Posted: Tuesday, May 17, 2011
In the second half of the nineteenth century, archaeologists began to focus on understanding prehistoric Greece and its extraordinary flowering during the Greek Bronze Age (about 3000–1050 B.C.). Heinrich Schliemann's discovery of wealthy tombs at Mycenae in 1876 brought to life the Heroic Age immortalized in the epic poetry of Homer, in which King Agamemnon’s palace was described as "rich in gold."
Posted: Friday, May 13, 2011
My first day as senior manager of the Museum's Uris Center for Education in July 2010 was an exhilarating and hectic day, chock-full of new information, faces, and experiences. The third annual P.S. Art exhibition was on display in the corridor alongside Carson Family Hall, and the space was alive with the expressive and vibrant artwork of New York City public school students. This burst of artistic energy greeted me every morning until it came time to return the artwork to the talented young artists who had created it. Now empty, beige, and boring, the cases begged for something to fill them. I thought, "This area needs some visuals to introduce visiting schoolchildren to the Met experience. These walls should never be bare!" I began thinking about what we could exhibit that would be visually stimulating and representative of the Uris Center's educational mission.
Posted: Thursday, May 12, 2011
It was a very significant week for the future of the Met.
Posted: Friday, May 6, 2011
Posted: Tuesday, April 26, 2011
The Met produces around thirty publications a year, including special exhibition and permanent collection catalogues, guides, the quarterly Bulletin, the annual Journal, and many other special projects. As an assistant in the Editorial Department, I get a glimpse of all stages of production, from the initial proposal until the time the bound book arrives on my desk. Each project can take more than a year and requires close collaboration among the contributors—curators, photographers, designers, outside authors, and, occasionally, collectors—and the editorial staff.
Posted: Monday, April 18, 2011
The illustrations of the Washington Haggadah, currently on loan to the Metropolitan from the Library of Congress, suggest—with a touch of humor and not a little humanity—some of the challenges inherent in following the instructions for celebrating the Passover seder.
Posted: Friday, April 8, 2011
Many Americans—and nearly all museum professionals—have noted with great concern the recent reports of the arrest and detention in Beijing of the Chinese artist Ai Weiwei. This news has come just as the City of New York prepares to install the artist's first major American exhibition, Circle of Animals/Zodiac Heads, which opens at Central Park's Grand Army Plaza on May 2.
Posted: Wednesday, April 6, 2011
Eighty-five years ago today, on April 6, 1926, The Metropolitan Museum of Art opened the "Pompeian Court," a new gallery space for classical art, to the public. Located in the Museum's recently constructed southern wing ("Wing K") designed by McKim, Mead and White, this gallery space was the company's last for the Metropolitan since becoming its official architect in 1904.
Posted: Friday, April 1, 2011
Sixty-five years ago this weekend, on April 2, 1946, The Metropolitan Museum of Art held a special ceremony inaugurating its seventy-fifth anniversary. One of the highlights of the day was a presentation honoring General Dwight D. Eisenhower in recognition of his oversight of the repatriation of artworks stolen by the Nazis during World War II.
Posted: Monday, March 28, 2011
One hundred and forty years ago today, The Metropolitan Museum of Art made its first purchase of works of art—a group of 174 European old master paintings that became known as the "Purchase of 1871." William T. Blodgett, a founding member and Trustee of the Museum, facilitated the acquisition.