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Now at the Met

A Tribute to J.D. 'Okhai Ojeikere (1930–2014)

Giulia Paoletti, J. Clawson Mills Fellow, Department of the Arts of Africa, Oceania, and the Americas

Posted: Wednesday, March 5, 2014

On February 2, J.D. 'Okhai Ojeikere, one of the greatest African photographers of the twentieth century, passed away. Over a career that spanned more than fifty years, Ojeikere exhibited internationally in major venues such as the Venice Biennial, Tate Modern, Studio Museum in Harlem, Documenta, and Fondation Cartier pour l'Art Contemporain, among others. He is represented in some of the most prestigious collections, including the Met's, which includes two photographs from his celebrated Hairstyles series.

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A Look at the Life of Bashford Dean

Donald J. La Rocca, Curator, Department of Arms and Armor

Posted: Tuesday, March 4, 2014

In October 2012, the Department of Arms and Armor marked one hundred years as an independent curatorial department, an event celebrated in the current exhibition Bashford Dean and the Creation of the Arms and Armor Department. Through the closing of the exhibition on October 13, 2014, a series of monthly blog posts will look at different aspects of Bashford Dean's unique and multifaceted career as a scientist, soldier, curator, and collector.

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A Reflection from Davos

Thomas P. Campbell, Director and CEO

Posted: Thursday, February 27, 2014

I arrived in Davos this year ready to talk about the critical relevance of culture within the World Economic Forum's annual meetings. But one thing was lingering in my mind and became a critical part of my discussions there. Last November Bill Gates did an interview with the Financial Times newspaper. In it, he said that it was morally questionable to give money to an art museum when there are still diseases that cause blindness in the world. While I greatly admire Mr. Gates's work as a significant philanthropic catalyst, this particular perspective seems limited and counter to the very priorities that he champions in his charitable work.

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In the Footsteps of Buddhist Pilgrims: Sites in North India

Kurt Behrendt, Associate Curator, Department of Asian Art

Posted: Tuesday, February 25, 2014

Last year, in preparation for the exhibition Tibet and India: Buddhist Traditions and Transformations (on view through June 8), I traveled to India to see about a dozen major museum collections. (In 2010 I conducted a similar survey in Tibet, which will be the subject of my next post.) While I was in India I also had the opportunity to study many of the major tenth- to twelfth-century Buddhist sites in the northern part of the country—sites made sacred by the actions of the Buddha. I spent most of my time in Bihar, but I also visited Buddhist centers in Odisha on the east coast.

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On the Road with Napoleon's Architect

Perrin Stein, Curator, Department of Drawings and Prints

Posted: Thursday, February 20, 2014

Before the ease of cameras and social media, there was still the basic human urge to document our journeys, even if that journey was a work assignment from Napoleon. One exquisite example of such a "carnet de voyage," or travel sketchbook, survives intact from 1811 and was presented to the Museum in 2008 as a gift of the Apollo Circle in honor of Philippe de Montebello.

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Dance Heginbotham and Alarm Will Sound Premiere Site-Specific Fly By Wire at the Met

Meryl Cates, Press Officer, Met Museum Presents

Posted: Tuesday, February 18, 2014

Three days into a weeklong series of rehearsals, choreographer John Heginbotham had already created seven minutes of choreography for Fly By Wire, a ten-minute, site-specific performance that will premiere at the Metropolitan Museum on February 20. The piece will be a highlight of the evening-length program Twinned, and will be performed in the Museum's Charles Engelhard Court by his young company, Dance Heginbotham, alongside the Met's artists in residence, Alarm Will Sound. The program features an original score by contemporary composer Tyondai Braxton, as well as music by Aphex Twin and Edgard Varèse.

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Making a Tapestry—How Did They Do That?

Sarah Mallory, Research Assistant, European Sculpture and Decorative Arts

Posted: Tuesday, February 18, 2014

You are walking through a museum, your mind lost in thought (your feet perhaps aching ever so slightly), when suddenly you look up and see a fascinating object. You immediately begin trying to identify the specimen set before you: it's a fabric . . . no, it's an embroidery . . . wait . . . it's . . . the wall label says it's a tapestry! A tapestry?

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What Beautiful Dreams Are Made Of

Xin Wang, Research Assistant, Department of Asian Art

Posted: Friday, February 14, 2014

Duan Jianyu's Beautiful Dream series (2008), currently displayed in the exhibition Ink Art: Past as Present in Contemporary China, showcases clichéd renderings of tourist attractions and scenic Chinese landscapes on flattened cardboard boxes. The charming naiveté of the silhouetted forms belies her witty treatment of the banal subjects and materials: soda-can rings reinforce the Great Wall's bulk, and an exposed area of corrugation simulates rippling water, animating an otherwise bland Guilin representation where the distinct Karst mountain forms are typically shown with reflections in the Li River. By playing with these surface particularities, the artist seems to celebrate the cardboard's well-worn materiality rather than merely exploiting its symbolism to critique consumer culture.

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Ten Reasons to Visit Silla: Korea's Golden Kingdom

Denise Patry Leidy, Curator, Department of Asian Art; and Soyoung Lee, Associate Curator, Department of Asian Art

Posted: Friday, February 14, 2014

With just ten days remaining until the special exhibition Silla: Korea's Golden Kingdom closes on February 23, here are our top ten reasons to visit (or revisit) these exquisite treasures.

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Circles of Influence: A Recently Acquired Print

John Byck, Research Assistant, Department of Drawings and Prints

Posted: Tuesday, February 11, 2014

The Department of Drawings and Prints houses more than 1.2 million prints, dating from the Middle Ages through the present, and the collection is continually expanding. One recent and interesting addition is a rare print by the fifteenth-century German engraver and goldsmith Israhel van Meckenem depicting six religious scenes in roundels.

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About this Blog

Now at the Met offers in-depth articles and multimedia features about the Museum's current exhibitions, events, research, announcements, behind-the-scenes activities, and more.