Posted: Monday, June 28, 2010
When you visit the Met this summer, you will likely come across one of our twenty-two lilac-badged Summer College Interns—assisting visitors at one of the Information Desks (sometimes in a language other than English), lugging monographs out of Watson Library, or taking a break in the shade of Big Bambú. Or you may see us—and even join us—as we lead guided tours of the permanent collection.
Posted: Tuesday, June 22, 2010
Last May, when the seventeenth-, eighteenth-, and early nineteenth-century period rooms in the "old" American Wing building (1924) reopened after several years of renovation, visitors noticed many changes. Some were huge—we had removed several rooms and moved or replaced others—while some were more subtle, like the new lighting.
Posted: Tuesday, June 15, 2010
During my weekly shifts at the reference desk at the Thomas J. Watson Library, I routinely get asked the same question by inquisitive Museum visitors who pass by our doors: "The Museum has a library?" Over the years, I have learned to treat this as an opportunity to promote the library's collection, services, and resources.
Posted: Saturday, June 12, 2010
Eighty-five years ago today, on June 12, 1925, The Metropolitan Museum of Art purchased a collection of medieval sculpture and architectural fragments from George Grey Barnard (1863–1938), a prominent American sculptor and collector. This acquisition formed the nucleus of what would become The Cloisters, the branch of the Museum located in Northern Manhattan and devoted to the art and architecture of medieval Europe.
Posted: Tuesday, June 1, 2010
Eight curators, five conservators, five research scientists, and eight researchers worked together for nearly a year to create our current exhibition Picasso in The Metropolitan Museum of Art and its accompanying catalogue, shedding new light on a subject that one might think had been completely exhausted. Their work revealed many important discoveries, but perhaps none more compelling than the identification of a long-lost painting by the master.
Posted: Tuesday, May 18, 2010
Ever since its inception in the early 1970s, the contemporary Aboriginal art movement in Australia has been continually developing and expanding to embrace an ever widening group of artists, communities, and artistic styles.
Posted: Tuesday, May 11, 2010
Posted: Tuesday, May 4, 2010
As the Senior Manager for Concerts & Lectures at the Met I am extremely proud of our ability to present amazing programs each year. While many of our readers are familiar with the Museum's program of scholarly lectures, some of you may not realize that the Met also has a long tradition of presenting musical events, including special programs just for families.
Posted: Wednesday, April 28, 2010
What do you get when you mix a groundbreaking exhibition, a cutting-edge curatorial team, two enthusiastic Museum educators, and a great American fashion company? A T-shirt design competition for teens!
Posted: Tuesday, April 27, 2010
Live snakes, talcum powder, cassette tapes, dust. These are a few of the unusual materials used to create the photographs currently on view in Surface Tension: Contemporary Photographs from the Collection. For many artists today, the process of making a photograph involves much more than just pointing a camera and clicking the shutter. In fact, a number of photographs in this exhibition didn't involve a camera at all.