Theological Seminary, The American Numismatic Society, and the Judy and Michael Steinhardt Collection, New York, are shown alongside objects from the holdings of the Metropolitan.

  • Spring 2010 Asian Art Installations

    Arts of Korea Gallery

  • Last Chance!
    Vermeer's Masterpiece "The Milkmaid"
    Watteau, Music, and Theater
    Roxy Paine on the Roof: "Maelstrom"
    Close at Metropolitan Museum on Sunday, November 29

    Vermeer's Masterpiece "The Milkmaid"
    On the occasion of the 400th anniversary of Henry Hudson's historic voyage from the Netherlands to New York, the Rijksmuseum in Amsterdam has sent The Milkmaid, perhaps the most admired painting by the Dutch artist Johannes Vermeer (1632–1675), to the Metropolitan Museum. The exhibition marks the first time that The Milkmaid has traveled to the U.S. since 1939, and also features all five paintings by Vermeer from the Metropolitan's collection and works by other Dutch masters.

  • 侍芸術の最高峰を集めた大特別展、ニューヨークのメトロポリタン美術

    メトロポリタン美術館では10月21日より>侍の芸術:日本の武器、武具、1156-1868 展を開催します。この展覧会は日本全国60以上のパブリック、プライベート・コレクションから選りすぐった名品が一堂に会する一大イベントで、日本の刀剣・甲冑を中心に侍の芸術を総括的、且つ詳細に紹介します。展示作品は国宝34点、重要文化財64点、重要美術品6点、名物9点を含む、甲冑、刀剣、日本刀の鍔・拵え(こしらえ)、弓矢、馬具、旗、陣羽織、大名の装飾品、また侍を描いた屏風、絵巻物等合計214点で、この中には日本国外で初公開となる作品も多数含まれており、武家文化の真髄を刀剣・甲冑戦具等芸術を通して見せるユニークな展覧会となります。刀剣・甲冑を中心に侍芸術を総括的にみせる展覧会はこれが世界最初で最大規模のもので、展示作品には日本刀の最高傑作として知られる名刀、大包平(12世紀)や、三日月の前立て付き兜が圧倒的な存在感を放つ伊達政宗の鎧(16-17世紀)他、信長、秀吉、家康等日本を代表する武将ゆかりの品々がメトロポリタンの特別展ギャラリーに並びます。期間中12月の第1週に約60作品の展示替えが行われる予定です。

  • Robert Frank's Groundbreaking Photographs Featured in Major Exhibition Marking 50th Anniversary of His Book The Americans

    The 50th anniversary of the publication of The Americans, Robert Frank's ground-breaking book of black-and-white photographs, will be celebrated with the major exhibition Looking In: Robert Frank's The Americans, on view at The Metropolitan Museum of Art September 22, 2009–January 3, 2010. Robert Frank is one of the great living masters of photography, and his seminal book The Americans captured a culture on the brink of social upheaval. The exhibition traces the artist's process of creating this once-controversial suite of photographs, which grew out of several cross-country road trips in 1955 and 1956. Born in Switzerland in 1924, Frank was an outsider encountering much of America for the first time; he discovered its power, its vastness, and—at times—its troubling emptiness. Although Frank's depiction of American life was criticized when the book was released in the U.S. in 1959, The Americans soon became recognized as a masterpiece of 20th-century art. Looking In: Robert Frank's The Americans features all 83 photographs from his original book. Remarkably, the exhibition at the Metropolitan will be the first time that this body of work is presented in its entirety to a New York audience.

  • New Exhibition at Metropolitan Museum Explores Influence of Music and Theater on the Work of Watteau and His Contemporaries

    Watteau, Music, and Theater, the first exhibition of paintings by the great early 18th–century French painter and draftsman Jean-Antoine Watteau (1684–1721) in the United States in 25 years, is currently on view at The Metropolitan Museum of Art through November 29. The exhibition explores the place of music and theater in the work of the artist, comparing the imagery of power associated with the court of the Sun King, Louis XIV, with a more optimistic and mildly subversive imagery of pleasure developed in contemporary opera-ballet and theater. Showing that the painter's utopian vision was influenced directly by these sister arts, it sheds light on a number of Watteau's pictures.

  • Musical Heritage of China Celebrated in Metropolitan Museum Exhibition Opening September 5

    The Metropolitan Museum of Art will present an exhibition celebrating the musical heritage of China – one of the oldest continuously documented traditions with roots reaching back more than 8,000 years – beginning September 5. Featuring some 60 objects and illustrations – drawn largely from the Museum's collections of Asian art and musical instruments – Silk and Bamboo: Music and Art of China will reveal the dynamic interplay of cultures, the continuity of musical practice, and the diversity of China's musical traditions from the fifth century B.C. to the present.

    MAY 2009–APRIL 2010

    EDITORS PLEASE NOTE: Information provided below is subject to change. To confirm scheduling and dates, call the Communications Department at (212) 570-3951. CONTACT NUMBER FOR USE IN TEXT IS (212) 535-7710.

  • Metropolitan Museum Exhibition Features Work of Renowned 19th-Century American Sculptor Augustus Saint-Gaudens

    Augustus Saint-Gaudens (1848–1907) was a French-Irish immigrant who became the greatest American sculptor of his day. From humble roots, through his prodigious talent, he rose in society, eventually counting some of America's most influential people in art and literature, diplomacy and economics, technology, and social policy among his friends and clients. The collection of The Metropolitan Museum of Art contains nearly four dozen works by the accomplished artist, representing the entire range of his oeuvre, from early cameos to innovative bas-reliefs to character-penetrating portrait busts and statuettes derived from his public monuments. These unparalleled holdings will be supplemented with loans from private collections and public institutions in the exhibition Augustus Saint-Gaudens in The Metropolitan Museum of Art. The presentation will address the artist's groundbreaking position in the history of late-19th-century American sculpture, his role in advancing American art on the international stage, and the long history of presenting and collecting his work at the Metropolitan Museum.

  • Japanese Mandalas on View at Metropolitan Museum through November 29

    An impressive group of Japanese mandalas—graphic depictions of the Buddhist universe and its myriad realms and deities—are featured in an exhibition on view at The Metropolitan Museum of Art through November 29. Showcasing more than 60 magnificent works—painting, sculpture, drawing, metalwork, stoneware, textile, and lacquer—drawn from major museums and collections in the United States, Japanese Mandalas: Emanations and Avatars illustrates the exceptional and complex world of Esoteric Buddhist art in Japan. Highlights of the exhibition include a set of monumental 13th-century mandalas on loan from the Brooklyn Museum—this pair was selected by the Japanese government to be conserved in Japan. Displayed in tandem with iconographic drawings that explain the character and placement of the deities, the mandalas introduce viewers to the supreme Buddha Dainichi Nyorai, the principal buddha of Japanese Esoteric Buddhism, and his innumerable emanations and avatars across the Buddhist cosmos.

  • Metropolitan Museum's Costume Institute Explores Role of Fashion Models as Muses of Recent Eras

    The Model as Muse: Embodying Fashion, the spring 2009 exhibition organized by The Costume Institute of The Metropolitan Museum of Art, explores the reciprocal relationship between high fashion and evolving ideals of beauty, focusing on iconic fashion models in the latter half of the 20th century and their roles in projecting, and sometimes inspiring, the fashion of their respective eras. The exhibition is on view at the Metropolitan from May 6 through August 9, 2009.

  • Rarely Seen Medieval Drawings on View in New Exhibition at Metropolitan Museum

    With strokes of genius, artists in the Middle Ages explored the medium of drawing, creating a rich panoply of works ranging from spontaneous sketches to powerful evocations of spirituality and intriguing images of science and the natural world. Opening June 2 at The Metropolitan Museum of Art, Pen and Parchment: Drawing in the Middle Ages is the first museum exhibition to examine in depth the achievements of the medieval draftsman. Through some 50 examples created in settings as diverse as a ninth-century monastery and the 14th-century French court, the presentation considers the aesthetics, uses, and techniques of medieval drawings, mastered by artists working centuries before the dawn of the Renaissance. Works from the collection of the Metropolitan Museum are displayed along with important loans from American and European museums, and the great national, university, and monastic libraries of Europe. Many of these manuscripts are so highly prized that they have never before been lent outside of their home countries.

  • Michelangelo's First Painting

    Michelangelo's First Painting, a special exhibition beginning June 16 at The Metropolitan Museum of Art, presents The Torment of Saint Anthony, the first known painting by Michelangelo Buonarroti (Florence 1475- Rome 1564), believed to have been created when he was 12 or 13 years old. Recently acquired by the Kimbell Art Museum, the painting has undergone conservation and technical examination at the Metropolitan Museum. Michelangelo's First Painting will run through September 7, after which the panel will return to the Kimbell Art Museum for display as part of its permanent collection.

  • Photography Exhibition at Metropolitan Museum Captures the Dramatic Transformation of Paris during the Rise and Fall of Napoleon III

    During the reign of Emperor Napoleon III, the narrow streets and medieval buildings of Paris gave way to the broad boulevards and grand public works that still define the urban landscape of the French capital. Napoleon III and Paris, on view at The Metropolitan Museum of Art from June 9 through September 7, 2009, portrays the quickly changing cityscape of Second Empire Paris through a presentation of 40 photographs and 13 works in other media, all drawn from the permanent collection. Spanning the period from 1851 to 1871, the installation begins with a photographic introduction to Napoleon III and his family, then traces the radical transformation of the city under the emperor and his master urban planner Baron Haussmann, and concludes with depictions of the ruins of Paris in the aftermath of the Commune. Many of the works in the installation are by the preeminent photographers of the period, including Gustave Le Gray, Charles Marville, Edouard Baldus, Louis-Émile Durandelle, Alphonse Liébert, and Pierre-Ambrose Richebourg.