Posted: Thursday, February 2, 2012
A Metropolitan Museum patron interested in Islamic art in the 1880s would have found little of relevance on display.1 By 1910, however, the situation was very much improved, and in the century since then, the Islamic art displays at the Museum have become the largest in the Western world. This essay briefly describes the evolution of the display of Islamic art at the Metropolitan Museum—from the first largely visual exhibitions to the present scholarly organization by style, material, and civilization.
Posted: Tuesday, January 31, 2012
"Pity my life and be my wife."
These words were delivered in a round, white box to a Miss Oliver in Hythe, Southampton, in the mid-nineteenth century. The box contained a beautiful Valentine's Day card covered in lace, with a basket of textile flowers in its center. Although we may never know if Miss Oliver accepted the somewhat woefully expressed petition of the man who loved her, we do know that the card and even its container survived the test of time, cherished at the very least as a keepsake.
Posted: Friday, January 20, 2012
Left: Heroic Africans exhibition catalogue; Right: Commemorative figure of a priestess, 19th century. Cameroon, Grassfields region, Bangwa chiefdom. Bamileke peoples. Wood, pigments. Musée Dapper, Paris (3343)
Alisa LaGamma, curator of Heroic Africans: Legendary Leaders, Iconic Sculptures and author of the accompanying catalogue, recently discussed the Commemorative figure of a priestess, one of the masterpieces from the exhibition, for the Yale University Press blog. Don't miss the rare opportunity to see the powerful figure, on loan from the Musée Dapper, Paris (3343). The exhibition at the Met closes on January 29 before traveling to the Museum Rietberg in Zurich.
Posted: Friday, January 13, 2012
This week we celebrated the completion of the rebuilding of the Met's extraordinary American Wing, and in doing so unequivocally acknowledged the importance of the arts of this nation to the Metropolitan Museum.
Posted: Monday, January 9, 2012
By any standards, Lisbon's Hebrew Bible—now on view at the Met—is a masterpiece of medieval illumination. Its acquisition in 1804 by the National Library of Portugal may be credited to the enlightened intellectualism of the institution's first librarian, António Ribeiro dos Santos.
Posted: Thursday, January 5, 2012
The Museum Library, authorized by the Museum's 1870 charter and formally established in 1880, is one of the world's great collections of art historical research materials. However, thousands of printed books in the Library and other departments of the Museum are deteriorating rapidly through heavy use, acidic paper, or both. In some cases, important information has already been lost.
Posted: Wednesday, January 4, 2012
Posted: Friday, December 30, 2011
At the beginning of 2011 we embarked on a project called Connections, a Web feature that explored the collections through themes that were personal to Met staff. One hundred employees from across the Museum participated in the project, which allowed them to articulate their own distinct relationship with objects in our collections. Some were surprising, others provocative, many deeply moving.
Posted: Thursday, December 22, 2011
Throughout 2011, our global audience has helped bring new energy to the Met. It's an exciting time for the Museum, marked by outstanding scholarship and incredible new ways to access and explore our collections. This short video captures some of my thoughts about this moment and the tremendous potential the Met's future holds. It comes with my thanks for your continued interest and support.
Posted: Friday, December 16, 2011
Have you ever seen a work of art—on a poster, in a book, on a billboard, or even in one of the Met's galleries—and simply had to know more about it? Now you can. I'm pleased to announce a new collaboration with Google that lets you take a picture of a work of art with your mobile device and link straight to more information on metmuseum.org. This is yet another milestone in our effort to provide global access to our collections.