Posted: Thursday, January 23, 2014
Posted: Tuesday, January 14, 2014
The current exhibition Small Delights: Chinese Snuff Bottles (on view through June 15, 2014) is drawn entirely from the Museum's extensive collection, and features many works that haven't been shown in decades. These exquisite miniatures not only illustrate the extraordinary technical virtuosity and refined aesthetic sensibility achieved by Qing craftsmen, but also provide a window on life and culture in late imperial China.
Posted: Tuesday, January 7, 2014
To coincide with the opening of the exhibition The American West in Bronze, 1850–1925, Thayer Tolles—the Met's Marica F. Vilcek Curator of American Paintings and Sculpture in The American Wing—has coauthored an evocative catalogue that explores the themes of the Old West as brought to life in enduringly popular sculptures. The publication includes new photography, essays that consider the complex role artists played in constructing the public perception of the West, and an illustrated chronology of historical and artistic events.
Posted: Tuesday, January 7, 2014
A riddle, if you will: What type of artwork did Henry VIII love so much that he owned at least 2,500 examples, and Louis XIV and the Medici family value so immensely that they each established their own production workshops?
Posted: Monday, January 6, 2014
Today, January 6, marks the Feast of the Epiphany, also known as Three Kings Day. This festival is widely celebrated, especially in western Christianity, as the day that the three wise men offered frankincense, myrrh, and gold to the Christ Child following their long journey from the East. This year, Three Kings Day is especially auspicious for the Museum's collection because today we celebrate the exceptional reunification of the sculptures pictured above.
Posted: Friday, January 3, 2014
The lush green hue of this Chinese court robe was created using peacock feathers, which were twisted onto silk threads before weaving the garment. The use of such peacock-feather threads is thought to have begun in China in the fifth century. However, the first preserved examples date to the early seventeenth century, and costumes woven with peacock feathers are extremely rare. This robe, which has not been displayed for more than fifty years, is now on view in Power and Prestige: Chinese Dragon Robes, 18th–21st Century.
Posted: Friday, December 27, 2013
Posted: Thursday, December 26, 2013
What does it take to install an exhibition of contemporary Chinese art?
The diversity in scale, media, and format of the seventy-some pieces in Ink Art: Past as Present in Contemporary China have tested the talents and ingenuity of the Museum's incredibly resourceful staff. After a number of advance planning meetings, our installation began in earnest on October 30 in the Early Chinese Buddhist Sculpture Gallery (206)—just off the Great Hall Balcony. There, we planned to display three 16 1/2-foot-tall hanging scrolls from Qiu Zhijie's 30 Letters to Qiu Jiawa, (2009) and the five triptychs of Yang Jiechang's Crying Landscapes (2002). Together, these works would announce to visitors to the Asian Wing that they were entering the world of contemporary China, where old and new often come together.
Posted: Monday, December 23, 2013
With less than a month left to see the exhibition Balthus: Cats and Girls—Paintings and Provocations at The Metropolitan Museum of Art, I sat down with Sabine Rewald—Jacques and Natasha Gelman Curator in the Department of Modern and Contemporary Art, and author of the accompanying exhibition catalogue—to discuss her many years of fascination with Balthus, as well as her latest research that has brought such a renewed richness to the artist's subjects.
Posted: Friday, December 20, 2013
Since the establishment of the Print Department in 1916 there has been a clear mission to gather all types of printed material ranging from Rembrandt's magnificent and widely collected etchings to the more ephemeral, which includes, among many others things, American and European trade and calling cards, bookplates, illustrated catalogues, and even greeting cards.