Posted: Thursday, December 22, 2011
Throughout 2011, our global audience has helped bring new energy to the Met. It's an exciting time for the Museum, marked by outstanding scholarship and incredible new ways to access and explore our collections. This short video captures some of my thoughts about this moment and the tremendous potential the Met's future holds. It comes with my thanks for your continued interest and support.
Posted: Friday, December 16, 2011
Have you ever seen a work of art—on a poster, in a book, on a billboard, or even in one of the Met's galleries—and simply had to know more about it? Now you can. I'm pleased to announce a new collaboration with Google that lets you take a picture of a work of art with your mobile device and link straight to more information on metmuseum.org. This is yet another milestone in our effort to provide global access to our collections.
Posted: Tuesday, December 13, 2011
Sixty-five years ago today, on December 13, 1946, The Costume Institute's first exhibition at the Metropolitan Museum opened to the public.
Posted: Wednesday, December 7, 2011
In commemoration of the tenth anniversary of the events of September 11, 2001, the Museum mounted a small exhibition, The 9/11 Peace Story Quilt in the Ruth and Harold D. Uris Center for Education. On September 11, 2011, Museum visitors from all walks of life participated in various special events at the Museum: a lecture by artist Faith Ringgold—who designed the quilt with New York City youth—poetry readings, and a memorial concert.
Posted: Tuesday, November 22, 2011
Today we launch a new section of the Met's website: The Met Around the World. The work of the Metropolitan Museum reflects the global scope of its collections and extends across the world through a variety of initiatives and programs including exhibitions, excavations, fellowships, professional exchanges, conservation projects, and traveling works of art. All these activities are now consolidated here to allow you to search them by location or category.
Posted: Friday, November 18, 2011
Armor made from steel plates that covered almost the entire body was developed around the late fourteenth century in Northern Italy, and spread north of the Alps soon after. Most early examples were plain, but by the middle of the fifteenth century armorers began to emboss surfaces with ridges and grooves and add gilt copper-alloy applications, transferring current tastes in civilian fashion to create sumptuous garments of steel. The turn of the sixteenth century saw the first elements of armor embellished with etching, a technique that dominated the decor until the end of armor as an art form, in the middle of the seventeenth century.
Posted: Tuesday, November 15, 2011
One hundred and twenty-five years ago today, on November 15, 1886, The Metropolitan Museum of Art's Board of Trustees officially approved the establishment of the institution's first curatorial departments—the Department of Paintings, Department of Sculpture, and Department of Casts.
Posted: Wednesday, November 9, 2011
Caricatures and satires are generally created to comment on specific events or moments in history. The Headache, Enrique Chagoya's print of President Obama, for example, reminds us of the strident debates that took place more than a year ago about changes to the U.S. healthcare system. Chagoya based his image on a nineteenth-century print by George Cruikshank entitled The Head Ache that illustrates a man attacked by hammering and drilling demons who are the source of his woes.
Posted: Friday, November 4, 2011
When I joined the Metropolitan's Exhibitions Office, I could not have imagined the immensity of the work that goes into the exhibitions program. It can take up to five years for an exhibition to turn from a proposal into an installation and involve hundreds of workers across the Museum. In this post, I hope to answer the questions about the exhibitions process that I always had while roaming the galleries as a visitor.
Posted: Monday, October 24, 2011