Posted: Tuesday, November 25, 2014
Posted: Wednesday, May 21, 2014
The Florence and Herbert Irving Galleries for Chinese Decorative Arts, located on the mezzanine at the north end of the Museum, are filled with extraordinary objects made in materials that include silk, lacquer, and jade. These galleries can only be reached by an elevator or a staircase from the Chinese painting galleries, however, so finding the artworks displayed there can be categorized as "extreme" museum-going: It takes true commitment.
Posted: Friday, February 14, 2014
Duan Jianyu's Beautiful Dream series (2008), currently displayed in the exhibition Ink Art: Past as Present in Contemporary China, showcases clichéd renderings of tourist attractions and scenic Chinese landscapes on flattened cardboard boxes. The charming naiveté of the silhouetted forms belies her witty treatment of the banal subjects and materials: soda-can rings reinforce the Great Wall's bulk, and an exposed area of corrugation simulates rippling water, animating an otherwise bland Guilin representation where the distinct Karst mountain forms are typically shown with reflections in the Li River. By playing with these surface particularities, the artist seems to celebrate the cardboard's well-worn materiality rather than merely exploiting its symbolism to critique consumer culture.
Posted: Tuesday, January 28, 2014
To celebrate the Year of the Horse, the Metropolitan Museum is presenting a selection of exceptional works in Gallery 207 for a limited period.
Since its domestication in prehistoric times, the horse has played an essential role in Chinese life. During the Shang and Zhou dynasties (ca. 1600–256 B.C.) horse-drawn chariots were a sign of high social status and the premier weapon of war. By the fourth century B.C., increasing encounters with nomadic horsemen led to the adoption of mounted cavalry as a dominant force in the battles between rival states that culminated with the unification of the country and establishment of the first Chinese empire—the Qin dynasty (221–206 B.C.).
Posted: Tuesday, January 14, 2014
The current exhibition Small Delights: Chinese Snuff Bottles (on view through June 15, 2014) is drawn entirely from the Museum's extensive collection, and features many works that haven't been shown in decades. These exquisite miniatures not only illustrate the extraordinary technical virtuosity and refined aesthetic sensibility achieved by Qing craftsmen, but also provide a window on life and culture in late imperial China.
Posted: Thursday, December 26, 2013
What does it take to install an exhibition of contemporary Chinese art?
The diversity in scale, media, and format of the seventy-some pieces in Ink Art: Past as Present in Contemporary China have tested the talents and ingenuity of the Museum's incredibly resourceful staff. After a number of advance planning meetings, our installation began in earnest on October 30 in the Early Chinese Buddhist Sculpture Gallery (206)—just off the Great Hall Balcony. There, we planned to display three 16 1/2-foot-tall hanging scrolls from Qiu Zhijie's 30 Letters to Qiu Jiawa, (2009) and the five triptychs of Yang Jiechang's Crying Landscapes (2002). Together, these works would announce to visitors to the Asian Wing that they were entering the world of contemporary China, where old and new often come together.
Posted: Friday, April 8, 2011
Many Americans—and nearly all museum professionals—have noted with great concern the recent reports of the arrest and detention in Beijing of the Chinese artist Ai Weiwei. This news has come just as the City of New York prepares to install the artist's first major American exhibition, Circle of Animals/Zodiac Heads, which opens at Central Park's Grand Army Plaza on May 2.
Posted: Tuesday, May 11, 2010