Posted: Tuesday, August 26, 2014
Posted: Friday, August 8, 2014
Well known for the outstanding storytelling of his cycles of paintings, the Renaissance artist Vittore Carpaccio (1460/66?–1525/26) was also a prolific draftsman. Four of the artist's drawings are part of the Met's collection and currently on view in the Robert Wood Johnson Jr. Gallery.
Posted: Tuesday, May 27, 2014
In the world of tapestry, it's hip to be square—or rectangular, for that matter. Why, you ask? The answer is quite simple: borders.
You might have noticed that a decorative, tapestry-woven strip traces the edges of many tapestries, which is referred to as the border. While the border is very much a part of the physical tapestry itself, it often has a personality all its own. And, while some border designs were reused on multiple sets of unrelated tapestries, these ornamental edges can still be thought of as something like a thumbprint, a distinguishing characteristic that is apparent only upon close inspection.
Posted: Tuesday, August 30, 2011
I am just back from Berlin, where my colleagues and I participated in the opening celebrations for a beautiful exhibition of fifteenth-century Renaissance portraits from Italy at the Bode-Museum. The show is the result of a remarkable four-year collaboration between the Met's curators and their German counterparts and represents the sort of international exchange that is the core of the Met's mission as a global resource for scholarship. The exhibition will be on view at the Bode-Museum until November 20 and at the Met from December 21, 2011, to March 18, 2012.