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Now at the Met

Displaying Islamic Art at the Metropolitan: A Retrospective Look

Rebecca Lindsey, Visiting Committee Member, Department of Musical Instruments and Department of Islamic Art

Posted: Thursday, February 2, 2012

A Metropolitan Museum patron interested in Islamic art in the 1880s would have found little of relevance on display.1 By 1910, however, the situation was very much improved, and in the century since then, the Islamic art displays at the Museum have become the largest in the Western world. This essay briefly describes the evolution of the display of Islamic art at the Metropolitan Museum—from the first largely visual exhibitions to the present scholarly organization by style, material, and civilization.

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Love at the Met: Historic Valentines and Paper Kisses

Femke Speelberg, Associate Curator, Department of Drawings and Prints

Posted: Tuesday, January 31, 2012

"Pity my life and be my wife."

These words were delivered in a round, white box to a Miss Oliver in Hythe, Southampton, in the mid-nineteenth century. The box contained a beautiful Valentine's Day card covered in lace, with a basket of textile flowers in its center. Although we may never know if Miss Oliver accepted the somewhat woefully expressed petition of the man who loved her, we do know that the card and even its container survived the test of time, cherished at the very least as a keepsake.

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Featured Publication: Heroic Africans

Nadja Hansen, Former Editorial Assistant, Editorial Department

Posted: Friday, January 20, 2012

Left: Heroic Africans exhibition catalogue; Right: Commemorative figure of a priestess, 19th century. Cameroon, Grassfields region, Bangwa chiefdom. Bamileke peoples. Wood, pigments. Musée Dapper, Paris (3343)

Alisa LaGamma, curator of Heroic Africans: Legendary Leaders, Iconic Sculptures and author of the accompanying catalogue, recently discussed the Commemorative figure of a priestess, one of the masterpieces from the exhibition, for the Yale University Press blog. Don't miss the rare opportunity to see the powerful figure, on loan from the Musée Dapper, Paris (3343). The exhibition at the Met closes on January 29 before traveling to the Museum Rietberg in Zurich.

Now at the Met

The New American Wing Galleries

Thomas P. Campbell, Director and CEO

Posted: Friday, January 13, 2012

This week we celebrated the completion of the rebuilding of the Met's extraordinary American Wing, and in doing so unequivocally acknowledged the importance of the arts of this nation to the Metropolitan Museum.

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Lisbon's Hebrew Bible: An Enlightened Acquisition

Barbara Drake Boehm, Paul and Jill Ruddock Curator, Department of Medieval Art and The Cloisters; and Melanie Holcomb, Curator, Department of Medieval Art and The Cloisters

Posted: Monday, January 9, 2012

By any standards, Lisbon's Hebrew Bible—now on view at the Met—is a masterpiece of medieval illumination. Its acquisition in 1804 by the National Library of Portugal may be credited to the enlightened intellectualism of the institution's first librarian, António Ribeiro dos Santos.

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Digitizing the Libraries' Collections: An Introduction

Robyn Fleming, Assistant Museum Librarian, Thomas J. Watson Library; and Dan Lipcan, Assistant Museum Librarian, Thomas J. Watson Library

Posted: Thursday, January 5, 2012

The Museum Library, authorized by the Museum's 1870 charter and formally established in 1880, is one of the world's great collections of art historical research materials. However, thousands of printed books in the Library and other departments of the Museum are deteriorating rapidly through heavy use, acidic paper, or both. In some cases, important information has already been lost.

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Connecting with Islamic Art at the Metropolitan

Deniz Beyazit, Assistant Curator, Department of Islamic Art

Posted: Wednesday, January 4, 2012

Islamic art, architecture, and cultural traditions are closely related to other artistic movements around the world. In conjunction with the opening of the new Galleries for the Art of the Arab Lands, Turkey, Iran, Central Asia, and Later South Asia, which house works from the Met's Department of Islamic Art, I'd like to take this opportunity to highlight related objects from the Museum's other curatorial departments.

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Connections Reaches 100

Thomas P. Campbell, Director and CEO

Posted: Friday, December 30, 2011

At the beginning of 2011 we embarked on a project called Connections, a Web feature that explored the collections through themes that were personal to Met staff. One hundred employees from across the Museum participated in the project, which allowed them to articulate their own distinct relationship with objects in our collections. Some were surprising, others provocative, many deeply moving.

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A Great Year at the Met

Thomas P. Campbell, Director and CEO

Posted: Thursday, December 22, 2011

Throughout 2011, our global audience has helped bring new energy to the Met. It's an exciting time for the Museum, marked by outstanding scholarship and incredible new ways to access and explore our collections. This short video captures some of my thoughts about this moment and the tremendous potential the Met's future holds. It comes with my thanks for your continued interest and support.

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Google Goggles

Thomas P. Campbell, Director and CEO

Posted: Friday, December 16, 2011

Have you ever seen a work of art—on a poster, in a book, on a billboard, or even in one of the Met's galleries—and simply had to know more about it? Now you can. I'm pleased to announce a new collaboration with Google that lets you take a picture of a work of art with your mobile device and link straight to more information on metmuseum.org. This is yet another milestone in our effort to provide global access to our collections.

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About this Blog

Now at the Met offers in-depth articles and multimedia features about the Museum's current exhibitions, events, research, announcements, behind-the-scenes activities, and more.