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Now at the Met

In the Stars: Gems and the Indian Tradition

Courtney A. Stewart, Senior Research Assistant, Department of Islamic Art

Posted: Wednesday, December 17, 2014

In North America, we have a rather superficial relationship with gemstones. You may be aware that your birth month is connected with a gem—your "birthstone"—but what's the point of this connection? For most of us, the only gem we associate with any real symbolic value is a diamond, reserved for nuptial engagements as a symbol of commitment, but even this is a very recent affiliation stemming from a 1947 De Beers ad campaign "A Diamond is Forever."

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The Sword Awarded to Revolutionary War Hero Colonel Marinus Willett

Betsy Kornhauser, Alice Pratt Brown Curator of American Paintings and Sculpture, The American Wing

Posted: Tuesday, December 16, 2014

The current exhibition Arms and Armor: Notable Acquisitions, 2003–2014 features a magnificent and historically important sword that was presented to the Revolutionary War hero Colonel Marinus Willett (1740–1830). In about 1791, American artist Ralph Earl (1751–1801) painted a full-length portrait of Willett (currently hanging in gallery 753 in The American Wing) that commemorates his extraordinary service during the War. Earl made a point of including a detailed rendition of the sword, which is shown hanging from Willett's waist.

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The Architectural Ornament of Abbasid Samarra: Newly Released Depictions by Ernst Herzfeld

Matt Saba, Mellon Curatorial Fellow, Department of Islamic Art

Posted: Friday, December 12, 2014

The Department of Islamic Art is excited to announce the release of new records from the Ernst Herzfeld Papers, part of the department's archival collections. Herzfeld was a German archaeologist and historian considered to be one of the field's founding fathers. The department began to publish records from the Herzfeld Papers online this summer; the records in this latest upload consist of Herzfeld's watercolors and drawings depicting fragments of architectural ornament he excavated at Samarra, the ninth-century capital of the Abbasid dynasty located in today's Iraq.

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Painting on Silk with Nazanin Hedayat Munroe

Catherine Rust, Studio Programs Intern, Education

Posted: Wednesday, December 10, 2014

In October the Studio Workshop event Silk Painting: Kimono-Inspired Designs explored the rich motifs and exciting compositional choices inspired by works from the exhibition Kimono: A Modern History, currently on view through January 19. Students practiced a variety of silk application methods, including paste resist, block printing, and free-hand painting.

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What's New in Gallery 350: Dogon Metalwork

Yaëlle Biro, Associate Curator, Department of the Arts of Africa, Oceania, and the Americas

Posted: Wednesday, December 10, 2014

A group of fifteen iron and copper alloy miniature sculptures and ornaments has recently been installed in a wall case in gallery 350 dedicated to Dogon art from Mali. Combining three ornaments from the Met's own holdings with works selected from a private collection, this is the largest group of such Dogon miniatures ever featured at the Museum.

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Reflections: Charles Le Brun's Mirrored Presence in the Jabach Portrait

Keith Christiansen, John Pope-Hennessy Chairman, Department of European Paintings

Posted: Wednesday, December 3, 2014

While Michael Gallagher has been busy dealing with the structural issues of Charles Le Brun's great family portrait, I have felt privileged to be an attentive observer. But I have also been thinking about one of the many features that makes this painting so fascinating—the fact that Le Brun included his own reflection in a black-framed mirror propped on a table.

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Looking Closely: An Unexpected Discovery in the Islamic Collection

Fatima Quraishi, 2014–15 Hagop Kevorkian Fellow, Department of Islamic Art

Posted: Wednesday, December 3, 2014

As a new curatorial research fellow in the Department of Islamic Art, I am becoming acquainted with many different aspects of museum life such as museum education and exhibition practices, but I spend most of my time researching our rich collection of Islamic art objects. I've recently been examining a large group of wooden panel pieces, many of which were parts of minbars (pulpits) in mosques in Egypt during the Mamluk period (1250–1517)—some of these are on display in gallery 454. In this group, I came across a rectangular panel (shown above) that is inlaid with carved ivory and bears an inscription in Arabic.

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Reinventing an American Brand: A Poster Competition at LIFE Magazine

Freyda Spira, Associate Curator, Department of Drawings and Prints

Posted: Tuesday, December 2, 2014

Given to the Museum in 1965 by LIFE magazine's creative director of general promotion, Jay W. Cheek, these posters—on view in the current installation in gallery 690 through December 8—were made as part of a campaign for the Pacific Northwest called "Signs of Adolescence."

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Interview with Dita Amory, Curator and Co-author of Madame Cézanne

Rachel High, Editorial Assistant, Editorial Department

Posted: Monday, December 1, 2014

Paul Cézanne is central to the study of modern art, yet one of his most frequently painted subjects, his wife, Hortense Fiquet, is often neglected in the scholarship on the artist. If she is mentioned at all, Hortense is described as ill-humored and as a negative influence on Cézanne's painting. Madame Cézanne, the catalogue accompanying the eponymous exhibition currently on view through March 15, 2015, aims to reevaluate these perceptions of Hortense. I sat down with Dita Amory, curator of the exhibition and co-author of the catalogue, to discuss the book and the complicated, enigmatic relationship between Cézanne and his wife.

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A Ninth-Century Miss Manners: Dining Etiquette in Abbasid Iraq

Julia Cohen, Research Assistant, Department of Islamic Art

Posted: Wednesday, November 26, 2014

With the weather getting colder and Thanksgiving now upon us, my mind has turned to food. Hearty soups, roasted vegetables, and freshly baked bread warm my spirits during the winter months, and there is little I enjoy more than inviting friends and family to join me for meals.

Food and drink are central to celebrations throughout the world, and objects in the Islamic Art collection can tell us so much about people's lives. The tradition of feasting to commemorate important events dates back to pre-Islamic times, both in the Middle East and the rest of the world. The Islamic galleries are filled with serving dishes, storage jars, and drinking vessels that provide a window into the everyday life and celebrations of the many Islamic dynasties represented here.

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Now at the Met offers in-depth articles and multimedia features about the Museum's current exhibitions, events, research, announcements, behind-the-scenes activities, and more.