Posted: Friday, May 6, 2011
Posted: Tuesday, April 26, 2011
The Met produces around thirty publications a year, including special exhibition and permanent collection catalogues, guides, the quarterly Bulletin, the annual Journal, and many other special projects. As an assistant in the Editorial Department, I get a glimpse of all stages of production, from the initial proposal until the time the bound book arrives on my desk. Each project can take more than a year and requires close collaboration among the contributors—curators, photographers, designers, outside authors, and, occasionally, collectors—and the editorial staff.
Posted: Monday, April 18, 2011
The illustrations of the Washington Haggadah, currently on loan to the Metropolitan from the Library of Congress, suggest—with a touch of humor and not a little humanity—some of the challenges inherent in following the instructions for celebrating the Passover seder.
Posted: Friday, April 8, 2011
Many Americans—and nearly all museum professionals—have noted with great concern the recent reports of the arrest and detention in Beijing of the Chinese artist Ai Weiwei. This news has come just as the City of New York prepares to install the artist's first major American exhibition, Circle of Animals/Zodiac Heads, which opens at Central Park's Grand Army Plaza on May 2.
Posted: Wednesday, April 6, 2011
Eighty-five years ago today, on April 6, 1926, The Metropolitan Museum of Art opened the "Pompeian Court," a new gallery space for classical art, to the public. Located in the Museum's recently constructed southern wing ("Wing K") designed by McKim, Mead and White, this gallery space was the company's last for the Metropolitan since becoming its official architect in 1904.
Posted: Friday, April 1, 2011
Sixty-five years ago this weekend, on April 2, 1946, The Metropolitan Museum of Art held a special ceremony inaugurating its seventy-fifth anniversary. One of the highlights of the day was a presentation honoring General Dwight D. Eisenhower in recognition of his oversight of the repatriation of artworks stolen by the Nazis during World War II.
Posted: Monday, March 28, 2011
One hundred and forty years ago today, The Metropolitan Museum of Art made its first purchase of works of art—a group of 174 European old master paintings that became known as the "Purchase of 1871." William T. Blodgett, a founding member and Trustee of the Museum, facilitated the acquisition.
Posted: Tuesday, March 22, 2011
In its earliest decades, the Met's mission was centered on the idea that exposure to great works of art could elevate both the public's aesthetic sensibilities and what America, as an emerging manufacturing power, actually produced. I cannot help but think about this 140-year-old sentiment today as I watch fourteen Moroccan craftsmen in our galleries building a courtyard to accompany the magnificent works of art in our Islamic collection. What an extraordinary challenge to create something both historic and new, steeped in the traditions of the past, but crafted in fresh and modern circumstances: the gentle arabesque of hand-carving shown under LED lights.
Posted: Wednesday, March 16, 2011
The Met is always interested in both new audiences and new perspectives. In 2009, we created an initiative called Spectrum to produce events that shed fresh light on our collections and exhibitions. Programs have included conversations with artists, a story-telling event co-hosted with The Moth, and live musical performances, all connected to the works of art in our galleries.
Posted: Wednesday, March 9, 2011
Many of you may already know about Foursquare, which lets smartphone users share their location with friends and get tips and special discounts from the places they visit. But did you know that it also lets you connect with the Met?